Post on 02-Jan-2016
The Use of The Use of Imagination and Imagination and
RealityReality
The Use of The Use of Imagination and Imagination and
RealityReality
• Audiences always try to search their own pieces of personalities and experiences when watching plays.
• Once they find it, not only can integrate into the plays easily but also can feel indebted as if it were received in person.
Six Elements • 1.real actors• 2.unreal actors• 3. real people• 4.imaginary roles • 5.true stories• 6.imaginary stories
Unreal Actors VS.
Real Actors
• Unreal Actors: enlarge the possibilities of the play. Ex. animations
• Real Actors: as usual.
Real People VS.
Imaginary Roles
• Real People: audiences have had impression on that person before .
• Imaginary Roles: Directors can create imaginary roles depending on what groups of people that they want to attract.
Imaginary Stories VS.
True Stories• Imaginary Stories: directors have
no limitations of developing actions.
• True Stories: it is possible to happen in daily life, the audiences may be convinced of believing the story much easily.
• Real actors act real people with true stories. • Real actors act real people with imaginary
stories.
• Real actors act imaginary roles with true stories. • Real actors act imaginary roles with imaginary
stories.
• Unreal actors act real people with true stories. • Unreal actors act real people with imaginary
stories.
• Unreal actors acts imaginary people with true stories.
• Unreal actors acts imaginary people with imaginary stories.
Unreal Actors Act Real People with True
Stories• 紀錄一九八二年九月發生在黎巴
嫩首都貝魯特的大屠殺,當時以色列軍隊正包為此一地區,導演阿里富曼正是其中一名士兵,一天他與友人在酒吧,友人告訴他每天晚上重複著相同的惡夢,兩人覺得這與她們八零年代從軍時所執行的任務有關聯,讓阿里驚訝的是自己幾乎對那段期間所發生的事忘得一乾二淨,他決定與當年的朋友及同事們一一會面訪談,挖掘那段期間所發生的事實真相 ...
Unreal Actors Act Real People with Imaginary
Stories
• Adam Sandler's Eight Crazy Nights
• Real person: Adam Sandler
Unreal Actors Act Imaginary People with
True Stories• 茉莉人生 • 故事描述伊斯蘭革命
時期長大的小女孩,目睹同胞在革命戰火喪命,原教主義勢力不斷擴張,想聽 ABBA 、穿 Nike 的女孩只好離開祖國尋找愛與夢想。
To Sum Up• Letting audiences integrate into the
plays easily and feel indebted as if it were received in person; is an important goal for directors.
• To achieve the goal, directors often use both imagination and reality.
• No plays are whole real. • Play is an artificial production.