+ Aperture and the Relationship to Depth of Field.

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+ Aperture and the Relationship to Depth of Field

Transcript of + Aperture and the Relationship to Depth of Field.

Page 1: + Aperture and the Relationship to Depth of Field.

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Aperture and the Relationship to Depth of Field

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+Lower f/stop = shorter depth of field

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Aperture set at 4.5 f/stop

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Aperture set at 5.6 f/stop

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Aperture set at 7.1 f/stop

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+Higher f/stop = deeper depth of field

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Aperture set at 9.0 f/stop

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Aperture set at 11.0 f/stop

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Aperture set at 14.0 f/stop

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Aperture set at 18.0 f/stop

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4.5 f/stop 18.0 f/stop

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Aperture set at 3.5 f/stop

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Aperture set at 4.5.0 f/stop

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Aperture set at 5.6 f/stop

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Aperture set at 7.1 f/stop

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Aperture set at 9.0 f/stop

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Aperture set at 14.0 f/stop

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Aperture set at 18.0 f/stop

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Aperture set at 22.0 f/stop

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22.0 f/stop 3.5 f/stop

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But why would I want blurred or

non-blurred backgrounds?

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CREATIVE CONTROL!!

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Perhaps you want everything in focus…

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+ Like this…….

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+ ….or this.

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+Or perhaps you want

just your main subject in focus, and other

things blurred.

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Like this…..

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Or this…..

This blurred background

is also referred to as “Bokeh.”

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+So…..Low f/stop number equals short depth-of-field, which equals sharp focus on the main subject and blurred backgrounds.

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+Large f/stop number equals long depth-of-field, which equals focus on all elements in the picture frame and limited or no blurriness.