Printed in Japan

This document is printed on chlorine-free (ECF) paper with soy ink.

www.yamahaproaudio.com

LPA549

STAGEPAS 500 STAGEPAS 300

STAGEPAS 250M STAGEPAS 150MBlock Diagrams

• Specifications and appearance subject to change without notice. • All trademarks and registered trademarks are property of their respective owners.

INPUT(CH1~4)

LOW

HIGH

L

INPUT(CH5/6)

R

BAEQ

BA

BA

LOW HIGH

EQ

EQ

BA

BA

BA

LEVEL

LEVEL

REVERB

SUM

SUM

SUM

L/L+R

LLIMITER[-8dBu]

BA

BA

MONITOR OUT

BALIMITERSP EQ

REVERB

R

L

MONITOR OUT

R

R

[-8dBu]

L

INPUT(CH7/8)

R

BA

BA

LOW HIGH

EQ

EQ

BA

BA

LEVEL

HPF

HPF

DIGITAL EFFECT BA

HA

MUSIC

LIMITER

MASTER LEVEL

SPEECH

MUSICL

R

REC OUT

SPEAKER OUTMIC/ LINE

SPEECH

MUSIC

SPEECH/ MUSIC

EFFE

CT

L R

PA

PA

-1SP EQ

[+4dBu]

[-8dBu] [+23dBu][+10dBu]

[-10dBu]

PAD: 30dB

[-60 ~ +15dBu]

[-50 ~ +25dBu]

[-20 ~ +25dBu]

[-20 ~ +25dBu]

INPUT(CH1-2)

LOW

HIGH

L

INPUT(CH7/8)

R

BA

EQ

BA

BA

LOW HIGH

EQ

EQ

BA

BA

BA

LEVEL

LEVEL

REVERB

SUM

SUM

SUM

L/MONO

LLIMITER

[-8dBu]

BA

BA

MONITOR OUT

BALIMITERSP EQ

REVERB

R

L

MONITOR OUT

R

R

[-8dBu]

L

INPUT(CH9/10)

R

BA

BA

LOW HIGH

EQ

EQ

BA

BA

LEVEL

HPF

HPF

DIGITAL EFFECT BA

HA

MUSIC

LIMITER

MASTER LEVEL

SPEECH

MUSICL

R

REC OUT

SPEAKERS OUT

MIC/ LINE

SEECHP

MUSIC

SPEECH/ MUSIC

PA

PA

-1SP EQ

[+4dBu]

[-8dBu] [+25dBu][+12dBu]

[-10dBu]

PAD: 30dB

[-60 ~ +15dBu]

[-50 ~ +25dBu]

[-20 ~ +25dBu]

[-20 ~ +25dBu]

L/MONO

INPUT(CH5/6)

BA

BA

LOW

EQ

EQ

BA

BA

LEVEL

[-8dBu]

R

[-20 ~ +25dBu]

COMP/LIMIT

INPUT(CH3-4) EQ BA

LEVEL

REVERB

[-8dBu]HA

MIC/ LINEPAD:30dB

[-60 ~ +15dBu]

[-50 ~ +25dBu]

OFFON

PHANTOM +15V

LIMIT/ COMP

EFFE

CT

L R

HIGH

LOW

HIGH

INPUT(CH1-2)

LOW

HIGH

BAEQ

BA

BA

EQ

EQ

BA

BA

BA

LEVEL

SUM

SUM

L/MONO

(L/MONO)

LIMITER[-8dBu]

BA

BA

STEREO SUB OUT

REVERB

STEREO SUB OUT[+4dBu]R

HPF

HPF

DIGITAL EFFECT BA

HA

MUSIC

LIMITER

MASTERLEVEL

SPEAKER OUT

SPEECH

MUSIC

EFFE

CT

L R

PASP EQ

[+4dBu]

[+27dB/ +21dBu *1]

PAD: 30dB

[-60 ~ +15dBu]

[-50 ~ +25dBu]

L/MONO

INPUT(CH3/4)

BA

BA

EQ

EQ

BA

BA

LEVEL

R

[-20 ~ +25dBu]

REVERB

[-26dBu]

[+4dBu]

[0dBu]

INV

INV

MIC

L

R

[-20 ~ +25dBu]

[-26dBu]

[-26dBu]

[-26dBu]

LOW

HIGH

LOW

HIGH

LEVEL

[-8dBu]

[-8dBu]

[-11dBu]

SPEECH

MUSIC

SUM

[-8dBu]

[-26dBu]

[-8dBu]

L/MONOINPUT(CH5/6)(CLICK)

BA

BA

EQ

EQ

BA

BA

LEVEL

R[-20 ~ +25dBu]

[-26dBu]

LOW

HIGH

[-8dBu]

[-8dBu]

CLICK TOSP/PHONES CLICK TO

PHONES

INPUT(CH7/8)

SUM

SUM

SUM

STEREO LINK OUT (R)[0dBu]

SUM

SUM

BA

BA

PHONES

100

100

PHONES[20mW/40ohms]

[-26dBu]

[-26dBu]

[-26dBu]

[-26dBu][-26dBu]

[-26dBu]

[-26dBu]

[-26dBu]

[-8dBu]

[-8dBu]

[-8dBu]

[-8dBu]

[-8dBu]

[-8dBu]

[-8dBu]

[-8dBu]

[12dBu]

[0dBu]

[-8dBu]

[-11dBu]

INV

INV

[-8dBu]

*1: plugged in STEREO LINK OUT(R)

SPEECH/ MUSIC

SP/PHONESPHONES

LINE

[12dBu]

INPUT(CH1-2)

LOW

HIGH

BAEQ

BA

BA

EQ

EQ

BA

BA

BA

LEVEL

SUM

SUM

L/MONO

(L/MONO)

LIMITER[-8dBu]

BA

BA

STEREO SUB OUT

REVERB

STEREO SUB OUT[+4dBu]R

HPF

HPF

DIGITAL EFFECT

BA

HA

MUSIC

LIMITER

MASTER LEVEL

SPEAKER OUT

SPEECH

MUSIC

EFFE

CT

L R

PASP EQ

[+4dBu]

[+28dB/ +22dBu *1]

PAD: 30dB

[-60 ~ +15dBu]

[-50~+25dBu]

L/MONO

INPUT(CH3/4-5/6)

BA

BA

EQ

EQ

BA

BA

LEVEL

R

[-20 ~ +25dBu]

LIMIT/ COMP

PHANTOM +15V

REVERB[-26dBu]

[+4dBu]

[0dBu]

INV

INV

BA

[-26dBu]

OFF

MIC LIMIT

L

R

[-20 ~ +25dBu]

[-26dBu]

[-26dBu]

[-26dBu]

LOW

HIGH

LOW

HIGH

LEVEL

[-8dBu]

[-8dBu]

[-8dBu]INV

SPEECH

MUSIC

SUM

SP EQ

[-8dBu]

[-36dBu]

(SLIDE SW)

[-8dBu]

L/MONOINPUT(CH7/8)(CLICK)

BA

BA

EQ

EQ

BA

BA

LEVEL

R

[-20 ~ +25dBu]

[-26dBu]

[-26dBu] [-26dBu]

LOW

HIGH

[-8dBu]

[-8dBu]

CLICK TO SP/PHONES CLICK TO

PHONES

INPUT(CH9/10)

SUM

SUM

SUM

STEREO LINK OUT (R)[0dBu]

SUM

SUM

BA

BA

PHONES

100

100

PHONES[20mW/40ohms]

[-26dBu]

[-26dBu]

[-26dBu]

[-26dBu]

[-26dBu]

[-26dBu]

[-8dBu]

[-8dBu]

[-8dBu]

[-8dBu]

[-8dBu]

[-8dBu]

[-8dBu]

[-8dBu]

[12dBu]

[12dBu]

[0dBu]

[-8dBu]

[-8dBu]

[-8dBu]

INV

INV

[-8dBu]*1: plugged in STEREO LINK OUT (R)

SPEECH/ MUSIC

SP

PHONES

COMPLINE

ON

Maximum Output Power

Output Power (RMS)

Maximum Output LevelFrequency Response (Nomimal output level @ 1 kHz)

Total Harmonic Distortion

Hum & Noise (Equivalent Input Noise, Rs = 150 Ω, MIC/LINE = MIC)

Crosstalk (1 kHz)Power ConsumptionWeightInput Channel Equalization

EnclosureCrossover Frequency Frequency Range

Speaker Unit

STAGEPAS 500250 W + 250 W (±10 %)4 Ω@ 10 % THD at 1 kHz (SPEAKER L/R)200 W + 200 W4Ω @ 1 % THD at 1 kHz (SPEAKER L/R)116 dB (1 m)

<= -106 dBu (CH1/2) <= -112 dBu (CH3/4)<= -65 dBu Residual output noise (SPEAKER L/R) 65 W24 kg (52-7/8" lbs.) (Speaker x 2 + Powered Mixer)

STAGEPAS 300150 W+150 W (±10 %)6 Ω @10 % THD at 1 kHz (SPEAKER L/R)100 W+100 W6 Ω @1 % THD at 1 kHz (SPEAKER L/R)112 dB (1 m)

<= -65 dBu Residual output noise (SPEAKER L/R)

70 W18 kg (39-5/8" lbs.) (Speaker x 2 + Powered Mixer)

STAGEPAS 250M250 W (±10 %)4 Ω @ 10 %THD at 1 kHz (SPEAKER) 200 W4 Ω @ 1 % THD at 1 kHz (SPEAKER)116 dB (1 m)

<= -106 dBu (CH1/2) <= -65 dBu Residual output noise (SPEAKER)

35 W13 kg (28-5/8" lbs.) (Speaker + Powered Mixer)

STAGEPAS 150M150 W (±10 %)6 Ω @ 10 % THD at 1 kHz (SPEAKER)100 W4 Ω@ 1 % THD at 1 kHz(SPEAKER)112 dB (1 m)

<= -112 dBu (CH3/4)<= -65 dBu Residual output noise (SPEAKER)

20 W9.6 kg (21-1/8" lbs.) (Speaker + Powered Mixer)

-3 dB, 0 dB, +1 dB @ 20 Hz-20 kHz, 1 W Output (MUSIC/SPEECH=MUSIC, without Speaker EQ) (STAGEPAS 500/300: SPEAKER L/R) (STAGEPAS 250M/150M: SPEAKER)

0.5 % @ 20 Hz, 1 kHz, 20 kHz +14 dBu GAIN= nominal (STAGEPAS 500/300: MONITOR OUT, REC OUT) (STAGEPAS 250M/150M: ST SUB OUT, ST LINK OUT)

-70dB between input channels

±15 dB, HIGH 10 kHz shelving, LOW 100 Hz shelving

General Specifications (Mixer)

General Specifications (Speaker)STAGEPAS 500

LF: 10" (25 cm) ConeHF: 1" (2.54 cm) Compression Driver

STAGEPAS 300

LF: 8" (20 cm) ConeHF: 1" (2.54 cm) Compression driver

2-way bass-reflex type, Polypropylene, Black4.0 kHz (LF: 12 dB/oct, HF: 12 dB/oct)

55 Hz-20 kHz (-10 dB)

STAGEPAS 250M

LF: 10" (25 cm) ConeHF: 1" (2.54 cm) Compression Driver

STAGEPAS 150M

LF: 8" (20 cm) ConeHF: 1" (2.54 cm) Compression Driver

For InstrumentalistsThe versatile STAGEPAS mixer has more than enough input capability to directly handle many different instruments—from electric-acoustic guitars to electronic keyboards.

For SingersVocalists will appreciate the built-in, high-quality reverb on all STAGEPAS systems. Plus, the 250M and 500 models feature a built-in limiter/compressor to let you dial in a smooth, punchy vocal sound.

For Keyboard PlayersPlayers needing a simple, yet exceptionally high-quality keyboard amplifier will find ideal solutions in the STAGEPAS 150M and 250M. These compact, highly portable and easy-to-use systems can serve as your main system for small gigs, or as a sub-mixer for direct connection to the main mixer at large events.

For GuitaristsThe STAGEPAS 150M and 250M are excellent systems for guitarists playing in small venues, since they deliver outstanding sound for the house as well as great monitor sound for the player.

Whether your Portable PA needs are Pro Audio (for music performance) or Public Address for school, church and meeting assemblies, the STAGEPAS systems are lightweight, compact and simple to setup—and fit a wide variety of applications.

Multi-purpose Portable PA

For BandsMultiple microphone inputs make the STAGEPAS series an ideal choice for band rehearsals and performances. The STAGEPAS 500 in particular is well suited for many sources and larger venues, while the optional MSR100 powered speakers can be used for monitoring.

Versatility and Power—in Four Portable Systems

Combining high-performance power and accurate sound reproduction with remarkable versatility in a portable package, Yamaha’s STAGEPAS Series Portable PA Systems are fast becoming the standard for musicians and other PA users on the go.

These combination mixer/amplifier/speaker systems are exceptionally lightweight, portable and full-featured. Since virtually everything you need is in one, easy-to-use package, you can be set up and playing within a matter of minutes. And when you’re done, you can be packed and back on the road again with the same ease and speed. Yet despite the simplicity and compact size, these systems cut no corners in sound quality or versatility, and in fact give you some advanced features not normally found in systems of this class.

The series now includes the new single-speaker STAGEPAS 150M and 250M, which can be expanded to a stereo system by simply adding a second speaker. They can also function either as an ultra-portable PA system, or as a powerful keyboard amplifier—with sound quality and portability that far surpasses any other conventional keyboard amp. No matter what system you choose, you have a high-power, high-performance sound system ready for a wide variety of venues and events, both indoors and out.

For Public SpeakersIf you’re a speaker or giving presentations, you can instantly optimize the system settings with the special Speech mode—giving you maximum clarity for speech applications. Naturally, you can mix background music from a CD player or other source with the mic input.

All-in-one SystemsVirtually everything you need is right here in each of these systems: one versatile, powerful mixer/amplifier, two top-quality speakers (or one speaker, with the STAGEPAS 250M and 150M systems), and even the necessary speaker cables for quick setup!

Two-way Full-range Speaker SystemThe STAGEPAS delivers a remarkably large and powerful sound despite its compact size—thanks to the two-way speaker system and bass reflex design. All models feature a 1" titanium tweeter. The 250M and 500 employ a 10" woofer while the 150M and 300 have an 8" woofer. The sound is exceptionally clean, clear and free from break-up, even at high levels.

Detachable Powered MixerThe high-performance combination mixer/amplifier comes in 8- and 10-channel configurations, providing all the inputs you need, as well as all the power you want. Fitting neatly inside one of the speaker cabinets, it can be used as is, or detached for convenient placement and easy access.

Optional BMS-10A for Convenient Mic Stand MountingThe detachable mixer can be conveniently mounted on a conventional microphone stand for easy access, using the optional BMS-10A Mic Stand Adaptor.

Dimensions■ Mixer■ Speaker Dimensions

■ Mixer■ Speaker

Unit: mm (inch)

Unit: mm (inch)

342 (13-1/2")175

(6-7/8")54

4.5

(21-

1 /2"

)

330

(13"

)

120 (4-3/4")

152

(6")

2-M8 x 25

298 (11-3/4")111.5

(4-3/8")

Tripod pole diameter 35-36 mm* Use of the stand should refer to stand manufacturer's instructions.

96.3 (3-3/4")

160 (6-1/4")

290

(11-

3 /8"

)

255 (10-1/8")

455.

5 (1

7-7 /

8")

275 (10-7/8")

2-M8 x 25

120 (4-3/4")

137

(5-3

/ 8")

Stereo Link Out A dedicated Stereo Link Out jack is provided for connection to optional MSR100 powered speaker—allowing you to easily create a powerful stereo setup for larger venues and greater sound projection.

Click Assign Switches This convenient feature lets you connect a drum machine, synthesizer or metronome to Channels 5/6 and route a click/metronome or rhythm signal through the mixer for monitoring purposes only. Turning this switch on takes the Channel 5/6 signal out of the ST SUB OUT jacks. A second Click switch lets you route the click signal to the PHONES out for headphones monitoring.

Balanced ST SUB OUT These outputs let you connect additional powered speakers to the STAGEPAS 150M or send the mixer’s output to a main mixer or recording device.

Stereo Link Out Balanced ST SUB OUTThese outputs let you connect additional powered speakers to the STAGEPAS 250M or send the mixer’s output to a main mixer or recording device.

A dedicated Stereo Link Out jack is provided for connection to optional MSR250 powered speaker—allowing you to easily create a powerful stereo setup for larger venues and greater sound projection.

Click Assign SwitchesThis convenient feature lets you connect a drum machine, synthesizer or metronome to Channels 7/8 and route a click/metronome or rhythm signal through the mixer for monitoring purposes only. Turning this switch on takes the Channel 7/8 signal out of the ST SUB OUT jacks. A second Click switch lets you route the click signal to the PHONES out for headphones monitoring.

Flexible 8-channel Powered MixerThe STAGEPAS 150M provides a total of eight input channels: two mono microphone/line inputs and three stereo line inputs. Along with the output for the supplied speaker, the built-in yet detachable mixer also has line outputs that can be used to connect additional powered speakers or to send the mixer’s output to a main mixer or recording device. A convenient PHONES jack is also included for connecting a set of headphones.

150 Watt Class D Power AmplifierThis power amplifier is all you’ll need for most small venues and street performance situations, as well as personal monitoring applications.The advanced Class-D design delivers exceptional efficiency—ensuring high power amplification with low power consumption and minimal heat generation. This means you get superior sound quality and reliability in a remarkably compact unit.

Ideal for Monitor Speaker UseThe STAGEPAS 150M is also effective as a monitor speaker system (especially for keyboard players, drummers and solo performers), thanks to its full-range reproduction, convenient mixing controls, and versatile speaker placement.

Speaker Stand Mountable (with optional accessory)The STAGEPAS 150M speaker can be mounted onto a standard speaker stand, using an optional mount adaptor such asthe ADP138, the Ultimate BMB200, or an equivalent.

Versatile 10-channel Powered MixerThe built-in yet detachable mixer of the STAGEPAS 250M provides a total of ten input channels: two mono microphone/line inputs and four stereo line inputs. In addition to a speaker output for the supplied speaker, the mixer has line outputs that can be used to connect additional powered speakers or to send the mixer’s output to a main mixer or recording device. It also features a convenient PHONES jack for connecting a set of headphones.

250 Watt Class D Power AmplifierThis high-power amplifier is capable of filling a relatively large club or room with sound, and can even project well outdoors. The advanced Class-D design delivers exceptional efficiency—ensuring high power amplification with low power consumption and minimal heat generation. This means you get superior sound quality and reliability in a remarkably compact unit.

Built-in Compression/LimitingChannels 1 and 2 feature LIMIT/COMP switches that let you apply either limiting or compression to those channels. Limiting is useful in preventing input overload and distortion with sources that suddenly surge in level, while compression can smooth out vocals, bass, guitar and other signals that have widely varying dynamic range, giving those sources added punch and helping them “sit” better in the mix.

Phantom Power for High-performance Condenser MicrophonesThe STAGEPAS 250 mixer features switchable phantom power for the two mono microphone/line inputs. This lets you use high-performance phantom-powered condenser microphones in situations where you want the extended, natural response they provide.

Ideal for Monitor Speaker UseThe STAGEPAS 250M is also effective as a monitor speaker system (especially for keyboard players, drummers and solo performers), thanks to its full-range reproduction, convenient mixing controls, and versatile speaker placement.

Pole Mount Receptacle for Direct Speaker Stand MountingThe STAGEPAS 250M speaker is directly mountable on 35mm pole with securing thumb screw.

Exceptionally Compact System —8 Channels, 150 Watt Output

10 Channels for More Sources, Plus 250 Watt of Power

Useful Features for keyboard players

Useful Features for keyboard players

NEW NEW

Comprehensive sub mixerfor keyboard players

APPLICATION EXAMPLE APPLICATION EXAMPLE

In this versatile sub-mixing system, a click track can be monitored in the headphones or monitor speaker while the click-less keyboard signal is fed to the main mixer. The Stereo Link output lets you hook up an optional MSR250 powered speaker for stereo monitoring.

Headphones

ST SUB OUT

Optional MSR250 for stereo monitoring

Keyboard

Keyboard

To Main PA

Mics

OFF ON

STAGEPASSPEAKER

STAGEPASSPEAKER

AudioSupplied cable

Monitoring for home studio owners and MIDI keyboard players

This ideal solution provides excellent quality high-power sound for recording—and a compact live performance system as well. Play your synth/sample playback plug-ins (such as HALionOne, included with Cubase AI) with the KX MIDI keyboard, and use the AUDIOGRAM3 interface to feed the computer sound to the 150M. For live work, the computer click can be routed through the monitor only, and you can set the speaker on stage as a floor monitor.

NOTE PC

USBUSBAUDIOGRAM3KX Series

Headphones

Keyboard

Keyboard

AudioSupplied cableUSB

Common Features • Detachable Powered Mixer • Two-way Full-range Speaker System• Built-in EQ and High-quality Digital Reverb• MUSIC / SPEECH Switch• Auto Limiter• LED output level meter• One Speaker Cable Supplied

Common Features • Detachable Powered Mixer • Two-way Full-range Speaker System• Built-in EQ and 1-bit Modulation Reverb• MUSIC / SPEECH Switch• Auto Limiter• LED output level meter• One Speaker Cable Supplied

Portable PA System / Keyboard Amplifier Portable PA System / Keyboard Amplifier

Audio

Electric-AcousticGuitar

Electric-AcousticGuitar

Electric-AcousticGuitar

Dimensions■ Mixer■ Speaker

Unit: mm (inch)

Dimensions■ Mixer■ Speaker

Unit: mm (inch)

HIG

H

–15

+15

LOW

–15

+15

LEV

EL

010

9/10

HIG

H

–15

+15

LOW

–15

+15

LEV

EL

010

7/8

HIG

H

–15

+15

LOW

–15

+15

LEV

EL

010

5/6

HIG

H

–15

+15

LOW

–15

+15

LEV

EL

010

4

HIG

H

–15

+15

LOW

–15

+15

LEV

EL

010

3

HIG

H

–15

+15

LOW

–15

+15

LEV

EL

010

2

HIG

H

RE

VE

RB

RE

VE

RB

RE

VE

RB

RE

VE

RB

–15

+15

LOW

–15

+15

LEV

EL

010

1

MO

NIT

OR

OU

T

010

RE

VE

RB

010

LEV

EL

010

MA

ST

ER

(MO

NO

)L R

L

R

RR

LL

MIC

LIN

EM

ICLI

NE

MIC

LIN

EM

ICLI

NE

PH

AN

TOM

CH

1-4

LIM

ITC

OM

PLI

MIT

CO

MP

R

RL(M

ON

O)

LL R

OPEN

LOCK

OPEN

LOCK

SP

EE

CH

PO

WE

R

MU

SIC-2

0-60

+3

+6

LIM

ITE

R

SP

EA

KE

RS

OF

FO

N

MO

NIT

OR

OU

T

POWER

AC IN

ONOFF

MS

C

23

1

MS

C

23

1

MS

C

23

1

MS

C

23

11

MS

C

23

MS

C

23

1

MS

C

23

1

342 (13-1/2")175

(6-7/8")54

4.5

(21-

1 /2"

)

330

(13"

)

120 (4-3/4")

152

(6")

2-M8 x 25

298 (11-3/4")111.5

(4-3/8")

Tripod pole diameter 35-36 mm* Use of the stand should refer to stand manufacturer's instructions.

96.3 (3-3/4")

160 (6-1/4")255 (10-1/8")

455.

5 (1

7-7 /

8")

275 (10-7/8")

2-M8 x 25

120 (4-3/4")

137

(5-3

/ 8")

290

(11-

3 /8"

)

Phantom Power SwitchSupplies phantom power to the microphone inputs on channels 1 through 4, for high performance condenser microphones.

Digital Reverb Renowned Yamaha SPX reverb technology gives you studio-quality ambience on the road.

MUSIC / SPEECH Switch This unique feature optimizes the system settings for maximum clarity with speech.

1-bit Modulation Reverb Advanced 1-bit modulation technology delivers great-sound reverb for natural warmth and ambience.

LIMIT / COMP SwitchesApply limiting or compressionto channels 1 and 2 for added sonic control and versatility.

POCKETRAK2G

POCKETRAK 2G

Monitor SP MSR 250

Vocal Chorus X2

Preamp for Acoustic Guitar

Live performance with a full band

APPLICATION EXAMPLE

This extensive yet compact stereo system has inputs for three mics, an acoustic/electric guitar and two keyboards. Two Yamaha POCKETRAK 2G units are connected—one for recording the performance and the other for playing an additional source. The speakers fit atop stands (without the need for adaptors) for maximum projection of the powerful, high-quality sound.

STAGEPASSPEAKERS

STAGEPASSPEAKERS

Mics

POCKETRAK2G

Preamp for Acoustic Guitar

Preamp for Acoustic Guitar

APPLICATION EXAMPLE

Duo performers

This is a perfect system for two guitarists/singers performing on the street or in small venues such as coffee houses. A CD player or portable player (such as the Yamaha POCKETRAK 2G) connects to provide pre-recorded backing tracks.

Keyboard

Keyboard

AudioSupplied cable

Useful Features for Band Useful Features for performer

Dual 150 Watt Class D Power AmplifierTwo 150 Watt power amplifier is plenty for most small venues and street performance situations. And you get clean, reliable power from a Class-D design that provides high-efficiency amplification with low power consumption and minimal heat generation, allowing the amplifier to be built into a smaller, lighter, and cooler package.

8-channel Mixer with Monitor and Record OutputsThe powered mixer is normally stored in the rear of one of the speakers, but it can be easily detached (the only tool you need is a coin) for convenient operation. The STAGEPAS 300 mixer has a total of eight input channels: four mono microphone/line inputs and two stereo line inputs. In addition to speaker outputs for the supplied speakers, the mixer has line outputs that can be used to connect additional powered speakers for monitoring, and to send the mixer’s output to a recording device.

Speaker Stand Mountable (with optional accessory)The STAGEPAS 300 speakers can bemounted onto a standard speaker stands,using an optional mount adaptor such asthe ADP138, the Ultimate BMB200,or an equivalent.

Common Features • Detachable Powered Mixer• Two-way Full-range Speaker System• Built-in EQ and High-quality Digital Reverb• MUSIC / SPEECH Switch• Auto Limiter• LED output level meter• Ideal for Monitor speaker use• Speaker cables supplied

Common Features• Detachable Powered Mixer• Two-way Full-range Speaker System• Built-in EQ and 1-bit Modulation Reverb • MUSIC / SPEECH Switch• Auto Limiter• LED output level meter• Ideal for Monitor speaker use• Speaker Cables Supplied

Dual 250 Watt Class D Power AmplifierTwo 250 Watt power amplifier can fill surprisingly large clubs or rooms, or project your sound over a considerable distance outdoors. The class-D power amplifier has been painstakingly designed to deliver superior sound quality as well as reliability in a remarkably compact unit.

Versatile 10-channel Mixer with Monitor and Record OutputsIf there are more members in your band than the STAGEPAS 300’s 8 input channels can handle, or you simply have a lot of sources to mix, the STAGEPAS 500 gives you 10 input channels in all: four mono microphone/line inputs and three stereo line inputs. The additional stereo channel can be used for either a stereo or mono source. In addition to the main speaker outputs the mixer has line outputs that can be used to connect additional powered speakers for monitoring, and to send the mixer’s output to a recording device.

Phantom Power for High-performance Condenser MicrophonesThe STAGEPAS 500 mixer features switchable phantom power for the four mono microphone/line inputs. This lets you use high-performance phantom-powered condenser microphones in situations where you want the extended, natural response they provide.

Built-in Channel Compression/LimitingChannels 1 and 2 feature LIMIT/COMP switches that let you apply either limiting or compression to those channels. Limiting is useful in preventing input overload and distortion with sources that suddenly surge in level, while compression can smooth out vocals, bass, guitar and other signals that have widely varying dynamic range, giving those sources added punch and helping them “sit” better in the mix.

Pole Mount Receptacle for Direct Speaker Stand MountingThe STAGEPAS 500 speaker is directly mountable on 35mm pole with securing thumb screw.

Convenient Accessory Compartment Neatly pack away your cables, microphones and other small necessities in the speaker accessory compartment, and enjoy a truly streamlined system when on the road. Convenient Accessory Compartment

Neatly pack away your cables, microphones and other small necessities in the speaker accessory compartment, and enjoy a truly streamlined system when on the road.

The Ultimate In Portability with 8 Channels and 150W + 150W Output

10 Channels and 250W + 250W Power for More Sources and Larger Venues