Post on 22-Mar-2016
description
Scottish Contemporaryand Post-War Art
Wednesday, 20th August, 201333 Broughton PlaceEdinburgh EH1 3RR
Catalogue: £10
BUYERS’ PREMIUM25% up to £25,00020% thereafter.VAT will be charged on the premiumat the rate imposed by law.†20% VAT chargeable on the lot itself*5% import VAT on the lot§Droit de Suite (artists’ retail rights)applies(see our Terms and Conditions of Saleand Information for Buyers).
ENQUIRIES AND COMMISSION BIDSLyon and Turnbull Ltd.33 Broughton PlaceEdinburgh EH1 3RRTel. 0131 557 8844Fax. 0131 557 8668email. info@lyonandturnbull.comwww.lyonandturnbull.com
Contemporary Scottish andPost-War Art
Tuesday, 20th August, 2013at 11am
Sale Number LT390
ViewingThursday, 15th August 10am - 5pmFriday, 16th August 10am - 5pmSaturday 17th August 12 noon - 4pmSunday, 18th August 12 noon - 4pmMonday, 19th August 10am - 5pmMorning of sale strictly by appointment only
SpecialistsNick Curnownick.curnow@lyonandturnbull.com
Emily Johnstonemily.johnston@lyonandturnbull.com
Charlotte Riordancharlotte.riordan@lyonandturnbull.com
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L Y O N & T U R N B U L L
Important informationfor buyers
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07.13
on or before the day of sale. We willneed proof of identification andresidence, and may require a bankreference. Potential buyers mustcollect a bidding number before thesale begins, and show that numberif successful in purchasing a lot.Please ensure that the auctioneerrepeats the number correctly whenconfirming the sale. If there is anydoubt at this stage as to thehammer price or buyer it must bebrought to the auctioneer’s attentionimmediately. All lots will be invoicedto the name and address given onyour registration form, which is non-transferable. If you have purchaseda lot you may take your biddingnumber to the accounts departmentand receive an invoice immediately.If you have not been successfulplease leave the number at theRegistration or Reception desks.
In writingBid forms are available at the saleand/or the back of the catalogue.These should be submitted inperson, by post, or by fax as soon aspossible prior to the sale and we willbid on your behalf up to the limitindicated. In the event of receivingtwo identical bids the first onereceived will take precedence. Theymust be received at the very latestat least an hour before the sale. Wewill do our utmost to execute thesebids but we offer this service entirelyat the bidder’s risk.
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will not apply to works where thehammer price is less than €1,000(euros). The charge for works of artsold at and above €1,000 (euros) andbelow €50,000 (euros) is 4%. Foritems selling above €50,000 (euros),charges are calculated on a slidingscale.All royalty charges are paid to theappropriate collecting organisationand no handling costs or additionalfees are retained by the auctioneer.Resale royalties are not subject toVAT.Please note that the royalty paymentis calculated on the rate of exchangeat the European Central Bank on thedate of the sale.More information on Droit de Suiteis available at www.dacs.org.uk
Damage and RestorationOccasionally, when a lot hassuffered extensive damage and/orrestoration it is indicated in thecatalogue. This is mentioned entirelyat our discretion for the benefit ofbuyers. Where there is no mentionof damage and/or restoration thisshould not be taken to mean thatthere is none. It is the buyer’sresponsibility to ensure that thecondition of lots is to theirsatisfaction (see our Terms andConditions of Sale).
Condition ReportsIf potential buyers are unable toinspect lots in person our specialistswill be happy to prepare detailedCondition Reports on individual lotsas quickly as possible. These are forguidance only and all lots are sold‘as found’ (see our standard Termsand Conditions of Sale).
Electrical GoodsLots that were once operated bymains electricity are bought entirelyat the buyer’s risk. They are offeredfor sale for display or historicalpurposes and may not comply withcurrent regulations.
BiddingAt the SaleTo bid at the sale all potentialbuyers must be registered with us
Buying at AuctionThis sale is subject to our standardTerms and Conditions of Sale. Ifyou have not bought at auctionbefore we will be delighted to adviseyou.
EstimatesEstimates are printed below each lotand do not include the buyer’spremium. The sale will beconducted in pounds sterling.
DimensionsDimensions are for guidance only; itis the buyer’s responsibility toensure that they are correct.
Buyer’s PremiumThe buyer shall pay the hammerprice together with a premiumthereon.
25% up to £25,000 / 20% thereafter.
VAT will be charged on the premiumat the rate imposed by law. (see ourTerms and Conditions of Sale).
VATThe symbol † by a lot numberindicates that VAT is payable by thepurchaser at the standard rate onthe hammer price.The symbol * by a lot numberindicates that the lot has beentemporarily imported from outsidethe EU and that VAT is payable bythe purchaser at the rate of 5% onthe hammer price.No VAT is payable on the hammerprice or premium for books boughtat auction.
Droit de SuiteThis symbol § indicates works whichmay be subject to the Droit de Suiteor Artist’s Resale Right, which tookeffect in the United Kingdom on 14thFebruary 2006. We are required tocollect a royalty payment for allqualifying works of art. Under newlegislation which came into effect on1st January 2012, this applies toliving artists and artists who havedied in the last 70 years.This royalty will be charged to thebuyer on the hammer price and inaddition to the buyer’s premium. It
1§ FG364/1JAMES CUMMING R.S.A.,R.S.W. (1922-1991)ATLANTIC FISHERFOLKSigned, gouache
38cm x 33cm (15in x 13in)
£300-500
L Y O N & T U R N B U L L
Scottish Contemporary and
Post-War Art
3
2§ FG364/3JACK FIRTH R.S.W.(SCOTTISH 1917-2010)PLAQUE FOR MERLINSigned, gouache
33cm x 33cm (13in x 13in)
£300-500
3§ FG244/5GEORGE DEVLIN R.S.W.,R.G.I. (SCOTTISH b. 1937)NEAR GIANNI’S, ZATTERE,VENICESigned, pastel
21.5cm x 28cm (8.5in x 11in)
£300-500
L Y O N & T U R N B U L L
Scottish Contemporary and
Post-War Art
4
5§ FG240/1HUGH MCINTYRE D.A.(SCOTTISH b. 1943)ON THE SOLWAYSigned and dated ‘91, oil oncanvas
66cm x 76cm (26in x 30in)
£500-700
4§ FF173/1LESLIE MAIN(SCOTTISH b. 1959)PALM TREESSigned and dated 1986,mixed media on board
19cm x 29cm (7.5in x 11.5in)
£250-400
6§ FG414/6JOAN GILLESPIE(SCOTTISH 20TH CENTURYTHE MOUNDSigned, oil on board
31cm x 39cm (12in x 15.5in)
£400-600)
L Y O N & T U R N B U L L
Scottish Contemporary and
Post-War Art
5
7§ FG414/5JOAN GILLESPIE(SCOTTISH 20TH CENTURY)SUNSET, LEITH DOCKSSigned, oil on canvas
51cm x 61cm (20in x 24in)
£600-800
8§ FG252/1JOHN LOWRIE MORRISON(SCOTTISH CONTEMPORARY)WET AND WINDY DAY,ARCHIE’S HOUSESigned and dated ‘81,inscribed with title verso, oilon canvas
81cm x 101.5cm (32in x 40in)
£400-600
L Y O N & T U R N B U L L
Scottish Contemporary and
Post-War Art
6
9§ FF194/1PERPETUA POPE(SCOTTISH 1916-2013)ROSA “WHITE WINGS” ATKIFSGATE COURT GARDENS,GLOUCESTERSHIRESigned, inscribed label verso,oil on canvas
61cm x 76cm (24in x 30in)
Provenance:Purchased from the artist in 1978
£500-700
10§ FG325/7JOHN CUNNINGHAM R.G.I.(SCOTTISH 1926-1998)STILL LIFE WITH BLUE ANDWHITE VASESigned, oil on canvas
91cm x 76cm (36in x 30in)
£1,000-1,500
L Y O N & T U R N B U L L
Scottish Contemporary and
Post-War Art
7
11§ FG354/1RICHARD JACQUES(20TH CENTURYSCOTTISH CONTEMPORARY)NEW TOWN INTERIOR, NIGHTSigned, mixed media on paperlaid on board
122cm x 93cm (48in x 38.5in)
£500-700
12§ FG93/6JOHN LOWRIE MORRISONO.B.E. (SCOTTISH b. 1948)MOON AT LOW TIDESigned and dated 2002,signed, inscribed and datedverso, oil on canvas
41cm x 41cm (16in x 16in)
£800-1,200
L Y O N & T U R N B U L L
Scottish Contemporary and
Post-War Art
8
13§ FG356/1JOHN LOWRIE MORRISONO.B.E. (SCOTTISH b. 1948)HAYSTACK BY THE SHORE,ISLE OF MULLSigned and dated ‘99, signed,inscribed and dated verso, oilon canvas
61cm x 61cm (24in x 24in)
£1,500-2,500
14§ FG93/7JOHN LOWRIE MORRISONO.B.E. (SCOTTISH b. 1948)WEEKEND TUB, ISLE OFBENBECULASigned and dated 2003,signed, inscribed and datedverso, oil on canvas
61cm x 61cm (24in x 24in)
£1,500-2,500
L Y O N & T U R N B U L L
Scottish Contemporary and
Post-War Art
9
15§ FE348/68ROBERT HENDERSON BLYTHR.S.A., R.S.W.(SCOTTISH 1919-1970)TREES AND FARM BUILDINGPen and wash
25.5cm x 34.5cm (10in x 13.5in)
£300-500
L Y O N & T U R N B U L L
Scottish Contemporary and
Post-War Art
10
17§ FE348/63WILLIAM LITTLEJOHN R.S.A.,R.S.W. (SCOTTISH b. 1929)ROPE AND DRAGONFLYSigned with initials and dated‘95, mixed media onhandmade paper
20cm x 27cm (8in x 10.5in)
£250-350
16§ FE348/54PHILIP REEVES R.S.A.,P.R.S.W. (SCOTTISH b. 1931)SHORE AND WAVESSigned and inscribed withtitle, artist’s proof
47cm x 73cm (18.5in x 28.75in)
£200-300
18§ FG48/2GEORGES ROUAULT(FRENCH 1871-1958)FILLE NUEEtching and aquatint
27cm x 17cm (10.5in x 6.75in)
£600-800
L Y O N & T U R N B U L L
Scottish Contemporary and
Post-War Art
11
19§ FG48/1GEORGES ROUAULT(FRENCH 1871-1958)DEUX MATRONESEtching and aquatint
28cm x 19cm (11in x 7.5in)
£600-800
20§ FG359/2GEORGE WYLLIE M.B.E.,R.S.A., R.G.I.(SCOTTISH 1921-2012)ALCHEMYSigned with initials, inscribedand dated ‘82, mixed mediaon paper
40cm x 28cm (15.75in x 11in)
£300-500
L Y O N & T U R N B U L L
Scottish Contemporary and
Post-War Art
12
21§ FG48/3GEORGES ROUAULT(FRENCH 1871-1958)CRISTAL DE ROCHEEtching and aquatint
31cm x 20cm (12.25in x 8in)
£600-800
22§ FG377/2BET LOW R.S.A., R.S.W.,R.G.I. (SCOTTISH 1924-2007)BEACH, ORKNEYSigned, watercolour andgouache
28cm x 41cm (11in x 16in)
£500-700
L Y O N & T U R N B U L L
Scottish Contemporary and
Post-War Art
13
24§ FG377/1JOHN O'CONNOR R.W.S.(BRITISH 1914-2002)THE ROWAN TREEInscribed verso, oil on canvas
61cm x 76cm (24in x 30in)
£500-700
23§ FB791/38JOHN BELLANY H.R.S.A.,R.A., C.B.E.(SCOTTISH b. 1942)MONOCHROME FIGURES IVSigned, watercolour
58cm x 82cm (22.75in x 35.25in)
£400-600
25§ FF151/24JEANETTE LASSEN(SCOTTISH d. 2008)TABLESCAPESigned, signed, inscribed anddated 1988/9 verso, oil oncanvas
93cm x 61cm (36.5in x 24in)
£400-600
L Y O N & T U R N B U L L
Scottish Contemporary and
Post-War Art
14
26§ FF151/23GRAHAM MCKEAN(SCOTTISH b. 1962)LEANING TOWARDS LIBERTYSigned, oil on canvas
61cm x 51cm (24in x 20in)
£300-500
27§ FB791/22JOHN BELLANY H.R.S.A.,R.A., C.B.E.(SCOTTISH b. 1942)STILL LIFE WITH YUCCAPLANTSigned, oil on canvas,unframed
91cm x 122cm (36in x 48in)
£2,000-3,000
L Y O N & T U R N B U L L
Scottish Contemporary and
Post-War Art
15
28§ FE363/3AEVE ARNOLD(AMERICAN 1913-2012)MARILYN MONROESigned label verso andnumbered 70/99, silver gelatinprint
41cm x 51cm (16in x 20in)
£1,000-1,500
L Y O N & T U R N B U L L
Scottish Contemporary and
Post-War Art
16
Despite a career thatspanned a myriad of subjects- asylums in Haiti, the KuKlux Klan, Malcolm X’s BlackPower rallies and IndiraGhandi’s political tours toname but a few - it isgenerally for the candidportraits of the rich andfamous, particularly MarilynMonroe, that Eve Arnold isbest known.
Arnold was born inPhiladelphia in 1912 toRussian-Jewish immigrantparents, later honing herphotographic practise in1940s Manhattan underHarper’s Bazaar art directorAlexey Brodovitch. 1951saw Arnold become one ofthe first female members
of Magnum PhotosPhotographic Agency, whosefounders included HenriCartier-Bresson and RobertCapa.
As her back-catalogueattests, something in Arnold’smanner enabled her accessto a huge variety of peoplefrom different walks of lifeand clearly earned her theimplicit trust of her sitters.The result of this subtlety wasa body of work which seemedto capture the sitter with theirguard down, at ease and un-judged. This is perhaps mostevident in her images ofMarilyn Monroe, accountingfor their success above allother areas of her work.
The two met in 1951 as young
women, both starting out intheir careers. As Arnoldcommented, “She was astarlet, I a neophytephotographer. Neither of usknew very much about herchosen métier, but thisformed a bond between us.”The photographicrelationship would endure foranother decade, with Arnoldfamously shooting Monroeduring her last completedfilm The Misfits in 1961, justa year before her death. Theirobvious rapport allowedArnold to create anatmosphere of security andintimacy around their shoots,in turn enabling Monroe toshow previously unseenaspects of her character.Arnold was fascinated by her
mercurial ability in front ofthe camera, “each time Iphotographed her she wasdifferent – not only a variationfrom session to session, but avariation from frame toframe. She would lookdifferent in mood andattitude”.
The works shown here forsale are from Arnold’s 2005show at the Halcyon Galleryin London which featuredlimited editions of neverbefore seen film of Monroe.The largest work captures atypically effervescent Marilynwith Misfits director JohnHuston at a gaming table inReno in 1961.
EVE ARNOLD
29 FE363/1EVE ARNOLD(AMERICAN 1913-2012)MARILYN MONROE ANDJOHN HUSTON - LUCKYTOSS47/49, signed label verso,silver gelatin print
155cm x 104cm (61in x 41in)
Exhibited:The Halcyon Gallery, London, 1995
£5,000-8,000
L Y O N & T U R N B U L L
Scottish Contemporary and
Post-War Art
17
30 FE363/3EVE ARNOLD(AMERICAN 1913-2012)MARILYN MONROE UPONARRIVAL AT THE CHAMPAIGNAIRPORT, ILLINOIS, 1955Signed label verso andnumbered 70/99, silver gelatinprint
51cm x 41cm (20in x 16in)
£1,000-1,500
L Y O N & T U R N B U L L
Scottish Contemporary and
Post-War Art
18
31 FG339/2MILTON H. GREENE(AMERICAN 1922-1985)PORTRAIT OF MARILYNMONROESigned and inscribed verso ‘ToPeter, Merry Christmas and ahappy happy New Year, LoveJohanna and Milton. Lookforward to seeing you soon,’black and white photograph
35.5cm x 28cm (14in x 11in)
£500-700
32 FG64/1ANDRE KERTESZ(AMERICAN/HUNGARIAN1894-1985)THE SATIRIC DANCERSigned, inscribed ‘Paris’ anddated 1926 in pencil verso,gelatin silver print
25cm x 20cm (9.75in x 8in)
£3,000-5,000
L Y O N & T U R N B U L L
Scottish Contemporary and
Post-War Art
19
33 FG64/3WILLIAM KLEIN(AMERICAN b. 1928)STATEN ISLAND FERRY, 1955Signed and dated 1977 inpencil verso, gelatin silverprint
30.5cm x 40cm (12in x 15.75in)
£1,500-2,500
L Y O N & T U R N B U L L
Scottish Contemporary and
Post-War Art
20
L Y O N & T U R N B U L L
Scottish Contemporary and
Post-War Art
21
34 FG64/6WILLIAM KLEIN(AMERICAN b. 1928)HORN AND HARDART, C.1955Signed and dated 1977 inpencil verso,
30cm x 41cm (11.75in x 16in)
£1,500-2,500
L Y O N & T U R N B U L L
Scottish Contemporary and
Post-War Art
22
36§ FG341/7CALUM COLVIN O.B.E., R.S.A.(SCOTTISH b. 1961)TURKISH BATHCibachrome print 1988,edition of 4
52cm x 41cm (21in x 16in)
£800-1,000
35§ FG64/2TONY RAY-JONES(BRITISH 1941-1972)BALLROOM, MOREStamped, inscribed VII andnumbered 4/125 in pencil tomount, silver print
20.5cm x 13cm (8in x 5.25in)
£700-900
37§ FE348/50WILLIAM BAILLIE P.R.S.A.,P.R.S.W.(SCOTTISH 1923-2011)PINK PARALLELSSigned, mixed media on paper
95cm x 66cm (37.5in x 26in)
£300-500
L Y O N & T U R N B U L L
Scottish Contemporary and
Post-War Art
23
38§ FG202/3ETHEL WALKER(SCOTTISH b. 1941)PORT A’ MHUILINN,EASDALESigned, oil on board
74cm x 91cm (24in x 36in)
£2,000-3,000
39§ FG212/3PETER MCLAREN(SCOTTISH CONTEMPORARY)CAR COUPLEOil on board
123cm x 108cm (48.5in x 42.5in)
£4,000-6,000
L Y O N & T U R N B U L L
Scottish Contemporary and
Post-War Art
24
40§ FG212/2PETER MCLAREN(SCOTTISH b. 1964)POPPIES AND TULIPS IISigned, inscribed and dated2008, oil on board
81cm x 67cm (32in x 26.5in)
£3,000-5,000
L Y O N & T U R N B U L L
Scottish Contemporary and
Post-War Art
25
41§ FE50/199PAT DOUTHWAITE(SCOTTISH 1939-2002)STORK, ROMANIASigned, inscribed and dated‘89, charcoal
75cm x 54.5cm (29.5in x 21.5in)
£300-500
L Y O N & T U R N B U L L
Scottish Contemporary and
Post-War Art
26
43§ FE50/198PAT DOUTHWAITE(SCOTTISH 1939-2004)BIRD ATTACKSigned, inscribed and dated89, mixed media
91cm x 66cm (36in x 26in)
£400-600
42§ FE50/197PAT DOUTHWAITE(SCOTTISH 1939-2004)LIZInscribed, coloured chalk
84cm x 59.5cm (33in x 23.5in)
£300-500
L Y O N & T U R N B U L L
Scottish Contemporary and
Post-War Art
27
44§ FF151/15ERIC SCHILSKY R.A., R.S.A.(BRITISH 1898-1974)PORTRAIT BUST OF A NAKEDWOMAN WITH CROSSEDHANDSBronze
56cm (26in) high
£1,000-2,000
45§ FG362/6DONALD MANSON(SCOTTISH CONTEMPORARY)STILL LIFE WITH MIDNIGHTSNOWSigned, gouache
20cm x 14cm (8in x 5.5in)
£200-300
L Y O N & T U R N B U L L
Scottish Contemporary and
Post-War Art
28
47§ FG362/5DONALD MANSON(SCOTTISH CONTEMPORARY)LILY BY THE RIVERSigned, gouache
20cm x 14cm (8in x 5.5in)
£200-300
46§ FG223/1PERPETUA POPE(SCOTTISH 1916-2013)JIM’S BUNCHSigned, oil on canvas
56cm x 41cm (22in x 16in)
£400-600
48§ FG414/4FRANCIS FARMAR(BRITISH 20TH CENTURY)MOUSEHOLE 2Signed and dated 2001,signed, inscribed and datedverso, oil on canvas
76cm x 76cm (30in x 30in)
£500-700
L Y O N & T U R N B U L L
Scottish Contemporary and
Post-War Art
29
49§ FF467/1JOCK MACINNES R.G.I.(SCOTTISH b. 1943)QUAYSIDESigned with a monogram, oilon gessoboard
81cm x 91cm (32in x 36in)
£800-1,200
50§ FG93/4LESLIE MAIN(SCOTTISH 20TH CENTURY)A CORNER OF EDISON’SBALCONY, FLORIDASigned and dated 1988, mixedmedia
66cm x 71cm (26in x 28in)
Provenance:Portland Gallery, London , May 1989
£400-600
L Y O N & T U R N B U L L
Scottish Contemporary and
Post-War Art
30
52§ FG361/2DANNY FERGUSON(SCOTTISH 1925-2004)FUTURE FOSSILSigned, oil on board
60cm x 60cm (23.5in x 23.5in)
£600-800
51§ FG93/2LESLIE MAIN(SCOTTISH 20TH CENTURY)ISLE OF MYKONOS AT NIGHTSigned, oil on board
20.5cm x 25.5cm (8in x 10in)
Provenance:Portland Gallery, London, May 1989
£250-350
53§ FF474/2DOUGLAS THOMSON(SCOTTISH b. 1955)SHESigned, oil on canvas laiddown
41cm x 31cm (16in x 12in)
£300-500
L Y O N & T U R N B U L L
Scottish Contemporary and
Post-War Art
31
54§ FF474/1DOUGLAS THOMSON(SCOTTISH b. 1955)THE NOVELISTSigned, inscribed verso, oil oncanvas
101cm x 76cm (40in x 30in)
£500-700
55§ FG14/17BARRY CASTLE(IRISH 1835-2006)BANG, BANG YOU’RE DEADSigned with initials and dated‘80, oil on board
60cm x 80cm (23.5in x 31.5in)
Provenance:Lorbottle Hall, Whittingham,Northumberland
£1,500-2,000
L Y O N & T U R N B U L L
Scottish Contemporary and
Post-War Art
32
56§ FG14/63BARRY CASTLE(IRISH 1835-2006)THREE WOMENREMEMBERING AN EXTINCTGENDERSigned with initials and dated‘86, oil on board
71cm x 91cm (28in x 36in)
Provenance:Lorbottle Hall, Whittingham,Northumberland
£1,500-2,000
William Drummond Bone,nephew of the celebrated warartist and etcher MuirheadBone, is best known for hislong association with theGlasgow School of Art. Heattended as a studentbetween the years 1927-32,his talents and industriousattitude receiving recognitionin the form of a travellingscholarship to Italy and hisappointment to the position oflecturer in 1934. Retiring in1972, Bone’s lengthy career atthe school was extremelyhighly regarded.
The works in this saleoriginated from the sale of
L Y O N & T U R N B U L L
Scottish Contemporary and
Post-War Art
33
57§ FG437/13WILLIAM DRUMMOND BONER.S.W., A.R.S.A.(SCOTTISH 1907-1979)THE CHEESE MARKET ATALKMAARSigned, oil on board
87cm x 113cm (34.25in x 44.5in)
£3,000-5,000
Bone’s studio by theEdinburgh branch of PhillipsAuctioneers in 1992 after theartist’s death. Several formerpupils contributed to thecatalogue’s foreword anddedication, evidencing therespect maintained amongthose he taught. John Byrneremarked upon Bone’shumility regarding his owntalent, and distilled theessence of his teachingprinciples by recollection ofhis wise words: “If you candraw, you can do anything”.
Dugald Cameron, a formerpupil of Bone’s and Directorof the Glasgow School of Art
slightly uncanny and gentlysymbolist; a surreal idyllmade up of stand-alonevignettes.
Bone has an unjustifiablyquiet reputation and his workseldom appears on themarket. For those interestedin the history of Scotland’s artinstitutions, however, his iscertainly a name to know.
at the time of his death,echoed similar sentimentsabout the diligent work ethicBone was able to quietlynurture in his pupils.
Though more often than notside-lined by the impact hemade as a teacher, Bone’sartwork is distinctive and veryof its period. He is bestknown for his wartimewatercolours and large scale,mural-esque works like ‘InArcadia’, which owe much tohis travels to Germany andBelgium. Here, Classicalovertones mingle withHieronymus Bosch-likeelements, the resulting scene
WILLIAM DRUMMOND BONE
L Y O N & T U R N B U L L
Scottish Contemporary and
Post-War Art
34
58§ FG437/14WILLIAM DRUMMOND BONER.S.W., A.R.S.A(SCOTTISH 1907-1979)IN ARCADIASigned, oil on board
101cm x 127cm (40in x 48in)
£2,000-3,000
59§ FF151/56JACK MORROCCO(SCOTTISH b. 1953)PIAZZA SAN MARCO, VENICESigned, acrylic on board
20cm x 20cm (8in x 8in)
and a companion ‘Venetiancanal scene’ (2)
£500-800
L Y O N & T U R N B U L L
Scottish Contemporary and
Post-War Art
35
59A§ FF151/40JACK MORROCCO(SCOTTISH b. 1953)THE MODEL’S BREAKSigned, oil on canvas
41cm x 41cm (16in x 16in)
£300-500
60§ FG364/2GEOFFREY ROPER(SCOTTISH b. 1942)MURDER IN THE CATHEDRALOil on canvas
38cm x 28cm (15in x 11in)
£300-500
L Y O N & T U R N B U L L
Scottish Contemporary and
Post-War Art
36
62§ FG437/18GEOFFREY ROPER(SCOTTISH b. 1942)FURNACEOil on board
15cm x 13cm (6in x 5in)
£200-300
61§ FG437/15DAVID MICHIE O.B.E., R.S.A.,R.G.I. (SCOTTISH b. 1928)FISH WOMANSigned and dated ‘64, oil onboard
31cm x 38cm (12in x 15in)
£500-800
63§ FG414/2JAMES FULLARTON(SCOTTISH b. 1946)STILL LIFESigned, oil on canvas
76cm x 91cm (30in x 36in)
£2,000-3,000
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Scottish Contemporary and
Post-War Art
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64§ FB791/8JOHN BELLANY H.R.S.A.,R.A., C.B.E.(SCOTTISH b. 1942)MINERVASigned, watercolour
26cm x 35cm (10.25in x 13.75in)
£500-700
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Scottish Contemporary and
Post-War Art
38
65§ FG414/3NORMAN SAYLE R.I.(BRITISH 20TH CENTURY)CASTLETOWN HARBOUR,ISLE OF MANSigned and dated 1998,watercolour
56cm x 74cm (22in x 29.25in)
£300-500
66§ FB791/10JOHN BELLANY H.R.S.A.,R.A., C.B.E.(SCOTTISH b. 1942)WOMAN WITH PURPLE HAIRSigned, watercolour
35.5cm x 26cm (14in x 10.25in)
£500-700
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Scottish Contemporary and
Post-War Art
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67§ FG14/60JOHN BELLANY C.B.E., R.A.,R.S.A., L.L.D.(SCOTTISH b. 1942)WOMAN WITH CATSigned, watercolour,unframed
75cm x 56.5cm (29.5in x 23.5in)
Provenance:Open Eye Gallery, EdinburghLorbottle Hall, Whittingham,Northumberland
£500-800
68§ FG14/55SEAN SCULLY(IRISH/AMERICAN b. 1945)DIAGONAL SERIES NO.3Signed, inscribed and dated‘73, mixed media andmasking tape
£1,000-2,000
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Scottish Contemporary and
Post-War Art
40
69§ FF173/4DONALD MORRISON BUYERSR.S.W. (SCOTTISH 1930-2003)LANDSCAPE, PINK ANDGREYSigned and dated ‘65, oil onboard
61cm x 122cm (24in x 40in)
£300-500
70§ FG14/62AEARL HAIG O.B.E., R.S.A.(SCOTTISH 1918-2009)BLACKFACE SHEEPSigned, oil on canvas
86.5cm x 112cm (34in x 44in)
Provenance:Lorbottle Hall, Whittingham,Northumberland
£1,000-1,500
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Scottish Contemporary and
Post-War Art
41
71§ FG244/1DAVID CARR(BRITISH 1915-1965)COMPOSITIONOil on canvas
51cm x 76cm (20in x 30in)
£600-800
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Scottish Contemporary and
Post-War Art
42
72§ FG244/2DAVID CARR(BRITISH 1915-1965)COMPOSITIONOil on mixed media
58.5cm x 79cm (23in x 31in)
£500-700
Born in Newcastle in 1936,Gerald Laing was schooled atSandringham and seemeddestined for a military life. Itwas not until the 1950s thathe began, with total focus andvigour, to devote himself tohis previously suppressedartistic abilities. He enrolledat Central Saint Martin’sCollege of Art, developing thegraphic Pop Art style forwhich he would be famedthroughout the 1960s. Upongraduating in 1964, Laing
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Scottish Contemporary and
Post-War Art
43
73§ FG437/3GERALD LAING (BRITISH/AMERICAN 1936-2011)GALINA VBronze, signed with amonogram, signed, inscribedand dated 1976, 1/10
53cm (21in) high
£3,000-5,000
moved to New York where heenjoyed a decade as acelebrated and widelyexhibited member of theManhattan art scene.
His move towards sculpturecommenced in 1965,continuing apace upon hispurchase and renovation ofKinkell Castle in Ross andCromarty, Scotland. Beforelong he had mastered the artof bronze casting anddeveloped his own foundry onthe estate. Initially sculpting
in an abstract manner, Lainggradually turned against thefashion of the time and movedtowards figuration, feeling theabstract aesthetic was ill-suited to illustrate humanityin all its complexities. TheGalina series of the early tomid 1970s is representative ofthis transitional period.
In these works, Laing seeksto rationalise his compulsiontowards figuration by breakingdown and exploring many ofthe key sculptural styles ofthe twentieth century. In theGalinas one can detect thefuturistic, the abstracted, themechanistic. The worksvariously echo Boccioni,Brancusi, pre-WW1 Epstein,and even Picasso. They arealso redolent of Laing’s ownfar-reaching and all-encompassing interests. Ashis friend and collaborator IanCarr described it, “(Laing)
involves a whole spectrum ofexperience in his vision: fromancient history to modernmachinery; from Old Mastersto cars and motorcycles – allare icons in his eyes,emblematic of the mark ofmankind.”
Laing took on many highprofile public art commissionsincluding several inEdinburgh: the Axis Mundi forStandard Life (1991), theFrieze of the Wise and FoolishVirgins (1979 George Street),and Sherlock Holmes – AMemorial to Sir Arthur ConanDoyle (1991, Picardy Place). In2004 he established theGerald Laing Art Foundationto promote the appreciation ofpublic art practice. His workis featured in manycollections worldwide, notablythe universities of Cornell,Harvard and New York, TheNational Gallery in London,The Scottish National Galleryof Modern Art, The Tate andthe Victoria and AlbertMuseum, London.
GERALD LAING
74§ FF173/5CHRIS BUSHE R.S.W.(SCOTTISH b. 1958)FIRE, LAND, BLACK SEAOil on board
19cm x 75cm (7.5in x 29.5in)
£300-500
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Scottish Contemporary and
Post-War Art
44
76§ FF151/65JAMES MORRISON R.S.A.,R.S.W., L.L.D.(SCOTTISH b. 1932)MOINE HORIZONSigned and dated 25.viii.98, oilon board
30.5cm x 96.5cm (12in x 38in)
£1,000-1,500
75§ FF173/2CHRISTOPHER WOOD(SCOTTISH b. 1962)EARLY SNOWSigned, oil on canvas
31cm x 31cm (12in x 12in)
£300-500
77§ FF151/18DENIS PEPLOE R.S.A.(SCOTTISH 1914-1993)STILL LIFE WITH BUDDHASigned, oil on canvas
61cm x 46cm (24in x 18in)
£1,000-1,500
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Scottish Contemporary and
Post-War Art
45
78§ FE489/2DOUGLAS THOMSON(BRITISH b. 1955)FIRE WATERSigned, signed and inscribedwith title verso, oil on canvas
67cm x 67cm (26.5in x 26.5in)
£500-700
79§ FF473/1SHONA BARR(SCOTTISH b. 1965)GLEN LIVET LANDSCAPESigned, oil on canvas
122cm x 152cm (48in x 60)
£800-1,200
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Scottish Contemporary and
Post-War Art
46
80§ FF473/2SHONA BARR(SCOTTISH b. 1965)MOORLAND MORNINGSigned, oil on canvas
91cm x 91cm (36in x 36in)
£600-800
81§ FG371/1ALBERTO MORROCCO O.B.E.,R.S.A., R.S.W.(SCOTTISH 1917-1998)LA TREBBIA, EVENINGSigned, oil on canvas
28cm x 56cm (11in x 22in)
Provenance:The Estate of the artist DavidMcClure
£5,000-7,000
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Scottish Contemporary and
Post-War Art
47
82§ FG244/6PAT DOUTHWAITE(SCOTTISH 1939-2004)KABUKI ACTORSigned and dated ‘90,charcoal
56cm x 71cm (22in x 28in)
£400-600
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Scottish Contemporary and
Post-War Art
48
83§ FG244/3PAT DOUTHWAITE(SCOTTISH 1939-2004)STRIPEY LADYSigned and dated ‘69,coloured chalk
57cm x 47cm (22.5in x 18.5in)
£300-500
84§ FG244/4PAT DOUTHWAITE(SCOTTISH 1939-2004)RED TURBANSigned, coloured chalk
46cm x 46cm (18in x 18in)
£300-500
85§ FF450/1JAMES DOWNIE ROBERTSONR.S.A., R.S.W.(SCOTTISH b. 1931)DUETTESigned and dated ‘64,watercolour
51cm x 73cm (20in x 29in)
£300-500
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Scottish Contemporary and
Post-War Art
49
86§ FE348/33BARBARA RAE C.B.E., R.S.A.,R.S.W. (SCOTTISH b. 1943)BEACH SCENESigned, mixed media
28cm x 37cm (11in x 14.5in)
£300-500
87§ FF151/67CARLO ROSSI R.S.W., R.G.I.(SCOTTISH 1921-2010)BARGA, TUSCANYSigned and dated ‘97, oil onboard
20cm x 28cm (8in x 11in)
£200-300
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Scottish Contemporary and
Post-War Art
50
89§ FF173/3CARLO ROSSI R.S.W., R.G.I.(SCOTTISH 1921-2010)SUNSET BARGA, TUSCANYSigned and dated ‘62, oil onboard
56cm x 76cm (22in x 30in)
Exhibited:Royal Scottish Academy 1966, no.81
£400-600
83
88§ FG368/1JAMES HAWKINS(SCOTTISH CONTEMPORARY)SPRING STORMS MOVE INACROSS THE SUMMERISLES, 1995Signed and inscribed with titleverso, mixed media on paper
54cm x 73cm (21.25in x 28.75in)
£600-800
90§ FG441/1JOHN HOUSTON O.B.E.,R.S.A., R.S.W., R.G.I., S.S.A.(SCOTTISH 1930-2008)STILL LIFESigned and dated 1965, oil oncanvas
112cm x 86cm (44in x 34in)
£5,000-7,000
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Scottish Contemporary and
Post-War Art
51
91§ FG93/3LESLIE MAIN(SCOTTISH 20TH CENTURY)SPRING FLOWERS IN AWHITE VASESigned and dated 1989, mixedmedia
102cm x 76cm (40in x 30in)
Provenance:Portland Gallery, London , May 1989
£500-800
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Scottish Contemporary and
Post-War Art
52
92 FG359/4JANE DICKSON(AMERICAN b. 1952)EL NIÑO MOTORCYCLEArtist’s proof, aquatint
69cm x 50cm (27.25in x 19.75in)
and an identical print by thesame hand no. 10/100 (2)
£500-700
93§ FG414/1JAMES FULLARTON(SCOTTISH b. 1946)MARINA, TROONSigned, oil on canvas
76cm x 91cm (30in x 36in)
£2,000-3,000
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Scottish Contemporary and
Post-War Art
53
94§ FG362/4DONALD MANSON(SCOTTISH CONTEMPORARY)LATE SUMMER LUNCHSigned, oil on canvas
90cm x 90cm (35.5in x 35.5in)
£700-900
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Scottish Contemporary and
Post-War Art
54
95§ FG362/1DONALD MANSON(SCOTTISH CONTEMPORARY)THE ARCHERSigned, oil on panel
77cm x 76cm (30.25in x 30in)
£500-700
96§ FG414/8LEON MORROCCO R.S.A.,R.G.I. (SCOTTISH b. 1942)BOATYARD ANDFRUITSTALLSSigned and dated ‘97, oil oncanvas
71cm x 76cm (28in x 30in)
£4,000-6,000
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Scottish Contemporary and
Post-War Art
55
97§ FG244/7SAM SKELTON(SCOTTISH b. 1949)KILLING TIMESigned, acrylic on hessian
61cm x 28cm (24in x 11in)
£400-600
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Scottish Contemporary and
Post-War Art
56
99§ FG437/16GEOFFREY ROPER(SCOTTISH b. 1942)AQUADUCTOil on canvas
91cm x 71cm (36in x 28in)
£400-600
98§ FG359/1ANTHONY GREEN(BRITISH b. 1939)PARADISESigned and dated ‘99,numbered 10/100, screenprint
76cm x 56cm (30in x 22in)
£300-500
100§ FG437/19SIR WILLIAM MACTAGGARTR.S.A., R.A., R.S.W., R.S.E.(SCOTTISH 1903-1981)STILL LIFE OF TULIPS ANDAPPLESSigned, oil on canvas
76cm x 91cm (30in x 36in)
£3,000-5,000
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Scottish Contemporary and
Post-War Art
57
101§ FF151/45JACK MORROCCO(SCOTTISH b. 1953)EXOTIC DANCERSigned and dated ‘98, acrylicon board
30.5cm x 30.5cm (12in x 12in)
£300-500
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Scottish Contemporary and
Post-War Art
58
103§ FG437/17GEOFFREY ROPER(SCOTTISH b. 1942)EDINBURGH FIREWORKSOil on board
18cm x 18cm (7in x 7in)
£400-600
102§ FG93/1LESLIE MAIN(SCOTTISH 20TH CENTURY)UNDER THE SHADE, KEY WESTSigned, oil on board
23cm x 18cm (9in x 7in)
Provenance:Portland Gallery, London, May 1989
£250-350
104§ FG212/5PETER MCLAREN(SCOTTISH b. 1964)SKIPI GEO, ORKNEYSigned, inscribed and dated2001 verso, oil on board
167.5cm x 122cm (66in x 48in)
£4,000-6,000
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Scottish Contemporary and
Post-War Art
59
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Scottish Contemporary and
Post-War Art
60
106§ FG202/1ETHEL WALKER(SCOTTISH b. 1941)RIVER ADD TOWARDS MULLSigned, oil on board
46cm x 61cm (18in x 24in)
£800-1,200
105§ FE363/2HENRI MATISSE(FRENCH 1869-1954)FROM FLORILEGE DESAMOURS DE RONSARDLithograph printed insanguine, published by AlbertSkira, Paris 1948, an editionof 300
25.5cm x 28cm (10in x 11in)
and another lithograph fromthe same series (2)
£600-900
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Scottish Contemporary and
Post-War Art
61
107§ FG202/2ETHEL WALKER(SCOTTISH b. 1941)MACHIR BAY, ISLAYSigned, oil on board
76cm x 122cm ( 30in x 40in)
£1,500-2,500
Arguably, few Britishabstractionist artists havegenuinely succeeded ininfiltrating publicconsciousness. WilliamJohnstone is among theoverlooked, though hissignificance gains recognitionyearly. Born in the Borders in1897, Johnstone, a powerfulpersonality, mixed with otherradical thinkers in theEdinburgh College of Art inthe 1920s. Alongside the poetHugh MacDiarmid heembraced the so-called“Scottish Renaissance”, aliterary and artistic movement
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108§ FG351/2WILLIAM JOHNSTONE O.B.E.(SCOTTISH 1897-1981)REPRESENTATION BLUESigned and dated 1963 verso,oil on canvas
63cm x 76cm (25in x 30in)
£4,000-6,000
that looked to move awayfrom Scotland’s somewhatstagnant self-view towards amodernism of politics andcultural values. His travels toParis and America as a youngman further entrenched theseideals.
Teaching was to become hismajor passion, however, andhe held the position ofPrincipal at the CamberwellSchool of Art and Designbetween 1938 and 1945 andlater at the Central School ofArts and Crafts. In thiscapacity he evolved theideologies of each art school,
bringing them more in linewith principles akin to theBauhaus. His services toeducation within the artsearned him an O.B.E.
Johnstone’s own artworks areheavily influenced by AbstractExpressionism and see himvisibly revel in the qualities ofthe paint, his handlingintentionally naïve andvisceral. As a ‘pure’abstractionist, Johnstone’swork was perhaps difficult forthe majority of the public toget to grips with, representingas it does a sophisticated andslightly surreal visual
language. His reputation as agreat teacher and his lengthytime spent outwith Scotlandalso accounts for the slowrise in recognition of histalents and influence. As webecome increasingly wellversed in the appreciation ofart. so too comes aburgeoning understandingand enjoyment of the work ofartists like Johnstone.
WILLIAM JOHNSTONE
109§ FG351/3WILLIAM JOHNSTONE O.B.E.(SCOTTISH 1897-1981)COMPOSITION - BLUE ANDBROWNSigned and dated ‘69 verso,oil on canvas
63cm x 76cm (25in x 30in)
£4,000-6,000
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Scottish Contemporary and
Post-War Art
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110§ FG245/1PAUL NEAGU (BRITISH/ROMANIAN 1938-2004)BALLOONSigned and inscribed25.V.1969 Edinburgh, bearsstudio stamps, coloured penon millimetre paper laid oncard
26cm x 22cm (10.25in x 8.5in)
Provenance:The artist’s family
£1,000-1,500
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Scottish Contemporary and
Post-War Art
64
111§ FG245/2PAUL NEAGU (BRITISH/ROMANIAN 1938-2004)THE HANDSigned, studio stamped anddated 1969, mixed media onpaper laid on card
36cm x 23.5cm (14in x 9.25in)
Provenance:The artist’s family
£1,000-1,500
112§ FG245/4PAUL NEAGU (BRITISH/ ROMANIAN 1938-2004)SET OF 4 PLANS FOR THE MELVILLE STATUESigned, studio stamped and inscribed ‘Back viewof Lord Melville’s statue, Edinburgh, divided upto Neagu ‘P’s concept on 51 cells. Palpableinstallments (portions), 1969 Ed., 1971 London.New concept of metamorphosis’, pen onmillimetre paper
23cm x 29cm (9in x 11.5in)
Provenance:The artist’s family
£2,000-3,000
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Scottish Contemporary and
Post-War Art
65
113§ FG58/1SIR EDUARDO PAOLOZZI(SCOTTISH 1924-2005)SKETCH FOR ACONSTRUCTIONPencil and ink
25cm x 17cm (9.75in x 6.75in)
£300-500
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Scottish Contemporary and
Post-War Art
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114§ FG245/3PAUL NEAGU (BRITISH/ROMANIAN 1938-2004)HUMAN HAND 20 CELLS -IMPULSES AND VECTORSSigned, inscribed and dated1972, oil and mixed media onunstretched canvas
38cm x 21.5cm (15in x 8.5in)
Provenance:the artist’s family
£1,500-2,500
115§ FG359/3PETER BLAKE(BRITISH b. 1932)UNTITLEDSigned in pencil to marginand numbered 10/100,stamped, screenprint
56cm x 66cm (22in x 26in)
£400-600
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Scottish Contemporary and
Post-War Art
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116§ FG377/4IAIN MCINTOSH R.S.A(SCOTTISH CONTEMPORARY)OUTWARD BOUNDCarved initials, wood carving
28cm (h) x 30cm (l) x 15cm (w)
(11in x 12in x 6in)
Exhibited:Royal Scottish Academy FestivalExhibition 1999, no.142
£200-300
117§ FG362/3DONALD MANSON(SCOTTISH CONTEMPORARY)GULL, BUOY AND HARBOURLIGHTSigned, oil on panel
61cm x 71cm (24in x 28in)
£400-600
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Scottish Contemporary and
Post-War Art
68
119§ FG362/2DONALD MANSON(SCOTTISH CONTEMPORARY)LILIES BY A WATERFALLWITH DISTANT CLOUDBURSTSigned, oil on panel
51cm x 51cm (20in x 20in)
£300-500
118§ FG93/5LESLIE MAIN(SCOTTISH 20TH CENTURY)PINK BLOSSOM IN MADEIRASigned and dated 1989, mixedmedia
54cm x 78cm (21in x 31in)
£400-600
120§ FG212/1PETER MCLAREN(SCOTTISH b. 1964)STILL LIFE WITH CLARICECLIFF BOWLSigned, inscribed and datedverso 2013, oil on board
81cm x 67cm (32in x 26.5in)
£3,000-5,000
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Scottish Contemporary and
Post-War Art
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Scottish Contemporary and
Post-War Art
70
121§ FG341/1IAN HAMILTON FINLAY(SCOTTISH 1925-2006)PANZER V (PANTHERASEMI-REDUCTA)Painted wood - a unique workand the first in the series,with Ian Gardner, RoderickLyle and Robin Harrison1977/79
22.5cm x 31.5cm x 13cm
(9in x 12.25in x 5in)
Provenance:Frith Street Gallery, London 1991together with certificate ofauthenticity signed by the artist anddated 22nd March 1991 on GraemeMurray headed notepaper.
£5,000-8,000
As with many of the greatestartists of the 20th century,Hamilton Finlay’s genius istricky to pinpoint. Poetry isfused with sculpture,landscape with installation,politics with classicism; theresulting artworks enlivenedby active viewerinterpretation. The highlyintellectual and playful natureof Hamilton Finlay’s work hascemented his reputationamong critics and collectors,with the unique nature ofwhat he has achievedbecoming increasinglyappreciated. Ian HamiltonFinlay is still celebrated today,most recently in aretrospective exhibition at theTate Modern, London earlierthis year.
Born in the Bahamas in 1925,Hamilton Finlay was brought
up in poverty in Glasgow. Thewar interrupted much of hiseducation: he was evacuatedto Orkney at thirteen whicheffectively put an end to hisschooling and had been at theGlasgow School of Art only ashort time before being calledup in 1942. Hamilton Finlaywas clearly an extremelydedicated self-educator,however, and became apublished playwright after thewar ended. In 1950 heestablished the WildHawthorn Press, publishingthe work of artists fromaround the world. He isperhaps best known for hispoetry garden Little Sparta athis home in the Pentlands.Here, Hamilton Finlay wasable to harness the landscapeto enhance and contextualisehis poetry. Typically
Ian Gardner, Roderick Lyleand Robin Harrison. Though aunique work, it was part of aseries of wooden tanksHamilton Finlay created incollaboration with otherartists. Panzer tanks formeda part of what HamiltonFinlay referred to as his ‘neo-classical rearmamentproject’, alongside othermotifs such as aircraftcarriers and grenades.Through repetition andsubversion of the imagery inthe form of sculpture,printmaking and so on,Hamilton Finlay loads thePanzer tank with symbolism,both overt and allegorical. Aswith much of his other work,Hamilton Finlay employed witto confront and relieve thepolitical or occasionallycontentious references thatsometimes underlie his work.
paradoxical in that it is amixture of the carefullycurated and the organic, itrepresents the perfect venueto view his work.
Lyon & Turnbull are pleasedto offer several examples ofIan Hamilton Finlay’s work inour Scottish Contemporaryand Post-War Art sale. Rareto market is ‘Panzer V(Panthera Semi-Reducta)’,created between 1977-79 with
IAN HAMILTON FINLAY
122§ FG341/6IAN HAMILTON FINLAY(SCOTTISH 1925-2006)ARCADIALithograph by Ian HamiltonFinlay and George Oliver 1973
29.5cm x 39.5cm (11.5in x 15.5in)
£200-300
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Scottish Contemporary and
Post-War Art
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123§ FG341/3IAN HAMILTON FINLAY(SCOTTISH 1925-2006)DIE HEIMAT IS NICHT DASLANDSilkscreen print, signed andnumbered 17/250, 1997
52cm x 80cm (20.5in x 31.5in)
£600-800
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Scottish Contemporary and
Post-War Art
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124§ FG341/2IAN HAMILTON FINLAY(SCOTTISH 1925-2006)THE BLUE AND BROWNPOEMSSilkscreen prints by IanHamilton Finlay and DavidBann 1968
38cm x 38cm (15in x 15in)
the complete set of twelveprints (12)
£2,000-3,000
125§ FG341/4IAN HAMILTON FINLAY(SCOTTISH 1925-2006)SOMEONE, SOMEWHEREWANTS A CABLE FROM YOUSilkscreen by Ian HamiltonFinlay and Jim Nicholson1977
50cm x 71cm (19.5in x 28in)
£600-800
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126§ FG341/5IAN HAMILTON FINLAY(SCOTTISH 1925-2006)CECI N’EST PAS UNE PIPELithograph after Magritte withGary Links 1991
57cm x 75cm (22.5in x 29.5in)
£600-800
127§ FF455/1NORMAN EDGAR R.G.I.(SCOTTISH b. 1948)PORTRAIT OF MARGARETTHATCHER - GLASGOW’SMILES BETTER CAMPAIGNSigned, oil on canvas
76cm x 91cm (30in x 36in)
£800-1,200
129§ FG377/3EARL HAIG O.B.E., A.R.S.A.,F.R.S.A.(SCOTTISH 1918-2009)LANDSCAPE, BORDERSSigned, pastel andwatercolour
38cm x 56cm (15in x 22in)
£400-600
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Post-War Art
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128§ FF151/46GORDON MITCHELL R.S.A.,R.S.W., R.G.I.(SCOTTISH b. 1952)PRIMA DONNASigned, dated on a label verso2001, oil on canvas
41cm x 30.5cm (16in x 12in)
£400-600
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130§ FB791/26JOHN BELLANY H.R.S.A.,R.A., C.B.E.(SCOTTISH b. 1942)BY THE LOCK GATESigned, oil on canvas,unframed
91cm x 122cm (36in x 48in)
£2,000-3,000
131§ FG415/1ALEXANDER MILLAR(BRITISH 20TH CENTURY)LET’S GET READY TORUMBLESigned, oil on canvas
102cm x 76cm (40in x 30in)
Provenance:Artica Galleries, London
£3,000-5,000
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Scottish Contemporary and
Post-War Art
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132§ FG415/2ALEXANDER MILLAR(BRITISH 20TH CENTURY)JOCK ON THE BACKSigned, oil on canvas
91cm x 71cm (36in x 28in)
Provenance:Artica Galleries, London
£3,000-5,000
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Scottish Contemporary and
Post-War Art
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Scottish Contemporary and
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133§ FG341/8ADRIAN WISZNIEWSKI R.S.A.(SCOTTISH b. 1958)GATEWAYEtching printed in sanguine,signed and numbered 11/50
40cm x 30 (16in x 12in)
and another by the samehand printed in blue (2)
£200-300
134§ FF102/4ELIZABETH BLACKADDERD.B.E., R.A., R.S.A., R.S.W.(SCOTTISH b. 1931)MEADOWLANDSigned, pen and ink
41cm x 51cm (16in x 20in)
£1,500-2,000
135§ FG241/1BARBARA BALMER R.S.A.,R.S.W., R.G.I.(SCOTTISH b. 1929)JOLLY STILL LIFESigned, pencil andwatercolour
46cm x 54cm (18in x 21.25in)
£400-600
L Y O N & T U R N B U L L
Scottish Contemporary and
Post-War Art
79
136§ FE348/80WILLIAM BAILLIE P.R.S.A.,P.R.S.W.(SCOTTISH 1923-2011)BLUE RIVERSigned, gouache
24cm x 19cm (5.5.in x 7.5in)
and a companion by the samehand ‘Last Dancers’ (2)
£300-500
L Y O N & T U R N B U L L
Scottish Contemporary and
Post-War Art
80
137§ FG356/2JOHN LOWRIE MORRISONO.B.E. (SCOTTISH b. 1948)WIND AND HAYSTACKS ISLEOF IONA LOOKING TOGRIBUN, MULLSigned and dated ‘99, signed,inscribed and dated verso, oilon board
61cm x 61cm (24inx 24in)
£1,500-2,500
138§ FF467/2BARBARA RAE C.B.E., R.A.,R.S.A. (SCOTTISH b. 1943)UNTITLEDMixed media
85cm x 76cm (32in x 36in)
£2,000-3,000
139 FG96/4YANK WONG [WONG YANKWAI] (CHINESE, HONGKONG, b. 1955)PAYSAGE AU LIGNE VERTAcrylic and rice paper oncanvas, signed verso anddated 1989, unframed
160.5cm x 105.5cm (63in x 41.5in)
Exhibited:Le Cadre Gallery, Hong Kong,“Interior Landscape”, 1989
Provenance:Purchased from the artistPrivate Scottish collection
Note:In the 1970’s, Wong moved to Franceand studied at the Ecole Nationaledes Beaux Arts, initially in Poitiersand then Paris, and silk screenpainting at the Galerie Du HautPave. He was one of the earliest of ageneration of foreign trainedpainters who went to Europe tostudy, then returned to his nativeHong Kong to embark on a career incontemporary art. His work, with itsbold use of colour and overlappingpaint layers creating a sense ofdepth, is free of social, urban andhistorical context, allowing colourand structure to be the primaryfocus. The influence of his trainingin France is seen in his sensuousapproach to his work and can berelated to French modernistcontemporaries.
£2,000-3,000
L Y O N & T U R N B U L L
Scottish Contemporary and
Post-War Art
81
L Y O N & T U R N B U L L
Scottish Contemporary and
Post-War Art
82
140§ FF430/1CHRISTINE MCARTHUR(SCOTTISH b. 1953)STILL LIFE WITH LILIESSigned, oil on canvas
74cm x 90cm (29in x 35.5in)
£1,500-2,000
142§ FG212/4PETER MCLAREN(SCOTTISH b. 1964)SKETCH FOR CAR GIRLOil on board
78cm x 71cm (31in x 28in)
£800-1,200
141§ FG351/1WILLIAM GEAR(SCOTTISH 1915-1997)SHARP ENCOUNTERSigned and dated ‘87, acrylic
71cm x 46cm (28in x 18in)
£1,000-1,500
143§ FG414/7LEON MORROCCO R.S.A.,R.G.I. (SCOTTISH b. 1942)FISHING BOAT AND FISHMARKETSigned and dated ‘98, oil onboard
61cm x 71cm (24in x 28in)
£4,000-6,000
END OF SALE
L Y O N & T U R N B U L L
Scottish Contemporary and
Post-War Art
83
L Y O N & T U R N B U L L
Scottish Contemporary and
Post-War Art
84
Arnold, E., 28, 29, 30
Baillie, W., 37, 136Balmer, B., 135Barr, S., 79, 80Bellany, J., 23, 27, 64, 66, 67,130
Blackadder, E., 134Blake, P., 115Blyth, R.H., 15Bone, W.D., 57, 58Bushe, C., 74Buyers, D.M., 69
Carr, D., 71, 72Castle, B., 55, 56Colvin, C., 36Cuming, J., 1Cunningham, J., 10
Devlin, G., 3Dickson, J., 92Douthwaite, P., 41, 42, 43, 82,83, 84
Edgar, N., 127
Farmar, F., 48Ferguson, D., 52Finlay, I.H., 121-126Firth, J., 2Fullarton, J., 63, 93
Gear, W., 141Gillespie, J., 6, 7Green, A., 98Greene, M.H., 31
Haig, E., 70, 129Hawkins, J., 88Houston, J., 90
Jacques, R., 11Johnstone, W., 108, 109
Kertesz, A., 32Klein, W., 33, 34
Laing, G., 73Lassen, J., 25Littlejohn, W., 17Low, B., 22
Macinnes, J., 49Mactaggart, Sir W., 100Main, L., 4, 50, 51, 91, 102,118
Manson, D., 45, 47, 94, 95,117, 119
Matisse, H., 105McArthur, C., 140McIntosh, I., 116McKean, G., 26McLaren, P., 39, 40, 104, 120,142
Michie, D., 61Millar, A., 131, 132Mitchell, G., 128Morrison, J., 76Morrison, J.L., 8, 12, 13, 14,137
Morrocco, A., 81Morrocco, J., 59, 59A, 60, 101Morrocco, L., 96, 143
Neagu, P., 110, 113, 114, 116
O'Connor, J., 24
Paolozzi, Sir E., 113Peploe, D., 77Pope, P., 9, 47
Rae, B., 86, 138Ray-Jones, T., 35Reeves, P., 16Robertson, J.D., 85Roper, G., 60, 62, 99, 103Rossi, C., 87, 89Rouault, G., 18, 19, 21
Sayle, N., 65Schilsky, E., 44Scully, S., 68Skelton, S., 97
Thomson, D., 53, 54, 78
Walker, E., 38, 106, 107Wiszniewski, A., 133Wong, Y., 139Wood, C., 75Wyllie, G., 20
The following expressions withtheir accompanyingexplanations are used by Lyon &Turnbull as standardcataloguing practice. Our use ofthese expressions does not takeaccount of the condition of thelot or the extent of anyrestoration.
Buyers are recommended toinspect the propertythemselves. Written conditionreports are usually available onrequest.
Name(s) or RecognisedDesignation of an Artist withoutany QualificationIn our opinion a work by theartist
Attributed to...In our opinion probably a workby the artist in whole or in part.
Studio of ... / Workshop of ...In our opinion a work executedin the studio or workshop of theartist, possible under hissupervision
Circle of ...In our opinion a work of theperiod of the artist and showinghis influence.
Follower of ...In our opinion a work executedin the artist’s style but notnecessarily by a pupil.
Manner of ...In our opinion a work executedin the artist’s style but of a laterdate
After ...In our opinion a copy (of anydate) of a work of the artist.
Signed ... /Dated ... /Inscribed ... /In our opinion the work hasbeen signed/dated/inscribed bythe artist.
BearsSignature ... /Date ... /Inscription ... /In our opinion thesignature/date/inscriptionappears to be by a hand otherthan that of the artist.
Dimensions are given heightbefore width.
Glossary of Cataloguing Terms
Index
The Studios ofAuction Tuesday, 27th August, 2013 at 6pmat The Lighthouse, 11 Mitchell Lane, Glasgow G1 3NU
Around 200 artworks from the studios of Scottish artistsJohn Cunningham & George Wyllie
ViewingSun 25th 12-4pm, Mon 26th 10am-4pm, Tue 27th 10am-4pm
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For more information and our fully illustrated online catalogues, please call 0141 333 1992 or visit our website.
&
British & European Paintings & Sculpture Thursday, 28th November, 201333 Broughton Place, Edinburgh EH1 3RR
www.lyonandturnbull .com
WINIFRED NICHOLSON (BRITISH 1893-1981)
CHEEKY CHICKSOil on board
71cm x 84cm (28in x 33in)
£50,000-70,000
EnquiriesNick CurnowTel: +44 (0)131 557 8844 nick.curnow@lyonandturnbull.com
Emily JohnstonMobile: +44 (0)7741 247225emily.johnston@lyonandturnbull.com
Charlotte RiordanTel: +44 (0)131 557 8844 charlotte.riordan@lyonandturnbull.com
Fine Scottish Paintings & Sculpture Thursday, 28th November, 201333 Broughton Place, Edinburgh EH1 3RR
www.lyonandturnbull .com
SIR EDWIN LANDSEER R.A.(BRITISH 1802-1873)LORD MELBOURNEOil on board
25.5cm x 20cm (10in x 85in)
Provenance:
Thomas Agnew & Sons, London
£10,000-15,000
EnquiriesNick CurnowTel: +44 (0)131 557 8844 nick.curnow@lyonandturnbull.com
Emily JohnstonMobile: +44 (0)7741 247225emily.johnston@lyonandturnbull.com
Charlotte RiordanTel: +44 (0)131 557 8844 charlotte.riordan@lyonandturnbull.com
ViewingSunday, 24th November, 2pm - 5pmMonday, 25th November, 10am - 5pmTuesday, 26th November, 10am - 5pmWednesday, 27th November, 10am - 5pmMorning of sale strictly by appointment only
88
STANDARD TERMS &CONDITIONS OF SALE
Lyon & Turnbull carries on business withbidders, buyers and all those present inthe auction room prior to, or inconnection, with a sale on the followingGeneral Conditions and on such otherterms, conditions and notices as may bereferred to herein.
1. DEFINITIONS
In these Conditions:
(a) “Auctioneer” means the firm of Lyon &Turnbull or its authorised auctioneer, asappropriate;
(b) “deliberate forgery” means animitation made with the intention ofdeceiving as to authorship, origin, date,age, period, culture or source but which isunequivocally described in the catalogueas being the work of a particular creatorand which, at the date of the sale, had avalue materially less than it would havehad if it had been in accordance with thedescription;
(c) “hammer price” means the level ofbidding reached (at or above any reserve)when the auctioneer brings down thehammer;
(d) “terms of consignment” means thestipulated terms and rates of commissionon which Lyon & Turnbull acceptsinstructions from sellers or their agents;
(e) “total amount due” means thehammer price in respect of the lot soldtogether with any premium, Value AddedTax chargeable and any additional chargespayable by a defaulting buyer under theseConditions;
(f) “sale proceeds” means the net amountdue to the seller, being the hammer priceof the lot sold less commission at thestated rate, Value Added Tax chargeableand any other amounts due to us by theseller in whatever capacity and howeverarising;
(g) “You”, “Your”, etc. refer to the buyer asidentified in Condition 2.
(h) The singular includes the plural andvice versa as appropriate.
2. BIDDING PROCEDURES AND THEBUYER
(a) Bidders are required to register theirparticulars before bidding and to satisfyany security arrangements before enteringthe auction room to view or bid;
(b) the maker of the highest bid acceptedby the auctioneer conducting the saleshall be the buyer at the hammer priceand any dispute about a bid, which mustbe raised before the next lot is offered,shall be settled at the auctioneer’sabsolute discretion.
(c) Bidders shall be deemed to act asprincipals.
(d) Once made, no bid may be withdrawn.
(e) Our right to bid on behalf of the selleris expressly reserved up to the amount ofany reserve and the right to refuse any bidis also reserved.
3. INCREMENTS
Bidding increments shall be at theauctioneer’s sole discretion.
4. THE PURCHASE PRICE
The buyer shall pay the hammer pricetogether with a premium thereon.
25% up to £25,000 / 20% thereafter.
VAT will be charged on the premium at therate imposed by law.
5. VALUE ADDED TAX
Value Added Tax on the hammer price isimposed by law on all items affixed withan asterisk (*) or dagger (†). Value AddedTax is charged at the appropriate rate
prevailing by law at the date of sale and ispayable by buyers of relevant lots.
6. PAYMENT
(1) Immediately a lot is sold you will:
(a) pay to us the total amount due in cashor in such other way as is agreed by us.We accept cash, bank transfer (details onrequest), Switch or Debit Cards and Visaor MasterCard (please note there is asurcharge of 2% (VAT included) whenusing credit cards). We do not acceptAmerican Express.
(2) any payments by you to us may beapplied by us towards any sums owingfrom you to us on any account whateverwithout regard to any directions of you oryour agent, whether express or implied.
7. TITLE AND COLLECTION OFPURCHASES
(1) The ownership of any lots purchasedshall not pass to you until you have madepayment in full to us of the total amountdue.
(2) You shall at your own risk and expensetake away any lots that you havepurchased and paid for not later than fourworking days following the day of theauction or upon the clearance of anycheque used for payment after which youshall be responsible for any removal,storage and other associated charges.
(3) No purchase can be claimed orremoved until it has been paid for.
(4) It is the buyer’s responsibility toascertain collection procedures,particularly if the sale is not being held atour main saleroom and the potentialstorage charges for lots not collected bythe appropriate time.
8. REMEDIES FOR NON-PAYMENT ORFAILURE TO COLLECT PURCHASES
(1) If any lot is not paid for in full and takenaway in accordance with these Conditionsor if there is any other breach of theseConditions, we, as agent for the seller andon their behalf, shall at our absolutediscretion and without prejudice to anyother rights we may have, be entitled toexercise one or more of the followingrights and remedies:
(a) to proceed against you for damages forbreach of contract;
(b) to rescind the sale of that lot and/orany other lots sold by us to you;
(c) to resell the lot (by auction or privatetreaty) in which case you shall beresponsible for any resulting deficiency inthe total amount due (after crediting anypart payment and adding any resale costs).Any surplus so arising shall belong to theseller;
(d) to remove, store and insure the lot atyour expense and, in the case of storage,either at our premises or elsewhere;
(e) to charge interest at a rate of 1.5% permonth above the current base rate on thetotal amount due, to the extent it remainsunpaid for more than four working daysafter the sale;
(f) to retain that or any other lot sold toyou until you pay the total amount due;
(g) to reject or ignore bids from you oryour agent at future auctions or to imposeconditions before any such bids shall beaccepted;
(h) to apply any proceeds of sale of otherlots due or in future becoming due to youtowards the settlement of the total amountdue and to exercise a lien (that is a right toretain possession of) any of your propertyin our possession for any purpose until thedebt due is satisfied.
(2) We shall, as agent for the seller andon their behalf pursue these rights andremedies only as far as is reasonable tomake appropriate recovery in respect ofbreach of these Conditions
9. THIRD PARTY LIABILITY
All members of the public on ourpremises are there at their own risk andmust note the lay-out of theaccommodation and securityarrangements. Accordingly neither theauctioneer nor our employees or agentsshall incur liability for death or personalinjury (except as required by law by reasonof our negligence) or similarly for thesafety of the property of persons visitingprior to or at a sale.
10. COMMISSION BIDS
While prospective buyers are stronglyadvised to attend the auction and arealways responsible for any decision to bidfor a particular lot and shall be assumedto have carefully inspected and satisfiedthemselves as to its condition we shall ifso instructed clearly and in writing executebids on their behalf. Neither theauctioneer or our employees or agentsshall be responsible for any failure to doso. Where two or more commission bidsat the same level are recorded we reservethe right in our absolute discretion toprefer the first bid so made.
11. WARRANTY OF TITLE ANDAVAILABILITY
The seller warrants to the auctioneer andto you that the seller is the true owner ofthe property consigned or is properlyauthorised by the true owner to consign itfor sale and is able to transfer good andmarketable title to the property free fromany third party claims.
12. AGENCY
The auctioneer normally acts as agentonly and disclaims any responsibility fordefault by sellers or buyers.
13. TERMS OF SALE
The seller acknowledges that lots are soldsubject to the stipulations of theseConditions in their entirety and on theTerms of Consignment as notified to theconsignor at the time of the entry of thelot.
14. STANDARD VENDOR FEES ANDCHARGES (Subject to VAT)
(1) Commission: 15% of the first £3000 and10% thereafter is charged on the sellingprice of each lot (subject to a minimumcharge of £30). Loss and damagewarranty: 1.5% on value of lots sold.Photography: max £40 mono per lot, max£250 colour. Internet Marketing Service:£10 per lot.
(2) If a vendor wishes to withdraw a lotorganized for sale, a withdrawal fee willapply;
(a) If withdrawn over 28 working days priorto the sale, this will be charged at 10% ofthe mid estimate along with any ancilliaryincurred (such as photography), all subjectto VAT at the current rate.
(b) If withdrawn within 28 working days ofthe sale, this will be charged at 20% of themid estimate along with any ancilliaryincurred (such as photography), all subjectto VAT at the current rate.
15. DESCRIPTIONS AND CONDITION
(1) While we seek to describe lotsaccurately, it may be impractical for us tocarry out exhaustive due diligence on eachlot. Prospective buyers are given ampleopportunities to view and inspect beforeany sale and they (and any independentexperts on their behalf) must satisfythemselves as to the accuracy of anydescription applied to a lot. Prospectivebuyers also bid on the understanding that,inevitably, representations or statementsby us as to authorship, genuineness,origin, date, age, provenance, condition orestimated selling price involve matters ofopinion. We undertake that any suchopinion shall be honestly and reasonably
held and accept liability for opinions givennegligently or fraudulently. Subject to theforegoing neither we the auctioneer or ouremployees or agents or the seller acceptliability for the correctness of suchopinions and all conditions andwarranties, whether relating todescription, condition or quality of lots,express, implied or statutory, are herebyexcluded. This Condition is subject to thenext following Condition concerningdeliberate forgeries and applies save asprovided for in paragraph 6 “information tobuyers”.
(2) Private treaty sales made under theseConditions are deemed to be sales byauction for purposes of consumerlegislation.
16. FORGERIES
Notwithstanding the preceding Condition,any Lot which proves to be a deliberateforgery (as defined) may be returned to usby you within 21 days of the auctionprovided it is in the same condition aswhen bought, and is accompanied byparticulars identifying it from the relevantcatalogue description and a writtenstatement of defects. If we are satisfiedfrom the evidence presented that the lot isa deliberate forgery we shall refund themoney paid by you for the lot including anybuyer’s premium provided that (1) if thecatalogue description reflected theaccepted view of scholars and experts asat the date of sale or (2) you personally arenot able to transfer a good and marketabletitle to us, you shall have no rights underthis condition.
The right of return provided by thisCondition is additional to any right orremedy provided by law or by theseConditions of Sale.
GENERAL
17. We shall have the right at ourdiscretion, to refuse admission to ourpremises or attendance at our auctions byany person.
18 (1) Any right to compensation for lossesliabilities and expenses incurred in respectof and as a result of any breach of theseConditions and any exclusions provided bythem shall be available to the sellerand/or the auctioneer as appropriate.
(2). Such rights and exclusions shallextend to and be deemed to be for thebenefit of employees and agents of theseller and/or the auctioneer who maythemselves enforce them.
19. Any notice to any buyer, seller, bidderor viewer may be given by first class mailin which case it shall be deemed to havebeen received by the addressee 48 hoursafter posting.
20. Special terms may be used incatalogue descriptions of particularclasses of items (Books, Jewellery,paintings, guns, firearms etc) in whichcase the descriptions must be interpretedin accordance with any glossary orguidance notes appearing in thecatalogue. These notices and terms willalso form part of our terms and conditionsof sales.
21. Any indulgence extended to biddersbuyers or sellers by us notwithstandingthe strict terms of these Conditions or ofthe Terms of Consignment shall affect theposition at the relevant time only and inrespect of that particular concession only;in all other respects these Conditionsshall be construed as having full force andeffect.
22. Scottish law applies to theinterpretation of these Conditions.
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Local DeliveriesLocal deliveries can bearranged by A&S PertRemovals.Telephone 07876343520.
Packing and ShippingPlease note that we donot pack or ship items.The following sug-gested carriers will beable to arrange pack-ing and shipping;please contact themdirectly to receive aquote. You may wishto contact an alterna-tive courier.
Smaller items & PicturesMailboxes Etc44/46 Morningside RoadEdinburgh EH10 4BFThe direct link to the orderingform is:http://www.mbeedinburgh.com/art-and-antiques.phpTel: +44 (0)131 556 6226Fax: +44 (0)131 652 3673Email:edinburgh@mbescotland.com
Furniture and larger itemsConstantineConstantine HouseNorth Caldeen RoadCoatbridgeNorth Lanarkshire ML5 4EFTel: +44(0)1236 750055Fax: +44(0)1236 750077E-mail:enquiries@constantinemoving.com
A Van Man TransportUnit 5, Benridge ParkHolyrood Close, Creek-moorPoole, Dorset BH17 7BDTel: +44 (0)1202 600 012Fax: +44 (0)1202 600 206Email: office@avmt.co.uk
Fine Art CarriersGallery Support Group37 Cremer StreetLondon E2 8HDTel: +44 (0)20 7729 6692Email:info@gallerysupportgroup.com
Arrangements for Sold LotsAll bought items will be heldfree of charge at BroughtonPlace until the Friday follow-ing the sale.
Thereafter lots will be re-moved to store in Edinburghand a charge incurred.
Administration fee:£20 + VAT
Storage charges per lot perday are:
Large Items£5 inc. insurance + VAT
Small Items£2.50 inc. insurance + VAT
CateringRefreshments will be avail-able at the saleroom on viewdays and day of sale.
Waverley Station
ParkingMulti-storey car parking isavailable at Greenside Placeand in the St. James Centre;five minutes walk from thesaleroom.
Lyon & Turnbull saleroom
St Andrew Square
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