R&B Crossover

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class notes for MUS 330

Transcript of R&B Crossover

R&B Crossover

“Its The Singer, Not The Song”

New Orleans & The South

Roy Brown, Fats Domino, Lloyd Price, Little Richard, Ray Charles, James Brown, Sam Cooke

New Orleans: Roy Brown

Good Rockin’ Tonight (1947)On the Strength of this Recording other

Record Labels Started to Look Toward New Orleans

New Orleans Recording Scene

J&M Recording Studio, Cosimo Matassa

Band Leader Dave Bartholomew

New Orleans: Fats Domino

Dave Bartholomew helped Imperial Records find Fats.

Recorded at J&M

1950 “Fat Man” sold a Million and #6 on R&B Chart

New Orleans: Fats Domino

Crossed over with “Ain’t That A Shame”, Covered by Pat Boone.

Several Hits Through 1961 including “Blueberry Hill”

New Orleans: Little Richard

Richard Penniman, Macon Georgia

In Atlanta, DJ Daddy Sears Connects Him to RCA two Songs

1955 Signed by Specialty Records, “Tutti Frutti” (Covered by Boone)

Trademark Scream Copied by Paul McCartney

New Orleans: Little Richard

New Orleans: Little Richard

Several Hits for the Next Four Years, Including “Long Tall Sally”

Three Movies

Left Rock for Religion in 1957

Returned in 1964

New Orleans: Ray Charles

(Not From New Orleans, But Lived There)

Pianist/Singer

Raised in Florida, Began Rise in Seattle

Began Recording in 1949, in West Coast Smooth Urban Blues Style (Nat King Cole)

“Ain’t That Fine”

New Orleans: Ray Charles

Signed with Atlantic Records 1952

Began to Change Style Around 1955 to “Secularized Gospel,” Caused Some Discussion

“I Got a Woman” same as “My Jesus is All The World To Me”

Began to Cross Over

New Orleans: Ray Charles

Big Cross Over, “What’d I Say”

Changed Labels, even More Mainstream

“Georgia”

The South: James Brown

“Hardest Working Man in Show Business”

“Soul Brother No 1”

1956 “Please Please Please”

Show Business, Dancing, Cape Routine

James Brown

James Brown

Began to Cross Over in 1964

“Out of Sight”

1965 Big Hit “Papa’s Got A Brand New Bag”

The Famous Scream

James Brown

String of Hits 1960s

Style Was Roots of Funk, Disco, & Rap

“The Payback”

James Brown

South/North: Sam Cooke

The Roots of Sweet Soul Music

Born in the South, Moved to Chicago

Lead Singer of the Soul Stirrers

“Touch the Hem of His Garment”

Switched to Pop in 1956, Caused Split With Record Label (Devil’s Music)

Sam Cooke

1957 Cross Over Hit “You Send Me”

String of Hits “Chain Gang” “Another Saturday Night” “Shake”

Violent Death in 1964

Chicago

Chess Records (Chess Brothers), Famous for Chicago Blues, Dominated the 1950s Rock Scene

Released “Rockett 88” in 1951

They Stumbled Into Rock & Roll

Chicago: Chuck Berry

Chicago: Chuck Berry

Song Writer/Guitarist

Wrote Songs for American Teenager

John Lennon said, If you Wanted to Find Another Name For Rock and Roll it Would be Chuck Berry

Muddy Waters Sent Him to Chess

Chuck Berry

Famous Guitar Introduction

Guitar Solos Became a Model for All Future Guitarists

1955 “Maybellene” an old C&W Song “Ida Red”

Chuck Berry

Wrote New Songs About the 1950s Teenager

1956 “Roll Over Beethoven”

1957 “Johnny B. Goode” & “Oh Carol”

“Sweet Little Rock and Roller”

Chuck Berry

1959 Mann Act Violation Brought Career to End

Did Hard Time in Federal Pen

Beach Boys “Borrowed” His “Sweet Little 16” for “Surfin’ USA”

Chicago: Bo Diddley

Guitarist/Singer/Songwriter

Developed Electric Guitar/Amp Combination

Used the “Hambone” Rhythm, now Called the Bo Diddley /Hand Jive Rhythm

1955 “Bo Diddley”

Bo and Chuck