T A N T R A D R A W I N G Sb y A c h a r y a V y a k u l a n d A n o n y m o u s

CAVIN-MORRIS GALLERY - NEW YORK, NY

1 < ACHARYA VYAKUL

ACHARYA VYAKUL > 2

T A N T R A D R A W I N G Sb y A c h a r y a V y a k u l a n d A n o n y m o u s

CAVIN-MORRIS GALLERYNEW YORK, NY

3 < ACHARYA VYAKUL

This catalog presents the Tantra paintings of Acharya Vyakul (1930 – 2000, Jaipur and Rajasthan, India), and several anony-mous artists. The anonymous small paintings come from a tradition in Tantric Hinduism, which began in the fifth or sixth century C.E. After painting one, a devotee is to meditate on an image to manifest the divinity. It is a practice that involves a separation from one’s ego. In Sanskrit tantra means “loom” or “weave,” but also “treatise.” The hand-written Tantra trea-tises date back at least to the seventeenth century, as do the paintings. The Tantra treatises and paintings have been copied over many generations. The accompanying symbolic paintings evolved with the treatises. Now many of them have been separated from the original treatises.

The Tantric philosophy does not separate spiritual, ascetic practices from the mundane experiences of daily life. A Tantrika, or practitioner of Tantra, is not expected to live a hermetic existence away from the pleasure and pain of the world. The continuum of ordinary life can provide true and ever-lasting fulfillment only when all the threads are woven according to the pattern designated by Nature. When we are born, life naturally forms itself around that pattern. But as we grow, our ig-norance, desire, attachment, fear, and false images of others and ourselves tangle and tear the threads, disfiguring the fabric. Tantra practice reweaves the fabric, and restores the grace of the original pattern.

When a practitioner meditates, the meditator may repeat a continuous pattern of words or sounds, either silently or audi-bly, known as a Mantra. Yantra is the Sanskrit word for mystical diagram, or a visual Mantra.

Tantric visualizations are said to bring the meditator to the core of their humanity and unity by transcendence. The tran-scendence reached by meditative work does not construct anything in the mind of the practitioner; instead, it deconstructs all preconceived notions of the human condition. The limits on thought (cultural and linguistic frameworks) are removed. This allows the person to experience liberation, followed by unity with spiritual reality.

It is very common, and totally within the tradition for artists to make yantras on recycled paper--and to create them anon-ymously, as humility is part of Tantra practice. Most of these paintings (historical and contemporary) are made by artists trained to copy Indian miniatures, an acceptable, respected occupation in India. The makers tend to be from the Rajasthan area of India. While a skilled copyist may be able to capture pattern and color, it takes the touch of artist to capture the energy and luminosity associated with the best of the paintings.

ACHARYA VYAKUL > 4

The work of Acharya Vyakul (1930 – 2000, Jaipur and Rajasthan, India), offers a different take on Tantra art. In the context of the tantric pictorial tradition, codified by unchanging archetypes, the work of Vyakul distinguishes itself by its freedom of execution, its aspect of free improvisation, a spontaneity fed by a secular tradition. Vyakul considered himself a modern painter working in the abstract tradition. Unlike 99.9% of painters of yantra, Vyakul signs his name. The paintings of Vyakul were brought to Western consciousness by French poet Andre Jamme, who lent some drawings from his collection to the groundbreaking exhibition, Magiciens de la Terre, organized by Jean-Hubert Martin, at Centre Georges Pompidou in 1989.

The anonymous creators of the small Yantra, or mystical diagrams in this catalog were also trained as a copyist of tradi-tional Indian miniatures. Choosing to remain anonymous in the spiritual act of making the paintings, they use vintage pa-per, and hand-ground colors including minerals, mother-of-pearl, coral, tree resin, vegetal pastes, and silver and or gold leaf. Anonymous paintings such as these have been exhibited most recently at the 2015 Outsider Art Fair in New York; at the Venice Biennale in 2013; The Drawing Center, New York, in 2005-6; Feature Gallery, New York in 2012, 2010, 2007, 2005; Agnes B’s Galerie de Jour, Paris, 1994; and Galerie Le Point Cardinal, Paris, 1970, organized by Octavio Paz.

I am indebted to the poetic writings of French poet Franck André Jamme, and have paraphrased him extensively in this short essay, and to the scholarly writing of Ajit Mookerjee for historical information.

-Shari Cavin, 2015

Bibliography

Tantra Song: Tantric Painting from Rajastan, Franck André Jamme, Siglio, Los Angeles, 2011Field of Color: Tantra Drawings From India, the Drawing Center, NY, 2004, with essay by Franck André JammeVyakul, Franck André Jamme, Galerie de Jour, Paris, 1993Magiciens de la Terre, organized by Jean-Hubert Martin, Centre Georges Pompidou, Paris, 1989 Tantra Art, Ajit Mookerjee, Landmark Book Company, NY, 1983The Tantric Way, Ajit Mookerjee, and Madhu Khanna, Thames and Hudson, London, 1977

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TANTRA ART BY

ACHARYA VYAKUL

UntitledPigment on paper7 x 9 in/ 17.8 x 22.9 cmVya 37

ACHARYA VYAKUL > 8

Untitled, c. 1990sPigment on paper7 x 9.5 in/ 17.8 x 24.1 cmVya 43

ACHARYA VYAKUL > 10

UntitledPigment on paper6.25 x 9 in/ 15.9 x 22.9 cmVya 41

ACHARYA VYAKUL > 12

Untitled, c. 1990sPigment on illustration board7.75 x 11 in/ 19.7 x 27.9 cmVya 48

ACHARYA VYAKUL > 14

Untitled, c. 1990sPigment on paper6.25 x 8 in/ 15.9 x 20.3 cmVya 38

ACHARYA VYAKUL > 16

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UntitledPigment on paper8.75 x 12.5 in/ 22.2 x 31.8 cmVya 50

ACHARYA VYAKUL > 18

Untitled, c. 1990sPigment on paper7.75 x 8 in/ 19.7 x 20.3 cmVya 44

ACHARYA VYAKUL > 20

UntitledPigment on illustration board10 x 12.5 in/ 25.4 x 31.8 cmVya 51

Acharya Vyakul < 22

UntitledPigment on paper8.25 x 12 in/ 21 x 30.5 cmVya 49

ACHARYA VYAKUL > 24

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Vya 47 (back)

ACHARYA VYAKUL > 26

(front) UntitledPigment on paper8 x 10.5 in/ 20.3 x 26.7 cmVya 47

UntitledPigment on paper10.5 x 8 in/ 26.7 x 20.3 cmVya 46

ACHARYA VYAKUL > 28

UntitledPigment on paper9 x 5.75 in/ 22.9 x 14.6 cmVya 39

ACHARYA VYAKUL > 30

Untitled, c. 1990sPigment on paper8.75 x 6.5 in/ 22.2 x 16.5 cmVya 40

ACHARYA VYAKUL > 32

UntitledPigment on paper6.25 x 9.5 in/ 15.9 x 24.1 cmVya 42

ACHARYA VYAKUL > 34

UntitledPigment on paper10.5 x 8 in/ 26.7 x 20.3 cmVya 45

ACHARYA VYAKUL > 36

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TANTRA ART BY

ANONYMOUS

Untitled, ca. 1980-2014Natural pigments (hand-ground colors: including minerals, mother of pearl, coral, tree resin, vegetable pastes) on vintage paper7.2 x 5.39 inches / 18.3 x 13.7 cmTant 3

ACHARYA VYAKUL > 40

Untitled, ca. 1980-2014Natural pigments (hand-ground colors: including minerals, mother of pearl, coral, tree resin, vegetable pastes) on vintage paper6.02 x 5.04 inches15.3 x 12.8 cmTant 4

ACHARYA VYAKUL > 42

Untitled, ca. 1980-2014Natural pigments (hand-ground colors: including minerals, mother of pearl, coral, tree resin, vegetable pastes) on vintage paper5.91 x 4.53 inches / 15 x 11.5 cmTant 7

ACHARYA VYAKUL > 44

Untitled, ca. 1980-2014Natural pigments (hand-ground colors: including minerals, mother of pearl, coral, tree resin, vegetable pastes) on vintage paper5.24 x 5.08 inches / 13.3 x 12.9 cmTant 10

ACHARYA VYAKUL > 46

Untitled, ca. 1980-2014Natural pigments (hand-ground colors: including minerals, mother of pearl, coral, tree resin, vegetable pastes) on vintage paper6.02 x 4.92 inches / 15.3 x 12.5 cmTant 11

ACHARYA VYAKUL > 48

Untitled, ca. 1980-2014Natural pigments (hand-ground colors: including minerals, mother of pearl, coral, tree resin, vegetable pastes) on vintage paper4.92 x 5.39 inches / 12.5 x 13.7 cmTant 29

ACHARYA VYAKUL > 50

Untitled, ca. 1980-2014Natural pigments (hand-ground colors: including minerals, mother of pearl, coral, tree resin, vegetable pastes) on vintage paper8.5 x 5.08 inches / 21.6 x 12.9 cmTant 32

ACHARYA VYAKUL > 52

Untitled, ca. 1980-2014Natural pigments (hand-ground colors: including minerals, mother of pearl, coral, tree resin, vegetable pastes) on vintage paper6.06 x 5.51 inches / 15.4 x 14 cmTant 37

ACHARYA VYAKUL > 54

Untitled, ca. 1980-2014Natural pigments (hand-ground colors: including minerals, mother of pearl, coral, tree resin, vegetable pastes) on vintage paper6.06 x 5.51 inches / 15.4 x 14 cmTant 37

ACHARYA VYAKUL > 56

Untitled, ca. 1980-2014Natural pigments (hand-ground colors: including minerals, mother of pearl, coral, tree resin, vegetable pastes) with gold and silver leaf on vintage paper5.31 x 4.09 inches / 13.5 x 10.4 cmTant 38

ACHARYA VYAKUL > 58 58 > Acharya Vyakul

Untitled, ca. 1980-2014Natural pigments (hand-ground colors: including minerals, mother of pearl, coral, tree resin, vegetable pastes) with gold leaf on vintage paper5.35 x 4.96 inches / 13.6 x 12.6 cmTant 39

ACHARYA VYAKUL > 60

Untitled, ca. 1980-2014Natural pigments (hand-ground colors: including minerals, mother of pearl, coral, tree resin, vegetable pastes) with gold leaf on vintage paper9.49 x 5.91 inches / 24.1 x 15 cmTant 42

ACHARYA VYAKUL > 62

Untitled, ca. 1980-2014Natural pigments (hand-ground colors: including minerals, mother of pearl, coral, tree resin, vegetable pastes) with silver and gold leaf on vintage paper6.85 x 5.39 inches / 17.4 x 13.7 cmTant 43

ACHARYA VYAKUL > 64

Untitled, ca. 1980-2014Natural pigments (hand-ground colors: including minerals, mother of pearl, coral, tree resin, vegetable pastes) with gold and silver leaf on vintage paper6.18 x 5.31 inches / 15.7 x 13.5 cmTant 45

ACHARYA VYAKUL > 66

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ACHARYA VYAKUL > 68

69 < ACHARYA VYAKUL

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210 Eleventh Ave, Ste. 201New York, NY 10001

t. 212 226 3768www.cavinmorris.com

Catalogue design: Sam RichardsonPhotography: Jurate Veceraite