13 KHANQAHI NIZAM - University of the Punjabpu.edu.pk/images/journal/jihat-ul-islam/PDF/13...
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Transcript of 13 KHANQAHI NIZAM - University of the Punjabpu.edu.pk/images/journal/jihat-ul-islam/PDF/13...
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àð�:"Student had to learn and teacher of calligraphy were paid for
their labour, though teaching does not seem to have been a road to
fortune, some calligrapher doubled as book dealers, selling what
they produced and often employing other scribe. Although, primarily
patronage like that awarded Umar Aqta, could pay lavishly. It was
rarely a secure living dependent as it was upon a patron, fortune,
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taste and passion for the art commitment could be mutable, moral
professional self-discipline. The long years of diligent application had
passed before a student could hope claim proficiency in the most
exalted of Islamic Arts. As the teachers and lecturers (Sing Mudaras)
gathered with their students in new residential college maintained by
the appropriate salaries. So the Sufies, the Shaykhs and the
Neophytes lived and assembled for their devotions in foundation
variously called Khanqahs, Ribats or Zayiyas. Specialized off shoots
from the Madrasa concept were center for the study of (Quran Sing
Darul Quran) and similarly those for the traditions of the Prophet
(Singh Darul Hadith)." (8)
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{Õ{ÃgÏÂìTÆpF,šMÆ�˜VH,ÉÑZzg¡zZÜtÅi½Š~YC)21( ìX~{Õ{ÆaiZzt»ÂZEwƒ@*ìX
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(4) Annemarie Schimmel, Islamic Culture and Calligraphly, London ,1990
P-34
†ZéxD+gö¬XQgŠz!*iZgуg1691Ym8 )5((6) Mort in Lings,The Quranic Art of Call igraphy and i l lustrat ion
westharm,1976 P-15
462 ¢:9)�ÑðDŠc5102Y(Ñg{:1 qã^lö]Ÿô‰¡Ý
(7) Michael Hamilton Burgoyne, Mumluk Jerusalem, An archectural Study,
British School of Archalelogy in Jeruslem, World of Islam Festival Trust
Paris,1987, P.P-55-56
(8) Ibid, p 56
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(32) Ann Marie Schimmel Op. Cit
/////////////
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