1 Economics of comunication COM – Degree in Corporate Communication 60 hours 9 credits Professor:...

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1 Economics of comunication COM – Degree in Corporate Communication 60 hours 9 credits Professor: Marco Gambaro office: room 24, 2° floor, via conservatorio 7 [email protected] office hours: Thursday from 10,30 to 13,30

Transcript of 1 Economics of comunication COM – Degree in Corporate Communication 60 hours 9 credits Professor:...

Page 1: 1 Economics of comunication COM – Degree in Corporate Communication 60 hours 9 credits Professor: Marco Gambaro office: room 24, 2° floor, via conservatorio.

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Economics of comunicationCOM – Degree in Corporate Communication

60 hours 9 credits

Professor:Marco Gambaro

office: room 24, 2° floor, via conservatorio [email protected]

office hours: Thursday from 10,30 to 13,30

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abstract• This course is a survey of economic issues in

communication and cultural industries.• It examines some of the special aspects of these

businesses that complicate the market processes, such as the particular nature of demand for experience goods, pricing strategy, scale economies and obstacles to market equilibrium that motivate public policy

• The goal is to give economic instruments for the analysis of the areas of communication and their specific problems with regard to competition, business strategies and public policies

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Course objectives

• We will survey several industries to provide an overview of the markets for different kinds of information goods.

• We will use the tools of microeconomics and of industrial economics to provide insights about features and processes that explain the specific outcomes observed in the markets for experience goods, cultural goods and information goods.

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Why economics of communication and culture ?

• There Are Unique Aspects of the Market– Creative talent in production – the creator has a personal interest in the product.– Pricing decisions – many opportunities for strategic pricing.– Zero marginal cost, production vs. replication/distribution.– Relationship between buyer and seller – artists and fans.– Market complementarities shape market structures – winner take all markets.– Demand aspects are unlike conventional commodity markets.

• There Are Some Commonalities that Allow Conventional Economic Analyses– Production concepts – the nature of production and supply, technological

change.– Market dynamics – market structure, market power, market outcomes.– Demand concepts – elasticity, consumer surplus, pricing.

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Industries examinated will include:

• Movie business: the project nature of production, vertical integration, specific contingent contract

• Music and publishing with emphasis on intellectual property• Television and radio and the fundamental differences between

public and private broadcasting market• Art market• Live performances• Museum and cultural heritage• Book publishing

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Some contents

Production and costs (fixed and variable)

Demand and elasticity

Perfect competition and monopoly

Oligopoly

Vertical integration

Market definition and concentration

Windowing and price discrimination

Definition of media markets

Two sided market

Barriers to entry

Collusion and price war

Differentiation

Pricing

Advertising and competition

Public policy and antitrust

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Some contents• Costs desease• Team production• Subsidies in cultural sector• Merit goods• Principal agent model• Copyright and piracy• Transaction cost theory of the firm• Product novelty and perceived risk, nobody

knows• Search and information costs: gate keepers and

critics, network effects, banwagon and snowball

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textbooks

• Ruth Towse, A textbook of cultural economics, Cambridge University Press

• Lipczynski, Wilson, Goddard, Industrial organization: competition, strategy, policy, Prentice Hall

• Evan, Schmalensee, The industrial organization of market with two sided platform , downlodable papers (ariel)

• Teaching notes downlodable (ariel)

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Course agenda

Week 1-6 lectures (with some cases, policy discussions and guest lectures)

Week 7: midterm exam

Week 7-10 assisted group projectwork (market study, industry analysis)

Week 10 Presentations

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Course requirements

If you attend lectures, course grade will be based on:• Mid-term written exam (7-8 short answer) 50%• Written assignement 25%• Presentation 15%• Cases and class exercise 10%

If you will not attend the lectures, grade will be based on a written exam with a slightly larger text list

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Prerequisites

• Some basic economic ideas about supply and demand; competition and monopoly

• Some knowledge of media organizations and markets. Information products

• Some familiarity with graphs and curve representations

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In order to remember

Some chapters of any basic book of economics

Lieberman-Hall, Economics: principles and applicationsSlomann, Garrett, Essentials of economicsFrank, Microeconomics and behaviours

For media, culture and communication

Opening chapters of Towse’s bookGillian Doyle, Understanding media economics, SageAlan Albarran, Media Economics: Understanding Markets,

Industries and Concepts

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• If firms have market power they can increase prices

• How do they build market power and how do they conserve it?

• Which are the consequences for different agents and for the society as a whole?

• What can public policies and industrial policies make about that?

Some starting points

Page 14: 1 Economics of comunication COM – Degree in Corporate Communication 60 hours 9 credits Professor: Marco Gambaro office: room 24, 2° floor, via conservatorio.

Long Run Trend: Hours Worked US 1850-1956

Hours worked stops falling; hours spent on recreation (not working) stops rising.

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Page 15: 1 Economics of comunication COM – Degree in Corporate Communication 60 hours 9 credits Professor: Marco Gambaro office: room 24, 2° floor, via conservatorio.

Recent trend in hours worked (weekly, average), 1965-2009

Economic fluctuations have much greater impact on manufacturing than on services.

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Spending on recreation is growing in absolute terms

Per capita, real spending on recreation

and recreation services.

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The long run trend in recreation expenditure as a proportion of real income is growing

Recreation as a % of Disposable Income

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Page 18: 1 Economics of comunication COM – Degree in Corporate Communication 60 hours 9 credits Professor: Marco Gambaro office: room 24, 2° floor, via conservatorio.

The form of recreation spending is changing

Service Component of Recreation Expenditures

Service = Movies, Sports, … (passive) 1959-200918

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Adding It Up• Household income is not rising very much• Time spent working is steady or falling slightly• Time spent on recreation is no longer rising• Budget allocated to:

– entertainment, health care are rising– food and clothing are falling

• Growing entertainment market is driven by– budget reallocation – changes in preferences.– changing technologies and falling prices

• Demand in the recreational segment of the economy is rising faster than overall output.

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Economic features of information goods

• Intangible• Non rival in consumption• Hardly excludable• Difficult define iownership

• MANY FEATURES LIKE PUBLIC GOODS

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Business models for information goods

Three main strategies• Advertising• Selling the product ( subscription)• Public support

Mixed stategies are emerging in digital world• Fremium• Complementary products• Flat rate (all you can eat)

Page 22: 1 Economics of comunication COM – Degree in Corporate Communication 60 hours 9 credits Professor: Marco Gambaro office: room 24, 2° floor, via conservatorio.

Costs of information goods

Cheap to distributeCheap to distribute

Unitary costs of reproduduction are very low

Costant marginal cost

(small scale economies in industrial segment)

Raise the output will reduce average costs

Costly to produce Costly to produce

Usually high initial fixed costUsually high initial fixed cost

Mainly sunk sunk

(price war and more risks)

Traditional equilibrium does not always work

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