reframing photography: essay 3 REPRODUCTIVE PROCESSES · Felix Gonzalez-Torres, Untitled (Death by...

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REPRODUCTIVE PROCESSES

reframing photography: essay 3

Reproductions of Western masterpieces in the Otsuka Museum of Art, Naruto City, Tokushima Prefecture, Japan. Image Courtesy of Otsuka Museum Of Art.

Sigmar Polke, Salamander Stone. 1998, Mixed media on fabric. © Sigmar Polke. Courtesy Michael Werner Gallery.

Sherrie Levine, Sherrie Levine. After Walker Evans: 2 (Burroughs family portrait). 1981, Gelatin silver print; 33/4 x 51/16 inches. The Metropolitan Museum of Art, gift of the artist, 1995 (1995.266.2) Image © Walker Evans Archive, The Metropolitan Museum of Art / Art Resource / Scala, Florence.

Walker Evans, Burroughs Family, Hale County, Alabama. 1936, Gelatin silver print, 19.1 x 24.1 cm. © Courtesy of George Eastman House, International Museum of Photography and Film.

Francisco de Goya, King Charles IV of Spain and his Family. 1800, oil on canvas, 280 x 336 cm. Repository: Museo del Prado, Madrid. ˝ Erich Lessing / ART RESOURCE, N.Y. © 2010. Photo Scala, Florence.

Justinian and his Court. Apse, north wall, Church of San Vitale, Ravenna, Italy, ca. 546–48, mosaic. © 2010 Photo Scala, Florence.

Genetic Savings & Clone Website. 2005. Image courtesy of Lou Hawthorne.

Albert Fenn, Installation view of the exhibition “Road to Victory”. MoMA, New York, May 21–October 4, 1942. Photograph, 7 x 101/2 inches. New York, Museum of Modern Art (MoMA). Digital Image Courtesy The Museum of Modern Art, New York. (IN182.7) © 2010. Digital image, The Museum of Modern Art, New York / Scala, Florence.

Felix Gonzalez-Torres, Untitled (Death by Gun). 1990. New York, Museum of Modern Art (MoMA). Stack of photolithographs, offset printed in black, composition: 441/2 x 321/2 inches (113 x 82.5 cm). Purchased in part with funds from Arthur Fleischer, Jr. and Linda Barth Goldstein. Acc. n.: 103.1991. 10 x 12. © 2010. Digital image, The Museum of Modern Art, New York / Scala, Florence.

Mathew B. Brady, Abraham Lincoln (the “Cooper Union portrait”). 1860. Albumen print from wet collodion negative.

Barack Obama, MySpace page. July 2007. Reproduced with permission.

Army Girl, MySpace page. May 2009. Reproduced with permission.

Paul Outerbridge, Jr., Ide Collar. 1922. Gelatin silver print. © 2010 G. Ray Hawkins Gallery, Beverly Hills, CA.

The Good Green Earth (advertisement for Heniz products). From LIFE magazine, February 15, 1937.

BBC, In Pictures, August 28, 2009.

Carlo Carra, Manifestation Interventionniste. 1914. Collage, 1914, 38.5 x 30 cm

Romare Bearden, Farm Couple. Ca. 1965. Collage of various papers with paint, ink, and graphite on cardboard, 23.2 x 29.9 cm (91/8 x 113/4 inches). Anonymous lender. Art © Romare Bearden Foundation/DACS, London/VAGA, New York 2010.

Marion Post Wolcott, Kitchen in Negro tenant home on Marcella Plantation. Mileston, Mississippi Delta, Mississippi. Nov. 1939. Gelatin silver print. © Library of Congress, Prints & Photographs Division, FSA/OWI Collection.

Betty Hahn, Road and Rainbow. 1971. Gum bichromate on fabric with stitching. Courtesy of the artist.

Betty Hahn, Cauliflower. 1972. Gum bichromate on fabric with stitching. Courtesy of the artist.

Edward Weston, Cabbage Leaf. 1931. Gelatin silver photograph, 19.2 x 24.0 cm. Collection Center for Creative Photography © 1981 Arizona Board of Regents.

Betty Hahn. Soft Daguerreotype. 1973. Xerox on synthetic silver fabric. Courtesy of the artist.

Joanne Leonard, Twins: Conjoined and Separated. 2003, glassine with gold paint, watercolor, scanned photographs, constellation map of Gemini, newspaper clippings. 17-inch diameter circle on 22-inch square glassine sheet. Courtesy of the artist.

Jarhead. 2005. Directed by Sam Mendes, Universal Studios

Andy Warhol, Green Disaster Ten Times. 1963. Image © Andy Warhol Foundation / CORBIS.

Ray Johnson, Green Hornet with Arman and Andy. 1976–80–81–85–86. Collage on illustration board, 15 x 11 inches, 38.1 x 27.9 cm. Courtesy of Kinz 1 Tillou Fine Art, Richard L. Feigen & Co., Estate of Ray Johnson.

Google Street View, showing Participants in Street with a View on Sampsonia Way, Pittsburgh, PA, 15212 (website captured on August 28, 2009).

Shizuka Yokomizo, Stranger (23). 2000. C-type print. Courtesy of the artist.

Charles Willson Peale, George Washington. 1772. Oil on canvas. © Charles Willson Peale (1741–1827) Washington University, St. Louis, USA / The Bridgeman Art Library

Unknown photographer, Portrait of a man in a military uniform, including a sword, medals, and epaulets. n.d. (ca. 1890–1920). Photogravures, 4.0 x 7.875 inches. The Schlesinger History of Women in America Collection, Photograph Number: A47-18-1. Courtesy of The Schlesinger Library, Radcliffe Institute, Harvard University.

Chris Hondros, One Night in Tal Afar. January 2005. Color photograph. © Chris Hondros / Getty Images.

Yosuke Yamahata, Nagasak (Untitled, A-9-4). August 10, 1945. © Shogo Yamahata. Courtesy IDG Films.

Yosuke Yamahata, Nagasak (Untitled, A-13-20). August 10, 1945. © Shogo Yamahata. Courtesy IDG Films

Edward S. Curtis, The Eagle Catcher. 1908. Photographic print. © Library of Congress, Prints & Photographs Division, Edward S. Curtis Collection.

The Third View Project, Timothy O’Sullivan, 1867, Crab’s Claw Peak, Western Nevada. (United States Geological Survey). Mark Klett and Byron Wolfe for the Third View Project, 1998. Karnak Ridge, Trinity Range, NV. Gelatin silver photographs, 1998

Cindy Sherman, Untitled Film Still #43. 1979. Black and white photograph, 8 x 10 inches. © Cindy Sherman. Courtesy of the Artist, Metro Pictures, and The Broad Art Foundation, Santa Monica.

Chen Chieh-Jen, Revolt in the Soul and Body/A Way Going to An Insane City. 1996–99. Digital black and white photograph, 112 x 150 cm. Courtesy the artist and Chi-Wen Gallery.

Kristan Horton, Dr Strangelove Dr Strangelove: dr0018-s003-03. 2003-06, archival print, Dibond, 28 cm x 76 cm. Courtesy of Jessica Bradley Art 1 Projects.

Kristan Horton, Dr Strangelove Dr Strangelove: dr0105-s008-05. 2003-06, archival print, Dibond, 28 cm x 76 cm. Courtesy of Jessica Bradley Art 1 Projects.

Kristan Horton, Dr Strangelove Dr Strangelove: dr0657-s039-02. 2003-06, archival print, Dibond,28 cm x 76 cm. Courtesy of Jessica Bradley Art 1 Projects.

Eddie Adams, General Nguyen Ngoc Loan executing a Vietcong prisoner, Nguyen Van Lem, on a Saigon street, February 1, 1968. Silver print, 8 x 10 inches. © AP/ Press Association Images.

Yasumasa Morimura, A Requiem: VIETNAM WAR 1968 – 1991. 2001. Gelatin silver print mounted on Alpolic, 120 x 150 cm (47.24 x 59.06 inches), Edition 5. Courtesy Galerie Thaddaeus Ropac, Paris / Salzburg.

Vik Muniz, Memory Rendering of Saigon Execution of Vietcong Suspect. from the Best of Life series, 1989, photograph. © Vik Muniz / VAGA, New York / DACS, London 2010.

Kota Ezawa, Earth from Moon (1969). 2005. Lightbox, 22 x 28 inches. Drawing © 2006 Kota Ezawa. Courtesy Murray Guy, New York.

Nick Ut, Villagers Fleeing a Napalm Strike, village of Trang Bang, Vietnam, June 8. 1972. Gelatin silver print, 16 x 20 inches, © AP/Press Association Images

Zbigniew Libera, Nepal. 2003. Photography. Courtesy of Zbigniew Libera and Raster Gallery.

Markus Hansen and Virgil de Voldere Gallery, Philippe. 2006. C Type print.

Markus Hansen and Guggenheim Museum, Framboise, 2004. Video still.

Alexander Gardner, Dead Confederate Sharpshooter in the Devil’s Den, Gettysburg, Pa. July 1863, albumen print, © Library of Congress, Prints & Photographs Division, Civil War Photographs.

Liz Magor, Where An Army Gave Its Own Orders. 1991. Gelatin silver print. Courtesy of the artist.

Liz Magor, The Plans That Failed. 1991. Gelatin silver print. Courtesy of the artist.

Jeremy Deller, The Battle of Orgreave. 2001. Commissioned and produced by Artangel. Photos by Martin Jenkinson.

Jeremy Deller, The Battle of Orgreave. 2001. Commissioned and produced by Artangel. Photos by Martin Jenkinson.

Jeremy Deller, The Battle of Orgreave. 2001. Commissioned and produced by Artangel. Photos by Martin Jenkinson.

Jeremy Deller, The Battle of Orgreave. 2001. Commissioned and produced by Artangel. Photos by Martin Jenkinson.

THE END reframing photography