Post on 24-Mar-2016
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tobi ogunleyePORTFOLIO
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tobi ogunleyePORTFOLIO
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Architecture as a profession and a fi eld allows the designer to design as simply or as complex as they choose. As a member of the fi eld, I consider architecture the process of translating ideas into a built form of art. Elements that I consider when critiquing a design include beauty, practicality, and an abstraction of ideas. The culmination of these ideas in a design can create spaces that appeal to the human senses, allowing the designer to convey sensations through a sensory experience. With the advent and extensive use of technology though, much of contemporary architecture has disregarded theory and resorted to only addressing beauty, practicality, or abstraction rather than all of these ideas. An understanding and execution of these ideas is instrumental in the success of an architectural piece.
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architecture photographyexhibition design403208
resume06
RESUME
EDUCATION
Philadelphia University | Philadelphia, PABachelor of Architecture | Minor in Photography
May 2013
RELATED EXPERIENCE
Karabakh Foundation | Museum Studies InternAssembling ideas, text and images to establish a design path for Karabakh Foundation’s ‘Azerbaijani Artifact’ online exhibition | Ongoing duties include designing panels for exhibitions| Awarded with the Foundation’s fi rst ‘Natavan Design Fellowship’ for excellence work on the ‘Azerbaijani Artifacts: Coins’ design
Summer 2012
BusyBee Design: busybeephilly.com | InternAssisting the lead designer in client research, product research and compiling information to be included in presentations as well as sitting in on presentations. Designing suggestions for re-upholstered furniture for clients | Ongoing duties include the organization and accuracy of the product and materials library.
Spring 2012
Georgia Avenue Community Development Task Force | InternResearched intricate zoning laws and created schematic prototypes for underdeveloped properties in Washington DC | Worked with a team of interns to manage planning and logistics for Community Design Review meeting incorporating over 100 community members, politicians, and real estate developers | Conducted and analyzed survey data of residents’ needs and incorporated data into comprehensive report by investors, developers, local politicians and Howard University.
Summer 2010
OTHER EXPERIENCE
Offi ce of Spiritual Development, Philadelphia University | Graphic Offi ce AssistantDesigning and displaying fl yers in Photoshop for campus-wide events regarding the Spiritual Development offi ce | Working under two supervisors to ensure accuracy and successful graphic presence of the Spiritual Development offi ce.
Spring 2012
Manekin LLC: manekin.com | Secretarial InternScanned and archived company’s newspaper clippings on Microsoft Excel | Entered andorganized data of company wide database of clients and sales prospects.
Summer 2007Summer 2009
College of Architecture and the Built Environment, Philadelphia University | Offi ce AssistantWorked under the Administrative Assistant and other offi ce assistants to perform tasks and projects | Tasks involved typing, copying, fi ling and answering phones | Ongoing duties included assisting the College’s professors and keeping a clean work area
Summer 2011-Spring 2012Spring 2013
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VOLUNTEER
CAC Bethel Fellowship Church | Audio Visual TeamWorking with a team of members to monitor the audio and visual equipment for services |Designing graphics for display at services
2006 - Present
Impact Services | Mural ProjectDesigned and implemented a mural in Kensignton, Philadelphia with local kids and an interiordesign student.
2006 - Present
INVOLVEMENT
NOMAS| Founding Member, HistorianSpring 2013
AIAS | Offi cer of FinanceFall 2012 - Spring 2013Student Government Association
Offi cer of RecruitmentVice President of Communications
Fall 2009- Spring 2010Fall 2010- Spring 2011
SKILLS
Drafting, Hand Rendering
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architecture
ELEVATED: INHABITABLE BRIDGE
An extension of the historic Reading viaduct, ELEVATED is a living bridge connecting the rising loft district with Center city Philadelphia. ELEVATED begins 20 feet above street level spans over 300 feet, and lands after Vine Street behind the Pennsylvania Convention Center. ELEVATED was designed to encourage direct pedestrian traffi c in both directions, prompting the creation of a prominent central circulation. ELEVATED houses over 57,820 square feet of commercial and residential space. To achieve the span, a truss tube was used with a superstructure that brings the project to the ground.
Study Models
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Residential
Commercial
Pedestrian Walkway
Green RoofVine Street Expressway
Site Plan PlanTruss Tube Structure
ELEVATED: INHABITABLE BRIDGE
Cross Section
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BELVEDERE: COLLEGE OF ARCHITECTURE
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The new College of Architecture and the Built Environment (C_ABE) building on Philadelphia University’s campus will provide Philadelphia University with a new College of Architecture building that is not only on the cutting edge of technology but also acts as a connective tissue between the campus and the surrounding communities, the old and the new, and the past and the future. With the addition of the new C_ABE building we hope to incorporate and focus on integrating the school of architecture into one centralized location, while encouraging a collaborative studio work and learning environment. This building will not only refl ect the sustainability aspects so heavily incorporated into our learning system but will show the spirit of Philadelphia University and its ongoing relationship with the nearby neighborhoods. The C_ABE building will become the newest architecture studio building in Philadelphia, and with that it is our responsibility to show how the future of architecture is unfolding. Philadelphia University will be pioneering the way for the future.
Project Mission
BELVEDERE: COLLEGE OF ARCHITECTURE
Macro Study
Site + Site Features Massing
Site Approach
BELVEDERE was a project done in conjunction with two other Architecture students for a comprehensive design studio. After extensive site analysis, we chose a challenging site on campus for our design. The site required us to do extensivemassing studies in order to fi nd an appropriate placing for our 90,000 square foot building and address all the site’s challenges. In the process, we eliminated the existing building, placed our public program on Henry Avenue, one of Philadelphia’s arterial roads. The students and faculty are cantilevered over the site to take advantage of the views. The cantilever is achieved with a tree-like structal system.
Micro Study
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Ground Floor Plan Second Floor Plan
BELVEDERE noun \ˈbel-və-ˌdir\
An architectural structure, designed to command a view. Built in an elevated position to provide a view and capture daylight and fresh air, it has been used in Italy since the Renaissance, and often assumes the form of a loggia.
BELVEDERE: COLLEGE OF ARCHITECTURE
Tectonics: Cafe and Lecture Rooms
Lecture Room
Henry Avenue Approach
Studio
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Informal pin-up space
Exterior night rendering
BELVEDERE: COLLEGE OF ARCHITECTURE | fi nal presentation
The new College of Architecture building will provide Philadelphia University with a new building that is not only on the cutting edge of technology but also acts as a connective tissue between the campus and the surrounding communities, the old and the new, and the past and the future. The C_ABE building will incorporate and focus on integrating the school of architecture into one centralized location, while encouraging a collaborative studio work and learning environment. This building will not only refl ect the sustainability aspects so heavily incorporated into our learning system but will show the spirit of Philadelphia University and its ongoing relationship with the nearby neighborhoods. The C_ABE building will become the newest architecture studio building in Philadelphia, and with that it is our responsibility to show how the future of architecture is unfolding. Philadelphia University will be pioneering the way for the future.
BELVEDEREnoun /ˈbelviˌdi(ə)r/An architectural structure, designed to command a view. Built in an elevated position to provide a view and capture daylight and fresh air, it has been used in Italy since the Renaissance, and often assumes the form of a loggia.
001 Photo-voltaic Panels2 Existing Stone Patio3 Geothermal well fi eld4 Water Collection
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1
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HENRY AVENUE
SITE PLAN 1⁄32ND” =1’-0’
REFLECTED CEILING PLAN ENLARGED ELEVATION
WALL SECTION SECTION
01GROUND LEVEL 1⁄16TH” =1’-0’
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1 Cafe2 Lobby3 Full Time Faculty Offi ces4 Classroom5 Adjunct and Private Offi ces
SECTION A 1⁄16TH” =1’-0’
A
NORTH ELEVATION 1⁄16TH” =1’-0’
MOMENT 1
¼ ”=1’0”½ ”=1’0”
6” HOLLOW BRONZE PANEL
RIGID INSULATION
CONCRETE ON METAL DECKING
W8 STEEL BEAM
PERFORATED WOOD ACOUSTIC CEILING TILE
BATT INSULATION
PERFORATED ACOUSTIC WALL TILE
RADIANT FLOORING
2” HOLLOW BRONZE PANEL
W8 STEEL BEAM
12’ CENTER LUMINARIES
LOBBY
FULL-TIME FACULTY
OFFICES
CLASSROOMS
HVAC 20’ CENTER SPRINKLERS
REFLECTED CEILING PLAN
REFLECTED CEILING PLAN
SECTION
12’ CENTER HIGH BAY LUMINARIES
10’ CENTER TRACK LIGHTS
HVAC
20’ CENTER SPRINKLERS
6 Fabrication Lab7 2nd Year Architecture Studios8 Hot Desk Studios9 Pinup + Storage10 Photography Lab11 Lecture Classroom + Formal Crit Space12 2nd Year Interior Studios13 2nd Year Landscape Studios
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B
MOMENT 2
MOMEN
¼ ”=1’0”
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02SECOND LEVEL
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10
4
SECTION B
EAST ELEVATION
NT 2
FROSTED FLOAT GLASS
STEEL ANGLESTEEL CONNECTOR
STEEL PLATE
RADIANT FLOORING
FLUORESCENT LIGHT
FROSTED FLOAT GLASS
RIGID INSULATION
CONCRETE ON METAL DECKING
W8 STEEL BEAM
CAFE
RADIANT FLOORING
LOW-E GLAZING
INSECT SCREEN
OPERABLE VENT
WATERPROOFING MEMBRANE
CONCRETE ON METAL DECKING
W8 STEEL BEAM
15” HSS COLUMN
W8 STEEL BEAM
OPERABLE VENT
THERMAL INSULATION
WATERPROOFING MEMBRANE
ROOF MEMBRANE
LOOSE-LAID RETENTION TEEPAVER WITH SHIM
LOW-E GLAZING
METAL CAP + FLASHING
OPERABLE LOUVERS
OPERABLE VENT
SECTION¼ ”=1’0”
WALL-FLOOR DETAIL½ ”=1’0”
ENVELOPE DETAILS½ ”=1’0”
REFLECTED CEILING PLAN
14’ CENTER PENDANT LUMINARIES
8’ CENTER TASK LUMINARIES
20’ CENTER SPRINKLERS
03THIRD LEVEL
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14 3rd Year Architecture Studios15 3rd Year Interiors Studios16 3rd Year Landscape Studios17 Computer Workstation18 Informal Crit Space
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C
SECTION C
WEST ELEVATION
MOMENT 3
MOMENT 3
04FOURTH LEVEL
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D
SECTION D
SOUTH ELEVATION
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20
19 5th Year Landscape20 5thYear Architecture
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ST. BENEDICT'S MONASTERY
Saint Benedict’s Monastery in Bucks County, PA is an entry into the 112th John Stewardson Memorial Fellowship in Architecture. The concept of the design is derived from Saint Benedict’s doctrine that highlighted the importance of Lectio Devina| Holy Reading, Prex Precis |Prayer, and Opus|Work. This is evident in the simple layout of the programmatic elements. The connected components of the plan form an exterior border, allowing the monks to focus inward on the sacred church.
Church Interior
Concept Diagram Monk Cell Floor Plan
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URBAN KITCHEN
Located at the intersection of E. river drive and Midvale Avenue along the scenic Kelly Drive is ‘LUNCHBOX’. An urban kitchen that is intended to extend the pedestrian activity that exists in the East falls neighborhood into Kelly Drive, LUNCHBOX is modeled after the concept of a produce stand, with operability that enforces the casual nature of a temporary produce stand.LUNCHBOX also employs tectonics that make it adaptable to other locations. The intended users include joggers and bikers along Kelly Drive, as well members of the East Falls community, particularly those traveling by bus.
Elevation
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Foundation detail
East Elevation
DANCE CENTER
Site observations Floor Plan
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4
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1. Reception2. Offi ce3. Indoor Performance4. Rehearsal/ Dance Studio5. Outdoor Performance
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Dance and architecture share a similar necessity: space; both the dancing body and architecture manipulate space for movement. For this reason, dance informs the architecture of the Mt. Airy center for Dance. The project is located in the Mt. Airy community in Philadelphia on a site with an existing barn ruin. The concept translates to the existing and new architecture responding like dancers do during a performance.This project was explored through collaging, hand drawing, model making and other mixed media.
Concept Collage
Section Perspective
ILLUMINA
Illumina is an investigation in light and space concentrating on controlling diffused light. The materials used to construct the light fi xture includes plywood, acrylic tubing, basswood dowel, mylar and a light cord kit.
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VISUALIZATION
Wall section through window
0 1’ 2’
2” metal edge flashing
Double ply bituminous membrane roofing on built-up rigid insulation
Painted .75” pine fasciasPainted .5” A/B plywood soffitsGlu-lam beamCopper flashing behind glu-lam,lapped and caulked over copper sheathing
2x8 ceiling framing with R-21 batt insulationCopper sheathing; four courses, 6in overlapTyvek building wrap on .5” plywood1” furring.75” plywood sheathing2x6 framing with R-21 batt insulation3” x .75” T+G cedar siding blind nailed into 2” furring
Custom fixed window in wood frameStained .75” pine trim around win-dow with drip at sill
1.25” granite slab anchored to wood framing with wire anchors1” airspace
2x6 P.T. sill anchored into conc. fdnt. wall
1” rigid insulation at stove platform2” granite platform on conc. platform4” conc. slab w/ 6x6 WW mesh 2” rigid insulation on gravel fill6” conc. fndtn. wall with asphalt sealant
Geotextile mat6” perforated fndtn drain
SAUNA PAVILION by artifact design + construction. Visualization completed with the use of AutoCad, Photoshop, SketchUp, Podium and presented through InDesign.
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exhibition design
AZERBAIJANI ARTIFACTS: COINS
Azerbaijan Artifacts is an online (virtual) exhibition that depicts and explains aspects of Azerbaijani culture using artifacts (“objects”) as its basis. The coins section of the exhibition was designed, prepared, and produced in conjunction with the Karabakh Foundation using Foundation archival materials as well as images of materials from other trusted resources. The exhibition includes scans of visuals, interpretive labeling and text.
Interactive opening page Interactive content pages
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Print cover page
The feeling of reading a book was the driving concept behind the design of the exhibition’s interface. The design incorporates interactive elements, allowing the user to see both sides of the coin with half the space. The web version features a header and footer, meant to guide the reader through the exhibit as well as link to external resources.
The exhibit is also translated to a print version, incorporating coins, maps, and photographs in both the design and content.
Print content pages
EXHIBITION GRAPHICS
Poster
Postcard
Entrance Wall
Objects and Object Labels
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EXHIBITION GRAPHICS:POLITICS of FREEDOM
POSTCARD 7” x 5”
POSTER 11” x 14”
ENTRANCE WALL WITH DIDACTIC TEXT PANEL
OBJECT LABELS 2” x 5”
The exhibition is designed to explore the politics behind freedom. The objects chosen represent ideas and events that have shaped the meaning of American freedom. The design of the graphics reference colors and images present in American culture.
Freedom has always been at the foundation of the United States of America. Freedom can be described as the ability to make one’s own decisions. The average American experiences freedom in many
Revolution. The freedom gained from these wars has also been highly regulated by the political system present today. Americans consider democracy to be the fairest manifestation of collective freedom; allowing the people to choose their leader. Voting, campaigning and political debates by opponents showcase the politics behind freedom. These methods of establishing and maintaining freedom often leave us wondering, is freedom really free?
The Politics of Freedom exhibit explores the objects and events that have come to represent American freedom throughout time.
DIDACTIC TEXT
Presentation
1 JOURNEY ACROSS THE ATLANTIC
Section
“1 Journey Across the Atlantic” is an exhibition of ten seemingly random objects. The aim of the project was to create and design the story line, text, and graphics for ten unrelated object. The concept behind this exhibit suggests that the objects belong to a traveler and each object was acquired at the visited cities.
Entrance Panel
Graphic Panel
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1
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45`
6
7
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9
10
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TITLE PANEL1
2 3
4 OBJECT 4 & LABEL 5
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7 & 9 GRAPHIC PANEL
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ENTRANCEPLAN
SUGGESTED CIRCULATION
Final Presentation
photography
35 MM FILM
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35 MM FILM
45
120 MM FILM
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thank you!
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