02 Society and the Individual
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Transcript of 02 Society and the Individual
SOCIETYSOCIETY
ANDAND
THE INDIVIDUALTHE INDIVIDUAL
modern theories question the view that modern theories question the view that literature is something separate from the world literature is something separate from the world or that it simply reflects the worldor that it simply reflects the world
literature is not aesthetically detached: it is literature is not aesthetically detached: it is as much a part of reality as a reflection on itas much a part of reality as a reflection on it
four approaches: four approaches: class, gender, sexual class, gender, sexual identity, subjectivityidentity, subjectivity
IntroductionIntroduction
the issue of class is the issue of class is usually ignoredusually ignored because because of the individuals who represent universal of the individuals who represent universal qualitiesqualities
the main focus of the plot is usually on the the main focus of the plot is usually on the behaviour of individual charactersbehaviour of individual characters
questions of class can be neglected or questions of class can be neglected or subordinated, which reinforces the status quosubordinated, which reinforces the status quo
Marx Marx - cultural artefacts are largely designed - cultural artefacts are largely designed to reinforce the interests of the privileged classto reinforce the interests of the privileged class
ClassClass
Marx - privileged vs the exploited classMarx - privileged vs the exploited classculture is a product of economic and social culture is a product of economic and social
forcesforcesIt is not the consciousness of men that It is not the consciousness of men that
determines their being, but on the contrary, determines their being, but on the contrary, their social being that determines their their social being that determines their consciousness.consciousness.
literature is seen primarily as a literature is seen primarily as a form of form of ideologyideology
MarxMarx
Ideology - a way of legitimating the power of Ideology - a way of legitimating the power of the ruling class in societythe ruling class in society
the most effective ideology is that which the most effective ideology is that which we are unaware ofwe are unaware of
Louis AlthusserLouis Althusser - - ideological state ideological state apparatuses (ISAs), repressive state apparatuses (ISAs), repressive state apparatuses (RSAs)apparatuses (RSAs)
RSAs - institutions - the police, armed forces, RSAs - institutions - the police, armed forces, penal system...penal system...
ISAs - arise from within society - religion, ISAs - arise from within society - religion, education, cultureeducation, culture
ISAs appear to be natural, but are ISAs appear to be natural, but are very much very much bound up with class structure, gender and bound up with class structure, gender and subjectivitysubjectivity
Pip's gentrification in Pip's gentrification in Great ExpectationsGreat Expectations offers the reader an unrealistic myth about offers the reader an unrealistic myth about individual achievementindividual achievement
AlthusserAlthusser - ideology turns people into - ideology turns people into subjects; people are positioned or interpellated subjects; people are positioned or interpellated to see events in a certain wayto see events in a certain way
the myth of individualismthe myth of individualism in capitalism is in capitalism is convenient for the ruling class because it lets convenient for the ruling class because it lets people believe they can influence their livespeople believe they can influence their lives
Antonio GramsciAntonio Gramsci - ruling classes rule by - ruling classes rule by indirect means; people actively work towards indirect means; people actively work towards their own subordinationtheir own subordination
culture reinforces the dominant power culture reinforces the dominant power relations of societyrelations of society
the effectiveness of the effectiveness of common sense as a form common sense as a form of knowledgeof knowledge - requires no justification - requires no justification
what seems to be naturally right in fact what seems to be naturally right in fact represents the societal valuesrepresents the societal values
unlike the 19th century realist novels, many unlike the 19th century realist novels, many modern works do not encourage identification modern works do not encourage identification with characters or immersion in the plotwith characters or immersion in the plot
HegemonyHegemony
it is usually thought that language is a neutral, it is usually thought that language is a neutral, transparent medium for describing the worldtransparent medium for describing the world
the term discourse radically reverses it - the term discourse radically reverses it - meaning and our sense or knowledge of the meaning and our sense or knowledge of the world is located in languageworld is located in language
language is responsible for producing language is responsible for producing meaningmeaning
language is never neutral or ideologically language is never neutral or ideologically innocentinnocent
Michel FoucaultMichel Foucault - the social world can be - the social world can be seen as composed of a range of discourses seen as composed of a range of discourses functioning around the institutions which they functioning around the institutions which they are part ofare part of
DiscourseDiscourse
discourses of gender and race privileged discourses of gender and race privileged certain groupscertain groups
the normative reader is usually referred to as the normative reader is usually referred to as 'he''he'
by studying a text by studying a text through discursive through discursive organizationorganization instead of the traditional instead of the traditional categories of character, plot and morality, categories of character, plot and morality, different meanings become availabledifferent meanings become available
explored the explored the sociology of the textsociology of the text as as opposed to the psychology of individual opposed to the psychology of individual characterscharacters
Hungarian Hungarian Georg LukácsGeorg Lukács - a novel must be - a novel must be assessed on its ability to reflect the historical assessed on its ability to reflect the historical and material conditions of societyand material conditions of society
realism was not a question of physical realism was not a question of physical verisimilitudeverisimilitude
rejected subjective and experimental worksrejected subjective and experimental works
Marxist criticismMarxist criticism
Victor ShklovskyVictor Shklovsky - art needs to shock, to - art needs to shock, to defamiliarize and subvert our sense of the defamiliarize and subvert our sense of the normalnormal
Bertolt BrechtBertolt Brecht - defamiliarization - breaking - defamiliarization - breaking with the conventions of theatrical realism; with the conventions of theatrical realism; revealing the mechanismsrevealing the mechanisms
his theatre was constructed around his theatre was constructed around fragmentation and discontinuityfragmentation and discontinuity
Walter BenjaminWalter Benjamin - - mass circulationmass circulation - - potentially a liberating force for people who potentially a liberating force for people who had previously been denied accesshad previously been denied access
the Frankfurt Schoolthe Frankfurt School (Marcuse, Adorno) - (Marcuse, Adorno) - dismissed realism and celebrated dismissed realism and celebrated modernist modernist detachment from realitydetachment from reality
Pierre MachereyPierre Macherey - a text functions at - a text functions at two two levelslevels: the surface ideology and a hidden or : the surface ideology and a hidden or unconscious levelunconscious level
Fredric JamesonFredric Jameson - - centrality of the context centrality of the context of reading of reading rather than a context in which a rather than a context in which a work was written; all literary criticism is work was written; all literary criticism is inherently ideologicalinherently ideological
the place of women in literaturethe place of women in literaturethe male is usually regarded as the normthe male is usually regarded as the normde Beauvoir - de Beauvoir - 'He is the Subject, he is the 'He is the Subject, he is the
Absolute - She is the OtherAbsolute - She is the Other.'.'sex sex indicates indicates biological differencesbiological differencesgendergender signifies the signifies the socially constructed socially constructed
differencesdifferenceswhat is usually presented as natural is what is usually presented as natural is
basically socially constructedbasically socially constructed
GenderGender
1792 - Mary Wollstonecraft's 1792 - Mary Wollstonecraft's A Vindication of A Vindication of the Rights of Womanthe Rights of Woman - improving women's - improving women's educationeducation
Virginia WoolfVirginia WoolfCan a male writer adequately represent Can a male writer adequately represent
female experience?female experience?in literary texts, women usually play less in literary texts, women usually play less
significant roles than mensignificant roles than menthe kind of subjects deemed worthy of the kind of subjects deemed worthy of
treatment - treatment - 'female' issues underrepresented'female' issues underrepresented
Virginia Woolf's Virginia Woolf's A Room of One's OwnA Room of One's Own (1928) - point of departure of a feminist (1928) - point of departure of a feminist criticismcriticism
challenging the dominant gender challenging the dominant gender discoursesdiscourses
if Shakespeare had had a sister with the same if Shakespeare had had a sister with the same genius, she wouldn't have been able to genius, she wouldn't have been able to express it in a male-dominated societyexpress it in a male-dominated society
ideological role of languageideological role of language in constructing in constructing gendergender
Dale SpenderDale Spender - - two language categoriestwo language categories - - male and minus malemale and minus male
knowledge is male centred and discriminates knowledge is male centred and discriminates against women against women
Cora KaplanCora Kaplan - - 'subjectivity of women of other 'subjectivity of women of other classes, races and different sexual classes, races and different sexual orientations can never be authentically orientations can never be authentically represented by the white, heterosexual, represented by the white, heterosexual, middle-class woman writermiddle-class woman writer.'.'
two strands of feminismtwo strands of feminismAnglo-American traditionAnglo-American tradition - Elaine - Elaine
Showalter, Ellen Moers - establishing an Showalter, Ellen Moers - establishing an alternative tradition of women writersalternative tradition of women writers
French traditionFrench tradition - Julia Kristeva, - Julia Kristeva, Hélène Hélène Cixous Cixous - more attention to the text itself, didn't - more attention to the text itself, didn't entirely exclude male writersentirely exclude male writers
Woolf's Woolf's OrlandoOrlando (1928) - the central character (1928) - the central character undergoes a sex changeundergoes a sex change
Oscar Wilde - strong female and weak male Oscar Wilde - strong female and weak male characterscharacters
Winterson - Winterson - Oranges Are Not The Only FruitOranges Are Not The Only Fruit - - lesbian relationshipslesbian relationships
films such as films such as The Crying GameThe Crying Game utilize utilize transgender themestransgender themes
Judith ButlerJudith Butler questions the binary relationquestions the binary relation of men and women; it can reinforce power of men and women; it can reinforce power structuresstructures
SEXUAL IDENTITYSEXUAL IDENTITY
most literary texts articulate highly individual most literary texts articulate highly individual experienceexperience
most texts contain most texts contain individualized charactersindividualized characters with whom we tend to with whom we tend to identifyidentify as readers as readers
works which question the individual are very works which question the individual are very much exceptions much exceptions
usually not considered great because they fail usually not considered great because they fail to present reality in terms of individualized to present reality in terms of individualized experienceexperience
SUBJECTIVITYSUBJECTIVITY
poststructuralism poststructuralism - the individual no longer - the individual no longer considered a coherent, unified, self-contained considered a coherent, unified, self-contained entity, but became fragmented and conflictedentity, but became fragmented and conflicted
various forces position the individual in various forces position the individual in different and contradictory waysdifferent and contradictory ways
the individual is subject to the forces of the individual is subject to the forces of control operating in a given societycontrol operating in a given society
character studycharacter study often dominated criticism often dominated criticism providing the most obvious point of accessproviding the most obvious point of access
fictional characters were assessed in terms of fictional characters were assessed in terms of their lifelike qualitiestheir lifelike qualities
the readerthe reader is normally addressed so that the is normally addressed so that the text coheres around himtext coheres around him
devices such as devices such as point of view and narrationpoint of view and narration lend themselves to specific interpretationslend themselves to specific interpretations
some texts subvert the reader's position some texts subvert the reader's position (Tristram Shandy)(Tristram Shandy)
the essence of the essence of 'Realist' strategy'Realist' strategy - to - to impose impose a general ideologya general ideology through the psychological through the psychological plausibility of a particular caseplausibility of a particular case
we are invited as readers to we are invited as readers to share the share the insights of central charactersinsights of central characters or the narrator or the narrator
we should be aware that we should be aware that character-centred character-centred approach is a textual deviceapproach is a textual device and part of the and part of the conventions of literary discourseconventions of literary discourse
Freud's modelFreud's model lays claim to discovering an lays claim to discovering an area of activity hidden from us in everyday lives area of activity hidden from us in everyday lives - a kind of determining reality- a kind of determining reality
superego, ego, id, pleasure principle, erossuperego, ego, id, pleasure principle, erosmodernist writing encouraged ways of reading modernist writing encouraged ways of reading
which looked for which looked for meanings beyond the meanings beyond the apparentapparent
condensationcondensation - ways in which an image or - ways in which an image or word can acquire a number of meaningsword can acquire a number of meanings
Heart of DarknessHeart of Darkness
Psychoanalytic approachesPsychoanalytic approaches
displacementdisplacement - a concept is transformed into - a concept is transformed into an apparently unrelated image allowing the an apparently unrelated image allowing the repressed element to be representedrepressed element to be represented
Kafka's Kafka's MetamorphosisMetamorphosismeanings arise through interaction and meanings arise through interaction and
collaboration of collaboration of the text and the readerthe text and the readerLacanLacan refined Freud's approach refined Freud's approachthrough language the individual gains his through language the individual gains his
subject positionssubject positionsmale identity is constructed in positive terms male identity is constructed in positive terms
as the normas the norm
MetamorphosisMetamorphosis can be interpreted as an can be interpreted as an expression of the death wish emanating from expression of the death wish emanating from the unconsciousthe unconscious
meaning seems to be postponed or deferredmeaning seems to be postponed or deferred
MetamorphosisMetamorphosis can be interpreted as an can be interpreted as an expression of the death wish emanating from expression of the death wish emanating from the unconsciousthe unconscious
meaning seems to be postponed or deferredmeaning seems to be postponed or deferred
• Ebert: Ebert: Rosebud is the emblem of the security, Rosebud is the emblem of the security, hope and innocence of childhood, which a man hope and innocence of childhood, which a man can spend his life seeking to regain. It is the can spend his life seeking to regain. It is the green light at the end of Gatsby's pier; the green light at the end of Gatsby's pier; the leopard atop Kilimanjaro, seeking nobody leopard atop Kilimanjaro, seeking nobody knows what; the bone tossed into the air in knows what; the bone tossed into the air in ``2001.'' It is that yearning after transience that ``2001.'' It is that yearning after transience that adults learn to suppressadults learn to suppress..
Citizen KaneCitizen Kane