26071168 the Liberation of Sound Contacts With Edgard Varese Jean Claude Risset 1
Xenakis
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Electroacoustic Music of Iannis Xenakis
Continuamente Integrating Percussion Audiovisual
Real Time Composition and Notation in Network Music
Scores Level Composition Based on the Guido Music Notation
Remote 3d Audio Performance With Spatialized Distribution
Conditions for Development of an Interchange Format For
Challenges and Opportunities of Multiple Processors Why
Music That Listens to Whats Going to Happen Internet
Thoughts on Parallel Computing for Music
Comment on Many Core Computing and Real Time Audio Software
Engraving Hammeringcasting Exploring the Sonic Ergotic
Towards a Typology of Feedback Systems
Maestro Using Technology to Improve Kinesthetic Skill
Variance in Repetitive Games Music
Computing With Chord Spaces
Smuse an Embodied Cognition Approach to Interactive Music