CURRICULUM VITAE MARYROSE CASEY

Monash Indigenous Centre: +61 3 99052970email : Maryrose.Casey@monash.edu

QUALIFICATIONS

Graduate Certificate in Higher Education University of Queensland 2003 PhD (Theatre History) LaTrobe University 2002Thesis: `Creating Frames: A History of Theatre Production by Indigenous Australian Artists, 1967-97’. MA Prelim (Theatre & Drama) LaTrobe University 1996Thesis: `Differing Perspectives’. The thesis examined the Euro-centric mythologies/narratives imposed within critical reception on theatre work by Indigenous Australian artists. Bachelor of Arts (History and Politics) LaTrobe University 1983 Licentiate Trinity College London (Public Speaking) 1980

ACADEMIC APPOINTMENTS

2013-2016 Associate Professor, Australian Research Council Future Fellow, Monash Indigenous Centre, Monash University

2010-12 Senior lecturer continuing Centre for Theatre and Performance (formerly Drama & Theatre Studies), Monash University

2008-09 Lecturer B continuing Centre for Drama & Theatre Studies, Monash University

2007 ARC Postdoctoral Research Fellow with Centre for Drama & Theatre Studies, Monash University

2005-2006 ARC Postdoctoral Research Fellow with the Australian Studies Centre, University of Queensland.

2004 Lecturer B fixed term Theatre and Drama StudiesSchool of English, Media Studies and Art History, University of Queensland.

2002-2003 Associate Lecturer A fixed term Theatre and Drama StudiesSchool of English, Media Studies and Art History, University of Queensland.

RESEARCH AWARDS & PRIZES

Book Awards

Rob Jordan Prize, 2014. Australasian Association for the study of Drama, Theatre & Performance Studies award for the best book of drama, theatre and performance studies scholarship of the previous 2 years, co-winner. (awarded to Telling Stories ASP 2012) citation: http://www.adsa.edu.au/prizes/rob-jordan-prize/ Rob Jordan Prize, 2006. Australasian Association for the study of Drama, Theatre & Performance Studies award for the best book of drama, theatre and performance studies scholarship of the previous 2 years. (awarded to Creating Frames: Contemporary Indigenous Theatre, UQP, 2004) citation http://www.adsa.edu.au/prizes/rob-jordan-prize/ Walter McRae Russell Award, 2005. Association for the Study of Australian Literature award for the best work of literary scholarship in the previous 2 years (co-winner). (awarded to Creating Frames:

Maryrose Casey Curriculum VitaeContemporary Indigenous Theatre, UQP, 2004)

Awards for Articles

Marlis Thiersch Award 2014: Honourable Mention. Australasian Association for the study of Drama, Theatre & Performance Studies (ADSA) award for the best article or chapter. ‘Conditions of Recognition: social aesthetics and Aboriginal Australian performance’ Aesthetics, 23 (1) 2013. Citation http://www.adsa.edu.au/prizes/marlis-thiersch-prize/ Marlis Thiersch Award 2010: Short listed. ADSA award for the best article or chapter. ‘Theatre or Corroboree, what’s in a name? Framing Indigenous Australian nineteenth century commercial performance practices’ in Creating White Australia, (eds) Jane Carey and Claire McLisky, University of Sydney, 2009. Marlis Thiersch Award 2010: Short listed. ADSA award for the best article or chapter. ‘Ngapartji Ngapartji: Telling Aboriginal Australian Stories’ in Get Real: Documentary Theatre Past and Present. (eds) Chris Megson & Alison Forsyth, Palgrave Macmillan 2009. Marlis Thiersch Award 2008: Short listed. ADSA award for the best article or chapter. ‘Carnivalising Sovereignty: Containing Indigenous Protest within the ‘white’ Australian nation’, About Performance 7 2007

Awards for Research

Dean of Arts Early Career Researcher of the Year Award 2010, Monash University Award for Excellence in Early Career Research 2009: Special Commendation Dean of Arts Early Career Researcher of the Year Award, Monash University. Award for Excellence in Early Career Research 2007: Honourable Mention. Dean of Arts Early Career Researcher of the Year Award, Monash University. Dwight Conquergood Award, 2006. Performance Studies international ECR/artist award for work around cultural performance that approaches ‘ethnographic research as an ethical act, an act of performative witnessing’. Australian Postgraduate Award, LaTrobe University 1998- 2001

RESEARCH FELLOWSHIPS

Buffalo Bill Centre of the West, Resident Fellow 2012-2013

Australian Research Council Future Fellowship 2011 (2012-2016)

Monash Research Accelerator Program 2011-12

National and State Libraries of Australasia Fellowship, 2005

ARC Australian Postdoctoral Fellowship 2004, (2005- 2007)

Other awards and honours include: Membership AIATSISLiterary Awards: Joyce Foundation Guinness Award, 1994: Short listed, ‘Ssh be Quiet’Bauhinia Literary Awards, (Open) 1994: Highly Commended, ‘Being Twelve’

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Maryrose Casey Curriculum VitaeRESEARCH GRANTS

External

LE140100024 ARC LEIF 2014 ‘AusStage 5: Australian Live performance and the World’ lead CI Prof Julian Meyrick, administered by Flinders University. ($325,000) Monash CI ($48,000)

FT110100019 ARC Future Fellowship 2011 ‘Performing Nations and Cultures: Rethinking Authenticity in the Performing Arts’ 2012-2016 ($586,482)

DP1093266 ARC DP10 ‘Performing Indigenous Sovereignty: Aboriginal Australian commercial performances 1800-1949’ 2010-2012 sole CI ($155,000)

ARC LEIF 2010 ‘AusStage Phase 4: Harnessing collective intelligence and pioneering new visual methodologies for innovative research into Australian live performance’, lead CI Prof Julie Holledge, administered by Flinders University. ($650,000) Monash CI ($24,000)

ARC LIEF 2007 ‘AusStage: Gateway to Australian live performance, Phase 3 - enhancing collaborative research methodologies through digital networking technologies’, lead CI Prof Julie Holledge, administered by Flinders University. ($300,000) Monash CI ($15,400)

ARC DP05 Australian Postdoctoral Fellowship, Confronting Representations: Performing Indigenous Protests’. Australian Studies Centre, UQ, 2005-2007, sole CI ($210,000)

Internal research grantsFaculty of the Arts Monash Publishing grant 2014 (2000)Faculty of the Arts Monash, Conference Travel Grant 2014 (1500)School of ECPS, Research Publication and Activity Scheme 2013 ($1000)Monash Research Accelerator program 2011-12 ($110,000)Faculty of the Arts, Monash University, Teaching Led Research Grant 2009 ($5000)Faculty of the Arts, Monash University, Conference Travel Grant 2009 ($1200)School of ECPS, Monash University, Conference Travel Grants, 2009 ($1800 + $600)DTS/Pratt Foundation grant, Monash University, 2009 ($10,000)Faculty of the Arts, Monash University, New Staff Scheme 2008 ($7,000)MU Link Assist 2008 ($1200)School of ECPS, Monash University, Research Grant, 2008 ($8,000)School of ECPS, Monash University, Conference Travel Grant, 2008 ($1,800)School of ECPS, Monash University, Quality Research/Research Teams Scheme 2007 ($2,975)School of ECPS, Monash University, Conference Travel Grant 2007 ($1,500)Faculty of Humanities, University of Queensland, International Conference Fund, 2006 ($2,000)University of Queensland, New Staff grant, 2006 ($10,000)Australian Studies Centre, University of Queensland, Travel grant, 2006 ($2,500)Australian Drama Studies Centre, University of Queensland, Research grant, 2003 ($1,675)School of Media, Arts and Critical Enquiry, LaTrobe University, Research Enhancement Grant, 2001 ($2,500)

PUBLICATIONS

BOOKS

Maryrose Casey (ed), (2015) Embodying Transformations: Studies in Transcultural and Transnational Performance, Monash University Publishing.

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Maryrose Casey Curriculum Vitae

Maryrose Casey, (2012) Telling Stories: Aboriginal & Torres Strait Islander Performance, Studies in Indigenous History and Culture series, Melbourne: Australian Scholarly Publishing.

(co-winner of Rob Jordan Prize 2014)

Aileen Moreton-Robinson, Maryrose Casey & Fiona Nicoll (eds), (2008) Transnational Whiteness Matters. Lanham MD: Lexington Books/Rowman & Littlefield.

Maryrose Casey, (2004) Creating Frames: Contemporary Indigenous Theatre 1967-97. University of Queensland Press.

(co-winner of Walter McRae Russell Award, 2005. winner of Rob Jordan Prize 2006)

Edited Special issues

Maryrose Casey & Will Peterson (eds) (2011) ‘Transcultural Transnational Transformation’, Special Issue ADS 59, October.

Maryrose Casey, Martin Crotty & Delyse Ryan (eds) (2006) Parading Ourselves, Special Issue Journal of Australian Studies 89.

Maryrose Casey (ed) (2006) Horizons of Race, Special Issue Critical Race & Whiteness Studies Vol 2 Issue 1, July. http://www.acrawsa.org.au/ .

What reviewers said about Telling Stories (2012)‘Casey’s capacity to light-footedly move between summarising core conceptions in Indigenous knowledge systems (kin groups, moieties, etc) and enhancing these descriptions and/or connecting them to vivid, well-narrated examples of performance practice is fascinating… a book that offers an inspiring way of coping with a plurality of “counter-frames”.’ Andre Bastian Australasian Drama Studies 2014

‘The book is significant for the richness of the material, the variety of its sources and its distinctive handling of the matrix of postcolonial/intercultural issues involved.’ Rob Jordan Award Citation 2014

Telling Stories is an exemplary artist–scholar collaboration avoiding past traps of categorization and othering that have made ‘researcher’ a dirty word in many Indigenous communities in the Pacific. David O’Donnell Theatre Research International 2014

What reviewers said about Transnational Whiteness Matters (2008)The essays in the collection are insightful and offer a new perspective on whiteness studies, particularly in the Australian context. Penelope Ingram Australian Feminist Studies 2011

Thought-provoking, well-researched interrogations of whiteness. Highly recommended. *** J C Eustace, Choice (USA Librarians Journal) 2009

This new collection adds an exciting transdisciplinary dimension to the path-breaking Australian scholarship on the transnational politics of whiteness" Professor Marilyn Lake 2008

What reviewers said about Creating Frames (2004):‘a comprehensive and engaging presentation …Creating Frames is a major achievement, providing a unique and valuable history.’ Michelle Evans, Australian Literary Studies 2005

‘… significant scholarly text which seeks to redress a glaring absence in Australian theatre history.’ Bernadette Brennan, Southerly.2005

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Maryrose Casey Curriculum Vitae

‘With its foundational emphasis on the ethics of cross-cultural research and reception, it is an important addition to the international debates.’ Alan Filewod, Theatre Research International. 2005

BOOK CHAPTERS

Maryrose Casey, ‘Embodying the essentialised abject: challenging colour blind racism in performance’, Elfriede Jelinek: Austr(al)ian Andre Bastian (ed) Monash University Publishing due out 2016

Maryrose Casey, (2015) ‘The Great Australian Silence: Aboriginal Theatre and Human Rights’ in Things Unspeakable: Theatre and Human Rights after 1945, Mary Luckhurst and Emilie Morin (eds) Palgrave MacMillan: 74-92.

Maryrose Casey, (2015) ‘“Notorious” mimics: mimetic performance for entertainment in the transcultural encounter in colonial Australia’ in Maryrose Casey (ed), Embodying Transformations: Transcultural Performance Monash University Publishing: 17-32.

Maryrose Casey, (2014) Serving the Living Land: Place and Belonging in Australian Aboriginal Dramas’ in Enacting Nature: Ecocritical Perspectives on Indigenous Performance, Birgit Däwes & Marc Maufort, (eds) “Dramaturgies,” P.I.E.-Peter Lang: 151-164.

Maryrose Casey, (2013) ‘Claiming and Changing Boundaries: Indigenous theatre practitioners in the 2000s’ in Catching Australian Theatre in the 2000s, Richard Fotheringham & James Smith, (eds) Amsterdam: Brill/Rodopi: 99-122.

Maryrose Casey, (2013) ‘Bold, Black, and Brilliant: Aboriginal Australian Drama’ in A Companion to Australian Aboriginal Literature, Belinda Wheeler (ed), NY: Camden House: 155-172.

Maryrose Casey, (2011) ‘Hanging Around’ in The Voyage Chandani Lokuge & David Morley (eds), East Sussex, UK: Silkworms Ink: 44-58http://www.smashwords.com/books/view/83733

Maryrose Casey, (2011) ‘Tales still to be told: Indigenous Australian theatre practice and the archive’ in Scrapbooks, Snapshots and Memorabilia, Glen McGillivray (ed), Brussels: Peter Lang: 29-43

Maryrose Casey, (2009) ‘Theatre or Corroboree, what’s in a name? Framing Indigenous Australian nineteenth century commercial performance practices’ in Creating White Australia, Jane Carey and Claire McLisky (eds), Sydney: University of Sydney: 117-132

Shortlisted Marlis Thiersch Award 2010

Maryrose Casey, (2009) ‘Ngapartji Ngapartji: Telling Aboriginal Australian Stories’ in Get Real: Documentary Theatre Past and Present. Chris Megson & Alison Forsyth (eds), ‘Performance Interventions’ series, London: Palgrave Macmillan: 122-139.

Shortlisted Marlis Thiersch Award 2010

Maryrose Casey, (2009) ‘Indigenous Australian Drama: Decolonising Australian Stages’ in Reading Down Under: Australian Literary Studies Reader. (eds) Amit Sarwal and Reema Sarwal. New Delhi: SSS Publications: 193-204 Maryrose Casey, (2008) ‘Managing resistance: Whiteness and the storytellers of Indigenous Protest in Australia’ in Transnational Whiteness Matters (eds) Aileen Moreton-Robinson, Maryrose Casey, & Fiona Nicoll, Lanham MD: Lexington Books/Rowman & Littlefield: 19-38.

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Maryrose Casey Curriculum Vitae

Aileen Moreton-Robinson, Maryrose Casey & Fiona Nicoll, (2008) ‘Virtue and Transnational Whiteness’, in Transnational Whiteness Matters (eds) Aileen Moreton-Robinson, Maryrose Casey & Fiona Nicoll, Lanham MD: Lexington Books/Rowman & Littlefield: ix-xvi.

Maryrose Casey, (2007) ‘Australian Drama 1900-1970’ in Companion to Twentieth Century Australian Literature, (eds) Nicholas Birns and Rebecca McNeer, New York: Boydell & Brewer/University of Rochester Press: 207-218.

Choice (American Librarians Assoc USA) Outstanding Academic Title, 2008

Maryrose Casey, (2007) ‘Australian Drama since 1970’ in Companion to Twentieth Century Australian Literature, (eds) Nicholas Birns and Rebecca McNeer, New York: Boydell & Brewer/University of Rochester Press: 219-232.

Choice (USA) Outstanding Academic Title, 2008

Maryrose Casey, (2006) ‘Alma de Groen’ in Dictionary of Literary Biography, Volume 325, Australian Writers, 1975–2000 (ed) Selina Samuels, Columbia SC: Bruccoli Clark Layman/Thomson Gale: 71-5.

Maryrose Casey, (2005) ‘A Compelling Force: Indigenous Women Playwrights’ The Doll’s Revolution: Australian Theatre and Cultural Imaginations, Rachel Fensham and Denise Varney with Maryrose Casey and Laura Ginters. Melbourne: Australian Scholarly Publishing: 199-237 Reproduced in 2007 on http://www.austlit.edu.au/specialistDatasets/BlackWords ISBN 0 9750867 4 X

Maryrose Casey, & Liza-Mare Syron, (2005) ‘The Challenges of Benevolence: the role of the Indigenous Actor.’ (Journal of Australian Studies, No 85, 2005) Reprinted in 25th Anniversary Collection Australian Studies Centre University of Queensland (ed) David Carter and Martin Crotty. St Lucia: ASC: 292-308.

Maryrose Casey, (2001) ‘A Garden of Drama: Talking with John Harding’ in Siting the Other: Marginal Identities in Australian and Canadian Drama (ed) Marc Maufort. Brussels: PIE/Peter Lang: 53-68.

Maryrose Casey, (2001) ‘Siting Themselves: Indigenous Australian Theatre Companies’ in Siting the Other: Marginal Identities in Australian and Canadian Drama (ed) Marc Maufort. Brussels: PIE/Peter Lang: 363-370.

What reviewers said about:

‘Bold, Black, and Brilliant: Aboriginal Australian Drama’ (2013)‘Casey makes a persuasive case that the time has come for a move away from a static, monolithic stereotype to a more fluid, authentic view of Aboriginals as diverse and individuated’ David Gugin Pacific Asia Inquiry 2014

Tales still to be told: Indigenous Australian theatre practice and the archive’ (2011)‘Maryrose Casey ‘s chapter… identifies one of the most crucial challenges for those scholars who forage through hidden archives… Glenn D’Cruz Australasian Drama Studies 2013

‘Ngapartji Ngapartji: Telling Aboriginal Australian Stories’ (2009)…an illuminating analysis of responses to Indigenous Australian theatre…Fintan Walsh, Irish Theatre Magazine, 2009

‘Managing resistance: Whiteness and the storytellers of Indigenous Protest in Australia’ (2008)‘insightful analysis of the “history wars.”’ Jane Carey, Aboriginal History, 2009.

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Maryrose Casey Curriculum Vitae‘compelling analysis’. Penelope Ingram Australian Feminist Studies 2011

‘Australian Drama 1900-1970’ and ‘Australian Drama since 1970’ (2007)‘Maryrose Casey’s two essays… provide remarkable detail in their compressed discussion of an extensive range of developments in theatre and performance.’ Maryanne Dever, Australian Literary Studies, 2009.

‘She uncovers a rich and varied field.’ Delys Bird Journal Association for the Study of Australian Literature, 2008.

‘A Compelling Force: Indigenous Women playwrights’ (2005):‘an excellent chapter on Aboriginal women’s theatre’ Glenn D’Cruz, Age, 2005.

‘an important contribution to Australian theatre scholarship… thoroughly researched and beautifully written, and the authors have framed their discussion by paying careful attention to the social and political contexts. Helena Grehan, Theatre Research International. 2006

‘a significant and refreshing addition to Australian theatre praxis and scholarship.’Tina Muir NLA 2006

‘Siting Themselves: Indigenous Australian Theatre Companies’ 2002:‘a fascinating case study … Casey's analysis reveals the consequences of institutionalizing cultural recognition and reconciliation’. James Dugan, Modern Drama, 2002.

REFEREED JOURNAL ARTICLES

Maryrose Casey, (2015) ‘Aboriginal Performance as war by other means in the nineteenth century’ International Journal of Critical Indigenous Studies Vol 8 no 2: 2-15

Maryrose Casey, (2014) ‘Making fun of trauma: Laughing at racialised violence’ Performing Ethos: International Journal of Ethics in Theatre and Performance ‘Acting Out – Trauma and the Ethics of Remembrance’, Volume 4, Issue 1 (July): 9-23.

Maryrose Casey, (2014) ‘O discurso das Tiddas: dramaturgas aborígenes australianas’ (Tiddas Speaking out: Aboriginal Australian Women Playwrights) trans Carolina Gosch Figner de Luna, Kysy Amarante Fischer and Lívia Sudare de Oliveira, Urdimento: Revista de Estudos em Artes Cenicas, No 21, December: 192-210.

Maryrose Casey, (2013) ‘Conditions of Recognition: social aesthetics and Aboriginal Australian performance’ Aesthetics, 23 (1): June: 92-109.

Marlis Thiersch Award 2014: Honourable Mention

Maryrose Casey, (2013) ‘Colonists, settlers and Aboriginal Australian war cries: Cultural Performance and Economic Exchange’ Performance Research 18: 3 (June) 'On Value': 56-66.

Maryrose Casey & Superkaleidoscope, (2013) ‘Performing Life: Indigenous Australian Performance’, Das Superpaper ‘Re: Performance’ Issue 26: 62-63.

Maryrose Casey, (2012) ‘Bungaree and the Grand Corroboree: “White fellow sit down all about; Black fellow murry miserable”’ About Performance 11: 185-200.

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Maryrose Casey Curriculum VitaeMaryrose Casey, (2012) ‘Colonisation, Notions of Authenticity and Aboriginal Australian Performance’ Critical Race and Whiteness Studies, Vol 8.1 http://www.acrawsa.org.au/files/ejournalfiles/177CRWS201281Casey.pdf

Maryrose Casey, (2011) ‘Performing for Aboriginal life and culture: Aboriginal Theatre and Ngurrumilmarrmiriyu’ ADS 59: 53-68

Maryrose Casey & Will Peterson, (2011) ‘Transcultural, Transnational, Transformation: Introduction’, ADS 59, October: 4-7

Maryrose Casey & John Bradley, (2011) ‘Aeroplane Dance: Whose Story is it?’ Screening the Past, Issue 31 http://www.screeningthepast.com/?p=1055

Maryrose Casey, (2011) ‘Cross-Cultural Encounters: Aboriginal performers and European audiences in the late 1800s and early 1900s’, Double Dialogues: Boom or Bust, Issue 14, Summer http://www.doubledialogues.com/issue_fourteen/Casey.html

Maryrose Casey, (2009) ‘Disturbing Performances of Race and Nation: King Bungaree, John Noble and Jimmy Clements.’ International Journal Critical Indigenous Studies Vol 2 no 2: 25-35

Maryrose Casey & Jodi Gallagher, (2009) ‘Lygon Street Limbo’ Double Dialogues: Enter the New Wave: Australian Theatre 1967-1970, Issue 11, Winter http://www.doubledialogues.com.

Maryrose Casey with Peter Snow and Stuart Grant,(2009) ‘Do theories and events deliver: A tripartite meditation of social dramaturgy: Part 2 Delivering on expectations’ About Performance 9: 15-44

Maryrose Casey, (2007) ‘Carnivalising Sovereignty: Containing Indigenous Protest within the ‘white’ Australian nation’, About Performance 7: 69-86.

Shortlisted Marlis Thiersch Award 2008

Maryrose Casey, (2006/2007), ‘Indigenous theatre and the cultural interface of reception’, ‘Whiteness Matters/Il Bianco Al Centro Della Questione’ Athanor: Semiotica, Filosofia, Arte, Letteratura Anno XVII, nuova serie, n. 10: 215-228.

Maryrose Casey, (2006) ‘Referendums & Reconciliation Marches: what bridges are we crossing?’ in ‘Parading Ourselves’, Journal of Australian Studies 89: 139-150.

Maryrose Casey, Martin Crotty & Delyse Ryan, (2006) ‘Colour, movement & jostling in public’ in ‘Parading Ourselves’, Journal of Australian Studies 89 December

Maryrose Casey, (2006) ‘Whiteness and the Horizons of Race’ ACRAWSA e- Journal Vol II No 1, July http://www.acrawsa.org.au/editorial%20acrawsa%202.pdf

Maryrose Casey, & Liza-Mare Syron, (2005) ‘The Challenges of Benevolence: the role of the Indigenous Actor.’ ‘Benevolence’, Journal of Australian Studies, No 85: 97-112.

Reproduced in 2007 on http://www.austlit.edu.au/specialistDatasets/BlackWords ISBN 0 9750867 4 X

Maryrose Casey, (2005) ‘Indigenous Drama in the Classroom’ in ADEM (Drama Australia Education Magazine) No 10, Drama and Indigenous Perspectives: 6-11. (invited)

Maryrose Casey, (2003) ‘After Mabo: What’s at Stake’ Film as Text Series, Australian Screen Education No 32 (Spring): 107-111.

Maryrose Casey, (2000) ‘From the Wings to Centre Stage: Chronology of Production of texts by Indigenous

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Maryrose Casey Curriculum VitaeAustralian Artists’, Australasian Drama Studies No 37 (October): 85-98.

Maryrose Casey, (2000) ‘Nindethana and the National Black Theatre: Interrogating the Mythology of the New Wave’, Australasian Drama Studies No 36 (April): 19-32.

What the reviewers said about ‘Conditions of Recognition: social aesthetics and Aboriginal Australian performance’Maryrose Casey has done an excellent job here of applying a sophisticated aesthetic and theoretical lens to the act of performance ethnography… Casey’s case studies are exceptionally well-drawn; she has a wonderful way of dropping the reader into the scene. But it’s her analysis of the performances in their original socio-historical contexts, and her argument about the value of aesthetics in the reception of such performances then and now that is truly exceptional, exemplary, a model for those of us working in similar areas.’ Citation Marlis Thiersch Award 2014

What the reviewers said about ‘From the Wings to Centre Stage’:‘… very valuable…’. Noel Rowe and Jennifer Moore, Year’s Work in English Studies 2002

REFEREED CONFERENCE PROCEEDINGS

Maryrose Casey, (2011) ‘Aboriginal Performance and the Economy of Authenticity’ Directions and Intersections: Proceedings of the 2011 Australian Critical Race and Whiteness Studies Association and Indigenous Studies Research Network Joint Conference, Ed Damien W. Riggs and Clemence Due: 36-53http://www.acrawsa.org.au/files/pdf/ConferenceProceedings2011.pdf

Maryrose Casey, (2008) ‘Repositioning the interface for cross cultural reception of Indigenous Australian theatre’, Being There: Before, During and After. University of Sydney Epress http://ses.library.usyd.edu.au/bitstream/2123/2489/1/ADSA2006_Casey.pdf

OTHER PUBLICATIONS INCLUDING

Maryrose Casey & Cathy Craigie, ‘A Brief History of Indigenous Australian Contemporary theatre’ Blak Stage. An Australian Plays.org Showcasehttp://australianplays.org/assets/files/resource/doc/BlakStage_Essay_ABriefHistory.pdf Published 2012 Reprinted Newswrite, NSW Writers Centre Magazine, 2012

Encyclopaedia EssaysMaryrose Casey, ‘Australian Indigenous performance’, Columbia Encyclopaedia of Modern Drama (ed) Gabrielle Cody and Evert Sprinchorn, Columbia University Press, 2007: 78-79

Maryrose Casey, ‘Australians Indigenous playwrights’ Columbia Encyclopaedia of Modern Drama (ed) Gabrielle Cody and Evert Sprinchorn, Columbia University Press, 2007: 79-80

Maryrose Casey, ‘Australian women playwrights in the 1980s and 1990s’ Columbia Encyclopaedia of Modern Drama (ed) Gabrielle Cody and Evert Sprinchorn, Columbia University Press, 2007: 78.

Resources for Secondary Teachers and StudentsMaryrose Casey & Liza-Mare Syron, Drama Australia: Indigenous Guidelines for Drama/Theatre Education http://www.dramaaustralia.org.au/documents/ATSIguidelinesFinalSept07.pdf

Maryrose Casey, Playstarter Diving for Pearls: Notes for Students (Melbourne: Melbourne Theatre Company, 2000) 25 pages.

revised, 2001.

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Maryrose Casey Curriculum Vitae

KEYNOTES AND INVITED PRESENTATIONS

‘War by Other Means’ Turning the Page Matheson Library 50th Anniversary, 2014

‘Colonists and war cries’ Buffalo Bill Center of the West, Cody, Wyoming USA 2013

Laboratorio ‘Aboriginal performance and the economy of authenticity’, Dipartimento di Studi sull'Asia e sull'Africa Mediterranea Università Ca' Foscari di Venezia, Venice, Italy 2011

Key note respondent, ‘Colonists and War Cries: manufacturing racialised and ‘masculine’ emotions and rhetoric in the Australian Colonies’ Manufacturing Emotions Collaboratory CoE History of Emotions, Sydney 2011 ‘Aboriginal performance in the nineteenth century: Public Pedagogy and the Economy of Authenticity’ Art Forum, Faculty of Art & Design Monash 2011

‘Performing for Aboriginal life and culture: Aboriginal Theatre (1963) and Ngurrumilmarrmiriyu (2010)’ Royal Holloway, London UK 2010

Keynote ‘Following Indigenous tracks and seeing foot prints’, Footprints, Drama Australia Conference Melbourne 2009.

Key note respondent, ‘Putting on a face’ Being There: Before, During and After ADSA Conference Sydney 2006.

Melbourne Writers’ Festival, 2004 ‘Local Content?’ Panel member with Munya Andrews, and Noel Tovey and Lillian Holt. ‘Native American Stories’ Session with William Moreau Goins.

‘Who is listening and what are they hearing’. Occasional Address, Valedictory Dinner, Duchesne College, University of Queensland, 2004

‘Why Talk About Speech’, School of Arts and Media, LaTrobe University. Public lecture 2000.

SELECTED CONFERENCE & SYMPOSIA PRESENTATIONS ‘War by Other Means’ Indigenous Research Coference NIRAKN and NATSIHEC Adelaide 2015.

‘Embodying the essentialised abject: challenging colour blind racism in performance’ ADSA, Sydney 2015

‘Embodying the essentialised abject: challenging colour blind racism in performance, NAISA Washington DC, USA, 2015

‘Challenging colour blind racism in performance’, ACRAWSA Brisbane 2014. ‘Visitors and the Visited: Touring Sportsmen and Aboriginal performance in the 19th century’, Encountering Australia: Transcultural Conversations’ EASA Conference, Prato Italy, 2014

‘Aboriginal Performance for Entertainment in the nineteenth century as a weapon in the battle to restore balance in the face of colonisation.’ ADSA Wellington New Zealand, 2014

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Maryrose Casey Curriculum Vitae‘Aboriginal Performance for Entertainment in the nineteenth century as War by other Means’ NAISA Austin Texas, 2014 ‘Aboriginal interventions in the lawless terrain: Mapping the performance of embodied resistance’ Mapping your Law/Lore, ACRAWSA Perth, 2013

‘Life on the islands: Indigeneity and Human Rights’ in the Balance: Indigeneity, Performance and Globalisation, London, UK 2013.

‘Virtue and Water Policy’, Knowing Water Symposium, Melbourne, 2013

‘Not Translating for the coloniser: Demanding an active audience’ ADS Adelaide 2013

‘Archibald Meston and the desire for fame and fortune’ Racialising Desire ACRAWSA Adelaide 2012

‘Cultural performance and Economic Exchange’, Performance Studies international, Leeds, UK, 2012

‘Colonists and War Cries: Embodied performances as borders of conquest’, Performance Studies Melbourne, 2012.

‘The Borders of Social Aesthetics: Laughing at the trauma of colonisation’ Defining Social Aesthetics Symposium, Melbourne 2012

‘Aboriginal Performance and the Economy of Authenticity’, Directions and Intersections: Australian Critical Race and Whiteness Studies Association and Indigenous Studies Research Network Joint Conference, Brisbane 2011

‘BlakStages: A Resource for practitioners, students and researchers’ Ausstage Symposium, Melbourne 2011.

‘Performative moments: authenticity, white actors and Australian race relations’ Transnational, Transcultural, Transformations ADSA 2011, Melbourne

‘It’s oral history or isn’t it?’ Monash Transdisciplinary Performance Research Forum 2011

‘Interpreting Romeo and Juliet Chooky Dancer Style’ Stripped Bare ADSA Conference Canberra 2010.

‘Aeroplane Dance: film performance and entangled histories’, Umatic to YouTube, Monash FRU/ACMI Melbourne 2010

‘Transcultural performance: Romeo and Juliet Chooky Dancer Style’, Monash Transdisciplinary Performance Research Forum 2010

Economies of colonial exchanges: Cross-cultural Performances on Stradbroke and Palm Islands in the late 1800s and early 1900s, ADSA Boom or Bust, Perth 2009

‘Reading and Misreading Performances of Aboriginal Australian Sovereignty’ PSi Zagreb, Croatia, 2009

Performative claims of white cultural ownership: Framing Indigenous Australian cultural production in the performing arts’ 2nd Imagined Australia International Research Forum, Bari, Italy 2009

‘Theatre or Corroboree: Does naming nineteenth century Indigenous Australian commercial performance practices erase more than it reveals?’ Performance Studies Melbourne, Melbourne University, 2009

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Maryrose Casey Curriculum Vitae‘What is Traditional Cultural expression’ Symposium on Traditional Cultural expression and International law, Melbourne 2008

‘Embodied Cultures and representations; Whiteness and Colonial Histories’ Re-orienting Whiteness Melbourne 2008.

‘Do theories and Events deliver on their promises? Perspectives on notions of social dramaturgy’ Reimagining Sociology TASA Melbourne 2008

‘Blakstages: a work in progress’ AusStage Symposium, Flinders University, 2008.

‘Performing Indigenous sovereignty: nineteenth century Indigenous Australian performance’ Turangawaewae - A Sense of Place, ADSA, University of Otago, Dunedin, Aotearoa/New Zealand, 2008

When is it theatre: nineteenth century Indigenous Australian performance’ DTS Staff /Student Seminar Monash University, May 2008

‘On Not Remembering: shrines to remembrance as a way to forget’, Cosmopolitan Melbourne: Cultural Diversity and Social Cohesion, Melbourne 2008

‘Creative Dissent Versus Creative Conservatism: Containing Creative Dissent’ PSI 13 Happenings, New York, USA, 2007.

& Jodi Gallagher ‘Lygon Street Limbo’ Enter the New Wave Symposium Melbourne, 2007.

‘Performative consensus of race and nation: what is being performed? Extreme States ADSA Conference Melbourne July 2007

‘Performing Protest’, DTS Staff /Student Seminar Monash University, March 2007

‘Ngapartji Ngapartji: Spinifex and Pitjantjatjara bodies, memories and words mediating 50 years of fallout.’ Fallout Symposium Sydney November 2006.

‘Indigenous Australian Intangible Cultural Heritages: positioning the cultural interface of theatre reception, Being There: Before, During and After ADSA Conference Sydney 2006.

‘Performance Building Peace?’ Being There: Before, During and After ADSA Conference Sydney 2006. (invited)

‘Performing Humanity: Indigenous Australians contesting racialised discourses’ Performing Rights, Performance Studies International, London 2006

‘Managing the Indigenous Presence; absence, anomaly and the recuperation of virtue’ Australian Studies Day, UQ 2006

‘Ngapartji Ngapartji: documenting the layers of intangible cultural practice in Indigenous Australian performance’, The Second International Conference on Sustainable Heritage Development: Environmental, Cultural, Economic and Social Sustainability, Hanoi and Halong Bay, Vietnam 2006.

‘Performative Words: Managing the Indigenous Australian Public Presence: where are we now?’, Whiteness and the Horizons of Race, Australian Studies/ACRAWSA Conference, Brisbane 2005.

‘Dramatic Teaching: Focusing on Drama, Theatre, and Performance in Higher Education’, Journey to the Interior’ ADSA Conference, Wagga Wagga, 2005

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Maryrose Casey Curriculum Vitae ‘Seeing the Yarn’. Listening to the Image, ADSA Conference, Wellington, New Zealand, 2004.

‘Revisiting Theatre by Indigenous Australians in the1960s and 1970s’. Seminar series School of EMSAH, UQ, 2003.

‘I’m not that Innocent: Performing in Public’. Endless Horizons: Looking Inwards and Looking Outwards, ASAL & ADSA Joint Conference, Brisbane, 2003.

‘Pursuing Passions’: New Voices Reframing Contemporary Australian Theatre/Drama’. Drama on the Edge Conference Australasian Drama Studies Assoc, Launceston, 2002.

‘The Real Thing’ Transactions: Culture and Performance Conference International Federation for Theatre Research, Sydney, 2001.

‘Performative Urban Spectacle: What's at Stake’, Performance and the Spectacle Conference, Australasian Drama Studies Association, Newcastle, 2000.

‘Interrogating Australian Theatre History: the Valorisation of the New Wave and its Legacy’, Dis/orientations Conference, Australasian Drama Studies Association, Brisbane, 1999.

REVIEWS AND REVIEW ARTICLES INCLUDING: Review Coranderrk: We will show the country, by Giordano Nanni and Andrea James Australian Historical Studies 2015, Vol.46(2), p.313-315 Review of Hilary Glow & Katya Johanson, ‘Your Genre is Black’: indigenous Performing Arts and Policy, Platform Papers ADS 55 October 2009: 167-9 Review of Aileen Moreton-Robinson (ed), Sovereign Subjects: Indigenous Sovereignty Matters, Journal of Australian Studies, Volume 32, Issue 1 March 2008, pages 148. Review of Vivienne Cleven, Wesley Enoch, David Milroy & Geoffrey Narkle, Jane Harrison and David Milroy, Contemporary Indigenous Plays (Sydney: Currency, 2007) ADS 52 April, 2008: 203-204. Review of Downing, John. and Husband, Charles, Representing ‘Race’: Racisms, Ethnicities and the Media, ‘Mapping Media’ MIA 124 2007 http://www.emsah.uq.edu.au/mia/issues/miacp124.html Review ‘Penny van Toorn. Writing Never Arrives Naked: Early Aboriginal cultures of writing in Australia ACRAWSA e-journal Vol 3 No 1 2007 http://www.acrawsa.org.au/acrawsabookreview3-1.pdf ‘Seeking Racial Justice: An insider’s memoir of the movement for Aboriginal advancement, 1938 -1978’ Australian Journal of Indigenous Education Vol 35, 2006: 104-6 Review of Beverley Symons and Rowan Cahill eds, A Turbulent Decade: Social protest movements and the labour movement, 1965-1975, Newtown, Australian Society for the Study of Labour History, API/JAS Issue 43, May 2006 http://www.api-network.com/cgi-bin/reviews/jrbview.cgi?n=0909944091&issue=43 Review of ‘Jack Horner, Seeking Racial Justice: An insider’s memoir of the movement for Aboriginal advancement, 1938 -1978,’ API/JAS Review of Books, Issue 41, February 2006, http://www.api-network.com/cgi-bin/reviews/jrbview.cgi?n=0855754680 Review of Richard Frankland, Jadah Milroy, Maryanne Sam, Tracey Rigney, Tammy Anderson & John Harding, Blak Inside: 6 Indigenous plays from Victoria, JAS Review of Books, Issue 32, April 2005, http://www.api-network.com/cgi-bin/reviews/jrbview.cgi?n=0868196622&issue=32 Review of Geoffrey Milne, Theatre Australia (Un)Limited: Australian Theatre since the 1950s, ADS, No 46, April 2005, 159-162. ‘Positioning and Disrupting Whiteness in Australian race relations’ Review of Essays in social and cultural criticism: Whitening Race edited by Aileen Moreton-Robinson. ACRAWSA Journal Vol 1, No 1 2005: 104-106. (http://www.acrawsa.org.au/journal/ACRAWSA%20Review1-4.pdf) Review of Sue Abbey and Sandra Phillips (eds), Fresh Cuttings, (St Lucia, UQP, 2003), JAS Review of Books, Issue 27, September 2004 (http://www.api-network.com/cgi-bin/reviews/jrbview.cgi?n=0702233382)

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Maryrose Casey Curriculum Vitae Review of Isabel Flick and Heather Goodall, Isabel Flick: The Many Lives of anExtraordinary Aboriginal Woman, Crows Nest, Allen and Unwin, 2004. JAS Review of Books, Issue 27, September, 2004(http://www.api-network.com/cgi-bin/reviews/jrbview.cgi?n=1741141230)

& Journal of Australian Studies, Benevolence No 85, 2005: 155-157. Review of ‘This is England’ Metro No. 134, August 2002. Review of ‘Jack Hibberd’s Selected Plays & Plays of the 60s’, Australian Screen Education, No 26/27 Winter 2001. ‘Issues for the Noughties: New Theatre Texts by Australian Women Writers’, Hecate’s Australian Women’s Book Review, Vol 12 (2000). ISSN 1033-9434. ‘Performing Indigenous Women’, Hecate’s Australian Women’s Book Review, Vol 11 (1999): 41-43.

TEACHING

Supervisions

Higher Degree by Research Supervisions

PhD

Kerry Margoli (main) George Robinson The Colonial Showman

Kay Nankervis (main) Place and Space in Australian Writing

Clare Hughes (assoc) The contribution of choral music towards Reconciliation in Australia

James Andrews (Main) Creating a performance language through systems of rehearsal

Ross Hall (main) Adaptation and the dramatic form

Margaret Harvey (main) Telling Torres Strait Islander Stories

Anne Marie Bourke (assoc) Indigenous women’s fiction and spirituality

Completed HDR supervisions

Noel Maloney, PhD (Theatre Performance) Ruly and Unruly Narrators 2016

Merrilee Moss, PhD (Theatre Performance) Oriel Gray: Women Playwrights Then and Now 2015CTP Award 2015 for Best Thesis

Sharon Huebner, PhD Aboriginal Visual Histories 2015

Matt Lockitt, PhD What is a musical? 2014

Dominic Golding MA (Theatre Performance) Being White: Art, Writing and Performancemaking by Vietnamese and Korean Transnational Adoptees 2010 H2

Noel Maloney MA (Theatre Performance) Locating Plot: an Analysis of Place in Dramatic Narrative 2009 H1

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Maryrose Casey Curriculum Vitae

MA (Course work minor thesis)Completed

DTH5007 MA research project:Sarah Jayasakayer: ‘Comparative study of teaching drama to children Australia and Sri Lanka’, 2009 H1

Nina Berendt,‘Masculinities and mateship in contemporary Australian Theatre’ 2009 H1

Brunehilda Munier ‘Indigenous Australian Dance’ 2008 H1

MPhilCompletedMaureen Connelly 2004 H1

Honours thesis supervisionsCompletedEliza Sweeney ‘LeCoq training and autism’ 2010 H2

Andrew Wrestle ‘Ashburton Community Theatre Project’ 2009 H1Awarded Best Thesis DTS 2009 & Overall Award for Highest Achieving Honours Student DTS 2009

Iona Rutherford ‘Embodied Practice: An Analysis of a case study of the methods and processes used by the self-ethnographer’ 2009 H1

Katie Rose Smith,‘Reviewing Victorian Secondary Drama curricula in theory and practice’ 2009 H1

Alex De La Rambelje: ‘Theatricality in magic: an analysis of approaches to the performance of conjuring’ 2008 H1

Natalie O’Connor, ‘What are the conditions for delineating a discursive space which is as “free from the machinations of colonization” as possible between Warlpiri and non-Warlpiri Australians?: an initial case study of cross-cultural intersubjectivites’. 2008 H1

Honours Graduate Ensemble Research Supervision 2009Chanelle Sheehan H1Nicole Sherwin H1Carli Jones H1Kristina Benton H1James Tresize H1Phoebe Taylor H12008Heath Ramsey H2Andrew Dodds H1

Undergraduate Teaching2008-present

Theatre TheoryTheatre History from Classical Greek to the presentAustralian Theatre and DramaResearch methodologies

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Maryrose Casey Curriculum VitaePerformance StudiesPublic and Persuasive SpeechDirectingWriting and devising for PerformanceProduction units

SERVICE

AIATSISResearch Advisory Committee member for Arts and Creative Expression 14-15

ARCGrant Assessor 2010/11/12/13/14/15/16ERA Peer Reviewer 2012/15

Marsden Fund NZ Grant assessor 2014

Editorial BoardsAbout Performance 2008-

Journal of Australian Studies/ Zeitschrift für Australienstudien [German Australian Studies Journal] 2013-

Editorial Review editor ADS 2013/14/15/16

Conference & Event OrganisingOrganising and Program Committees ACRAWSA Annual Conference, Brisbane 2014 Organising Committee and Chair Program committee, Encountering Australia: Transcultural Conversations’ EASA Conference, Prato Italy, 2014Co-convenor, ‘Knowing Water Symposium’, Melbourne, 2013 & Will Peterson, Co-convenors ‘Transcultural. Transnational. Transformation.: seeing, writing and

reading performance across cultures’ ADS 2011 Convenor, ‘Embodiment, Performance, Performativity’ a Masterclass for early career researchers and

postgraduates, for the Australian Studies Centre UQ 2005. Whiteness and Horizons of Race Conference, Brisbane 2005. Member of the organising committee Organised panels at national and international conferences“The Bennelong Complex”: The cross cultural experience of Contemporary Indigenous Theatre in

Australia ADS 2008 ‘Theatre and Drama pedagogy at Australian universities’, ADS 2005 Second International Conference on Sustainable Heritage Development: Environmental, Cultural,

Economic and Social Sustainability, 2006Facilitating Talking Circles on social sustainability

Journal and Press Manuscript refereeing: articles on Australian cultural history and race relations as well as articles on racialised literary representations, film, Indigenous Australian theatre and performance and general Australian theatre historiography for numerous Australian and international journals including ADS, Being Theatre Conference Proceedings, Crossings, ACRAWSA Journal, The Historian (USA), JAS, MC, EJANZH, Asia Pacific Journal of Arts & Cultural Management, Enter New Wave Conference Proceedings, Double Dialogues, Cultural Studies Review, Journal of Intercultural Studies, Theater Journal, Time Transcendence Conference proceedings, About Performance, New Scholar: International Journal Humanities, Creative Arts and Social Sciences, International Journal Critical Indigenous Studies, Portal Journal of Multidisciplinary International Studies, Journal of Australian Studies/ Zeitschrift für

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Maryrose Casey Curriculum VitaeAustralienstudien, Australian Aboriginal Studies, Journal of Commonwealth Literature, Australian Humanities Review. Book Manuscript reviewing for Peter Lang, Monash Uni Publishing, Barbara Budrich Publishers, Germany

Examining theses on Australian cultural history and race relations as well as articles on racialised literary representations, Indigenous Australian theatre and performance and general Australian theatre historiography (honours, MA, MPhil and PhD) for ACU, Edith Cowan University, Griffith University Gold Coast, LaTrobe University, Monash, Sydney, UNE, UNSW, UQ, QUT, RMIT, Victoria University NZ, Canterbury NZ and Manonmaniam Sudaranar University, India

Media ActivityQuoted in Wendy Frew, ‘National playwright award aims to unearth new indigenous voices’ SMH April 4, 2012 Interviewed by Katrina Strickland, National Arts writer for the Australian for ‘Cultural Journeys’ (article on Richard Frankland’s Response to ‘Walkabout’), August 18, 2005.‘Out of the Shadows’, (extract from Creating Frames) Weekend Australian 10-11 April 2004: 16-17‘Indigenous Australian Theatre’ radio interview, presenter Michael Corkill, ABC Mid North Coast / North Coast Afternoon Show, March 2, 2004.

UniversityMonash UniversityUniversity Mentoring Women Program – mentor 2013 Campus Enhancement Group 2010

Faculty Director Theatre, Music and Performance HDR Program 2013/14 Member Faculty Research Graduate Training Committee 2013/14 Faculty Research Committee 2011/14/15 ARC grant reader for Arts Faculty 2010/11/12/13/14/15 ERA 4 Digit Co-ordinator 2011-12 ERA Strategy Group 2011-12 ERA Discipline-specific co-ordinator Theatre and Performance 2010/11/12/14/15 ERA HCA 1904 committee member 2009/2010

Member OSP committee 2010/11/12 Member Arts Faculty Diversity and Equity Committee 2009-10 Member of Faculty of the Arts Board 2007-8

Faculty Postgraduate Publication prize, member of the judging panel 2012/13 First in the Family mentoring project 2011

Monash Indigenous Centre Research co-ordinator 2014/15 Convenor Reading Group 2012/13/14/15

School (ECPS) ARC applications Panel 2012/13 Deputy Head of School Research and International 2011-12 Member ECPS Research and International Committee 2008/9/10/11/12 Member workloads committee 2009/2010 Staff selection panel DTS B/C Lecturer 2009

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Maryrose Casey Curriculum Vitae Member of ECPS Postgraduate committee 2008-2009 Staff Selection panel Lecturer CMS-DTS December 2008 Postgraduate Publication Prize Judging panel 2012/13

NTEU Delegate 2013/14

Section (CTP) Director Centre Theatre and Performance (formerly DTS) 2010 Director Performance Research Unit 2009/10/11/12/13 Postgraduate Co-ordinator Centre Theatre and Performance 2008-2009 Research Co-ordinator Centre Theatre and Performance 2007/8/9/10/11/12/13 Departmental Liaison with Matheson Library 2007/8/9 RQF leader Theatre and Performance research group 2007

University of Queensland Member of selection committee for the Indigenous Studies Award, UQ 2006 Discrimination and Harassment Contact Officer, School of EMSAH, University of Queensland 2004-

2006. Judge for Bugfest, Festival of Student theatre, 2004. Mentor within EMSAH Mentoring Program for tutors, 2004/5

LaTrobe University Women’s Officer, LaTrobe University Postgraduate Students’ Association 1999-2000 Student representative on University Library Committee Elected student representative on University Council

Professional

Professional Organisations

Australasian Theatre, Drama and Performance Studies Association (ADSA) Post graduate representative on executive 1999-2001 Member of the executive 2002- 2004, 2010-2012 Deputy Treasurer 2013/14/15 Member Judging Panel Marlis Thiersch Award 2003- 2005 (chair 2005) Member of Judging Panel for Veronica Kelly Award 2004/5/6/7/8, Chair 2009-10, member 2014/15 Member of Rob Jordan Award Judging Panel 2007-10, Chair 2009-2010 Member of Judging Panel Geoffrey Milne Bursary 2011

Developed Reconciliation Action Plan for the organisation 2015

Australian Whiteness and Critical Race Studies Association (ACRAWSA) Queensland Representative, 2006 Vice-President 2013/14/15/16

ConsultanciesNIRAKNEvaluated the postgraduate capacity building program 2013, 2014, 2015

Drama Australia Consultant for review of Drama Australia’s Aboriginal & Torres Straits Islander Policy 2005. Consultant for developing Drama Australia guidelines for drama teachers working with ATSI authored

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Maryrose Casey Curriculum Vitaetexts 2005/6.

Australian Script Centre Project officer Indigenous Theatre Collection, National Script Centre 2010-11

Consultant for various film and video documentary projects including documentary on Jack Charles, Bastardy, director Amiel Courtin-Wilson, Camp Productions 2008Winner of Film Critics Circle of Australia’s Jury Prize for Best Documentary 2009. Nominated for AFI Award for best Feature length Documentary 2009, Prix Special Du Jury prize at the Pacific International Documentary Film Festival (Festival International du Film Documentaire Oceanien 2010

Consultant on repertoire for Kooemba Jdarra Indigenous Theatre Company, Brisbane, 2004/05.

Consultant for Centenary of Federation Festival Playbox Theatre Company, 2000/2001

Consultant ‘Black Theatre at Redfern' Hindsight, Social History Unit, ABC Radio, 1997.

Conducting workshops for Drama teachers such as for Drama Queensland. (Queensland Education Department) ‘Sharing@Kenmore’, ‘Approaches to text’, 2003

Amnesty International Youth Arts Festival Brisbane Co-ordinating Committee, literature convenor, 2003.

External moderator for Course review Theatre and Drama ACU Banyo Campus, 2004

PROFESSIONAL AFFILIATIONS AND MEMBERSHIPSAIATSISADSA, Australasian Association for Theatre, Drama and Performance StudiesPerformance Studies internationalNAISAFIRT/IFTRAHAMedia Entertainment & Arts Alliance Australian Critical Race and Whiteness Studies Association (ACRAWSA)

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