Krenek - Studies in Counterpoint Based on the Twelve-Tone Technique (1939)

Amy M. Hatch - A Transformational Network Approach to Stravinsky's Double Canon and Fireworks

Dr. Ross Feller - Strategic Defamiliarization

Elina Packalén - Musical Feelings and Atonal Music

Robert T. Kelley - Evaluating Prolongation in Extended Tonality

Allen Forte - Context and Continuity in an Atonal Work

Joseph Straus - Harmony and Voice Leading in the Music of Stravinsky

Jacquelyn Hale - Consonance, Tertian Structures and Tonal Coherence in Wladimir Vogel's Dodecaphonic World

Christopher Lewis - Tonal Focus in Atonal Music

Joseph N. Straus - Uniformity, Balance and Smoothness in Atonal Voice Leading

Sun Hyun Ahn - Musical Language and Formal Design in Dallapiccola's Sicut Umbra

Benjamin John Davies - Debussy and Stravinsky

Emily J. Adamowicz - Subjectivity and Structure in Milton Babbitt's Philomel

Hyojin Ahn - Karol Szymanowski's Musical Language in Mythes for Violin and Piano, Op. 30

Brian Moseley - Transpositional Combination and Collection Interaction in George Crumbs Vox Balaenae

Alan Lessem - Schönberg and the Crisis of Expressionism

Brian Alegant - Cross Partitions as Harmony and Voice-Leading in Twelve-Tone Music