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Muzeul National de Arta Cluj has an extraordinary valued patrimony of Romanian and European art paintings, graphics and decorative art (the 15th to the 20th centuries.) It was founded in 1951 and it benefited by some already existent funds: a small part of the curiosity collection, metal work, pieces of furniture and European plastic art, previously belonging to Muzeul Ardelean (The Transylvanian Museum) and above all, it benefited by the collection known under the name of ” Pinacoteca Virgil Cioflec” (The Virgil Cioflec Pinacotheque.) Virgil Cioflec (1876-1948) was the author of some important monographies dedicated to the painters Stefan Luchian (1924) and Nicolae Grigorescu (1925); he is also the author of some writings upon the pertinent art which had been published in that time’s written media. His name is related to a cultural act of great significance for the inter-war life of the city of Cluj: the donation of his collection of Romanian art to the University of Cluj (1929-1930.) The opening of Virgil Cioflec Pinacotheque for the public (1933) meant, in fact, the opening, in Cluj, of the first museum of Romanian modern art, whose successor today is Muzeul National de Arta Cluj.It was formed with the passion and the competence of the man who knows and who is able to appreciate the true values (Nicolae Grigorescu, Stefan Luchian, Dimitrie Paciurea) and to clear-sightedly support the affirmation of authentic talents (Theodor Pallady, Camil Ressu, Vasile Popescu, Jean Al. Steriadi, Lucian Grigorescu, Oscar Han, Cornel Medrea.) The Virgil Cioflec collection represents, even today, the most valuable nucleus of the patrimony of Muzeul National de Arta Cluj. In the years that followed after its founding, the increase of the number of works that came to belong to the museum was realized with the help of some transfers, donations and purchasing. Along with the works of art that had been transferred from the Ministery of Culture, Muzeul National de Arta Bucuresti (The National Art Museum Bucharest) and the Local Administration (Barbu Iscovescu, Constantin David Rosenthal, Theodor Aman, Gheorghe Panaitescu Bardasare, Carol Popp de Szathmary, Ioan Andreescu, Karl Storck) there is an important number of works that came from the Cluj Branch of the Romanian Academy (1971.) The works, important art pieces from Transylvania (unknown painters from the 18th and the 19th centuries, Franz Neuhauser, Joseph Neuhauser, Franz Anton Bergman, Koreh Sigismund, Szathmary Gati Sandor, Simo Ferenc), did substantially contribute to the outlining of the patrimony’s physiognomyThe research labour, accomplished during the years by the museum’s specialised personnel, and made public through studies and proportion retospective exibitions, introduced into the national artistic circuit important personalities of the Transylvanian art: Elena Popea, Alexandru Popp, Pericle Capidan, Szolnay Sandor, Tasso Marchini, Aurel Ciupe, Romul Ladea, Petre Abrudan, Emil Cornea, Nagy Albert, Theodor Harsia, Fulop Antal Andor, Alexandru Mohy, Georgeta and Constantin Ticu Aramescu, Ioan Sima, Petru Feier, Anton Lazar, Walther Wiedmann, Bene jozsef, Letitia Munteanu, Coriolan Munteanu, Friedrich Bomches, Sabin Nemeş, Nicolae Agîrbiceanu, Valer Chende, Egon Marc Lovith, Constantin Lucaci.These retrospective exibitions determined important donations from artists and from their families, as well as from different art collectors. The research developed a programme of purchasings, oriented with priority, toward the underlining of the native artists’ creation or of those artists who were active within the intra-Carpathian area (Aloisie Hora, Misu Popp, Venceslav Melka, Sava Hentia, Simion Corbul-Hollossy, Octavian Smigelschi, Dimitrie Cabader, Nagy Istvan, Sabin Popp, Hans Eder, Johann Mattis Tensch, Virgil Fulicea); the programme was also oriented toward the enriching of the patrimony of old art (religious paintings from the 17th and the 18th centuries) and of Roman