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www.nzphotographer.co.nz | 1
Issue 25 January 2012
Rugby WoRld Cup at f/2.8
poWeRful Images of 2011
meet patRICk shepheRd
geaR to get you staRted
2 | www.nzphotographer.co.nz
CoNteNtsgear to get you started Rugby World Cup in f/2.84 8 tips for better summer photography
12
Winning Images
14
powerful Images of 201122Competitions20
meet patrick shephard
28 Cool stuff32
www.nzphotographer.co.nz | 3
edItoRIalI know it gets said more and more, but
how quick did last year go? And what
a year it was! We saw the devastation
from the Christchurch & Japanese
earthquakes as well as an election, and all
the drama that goes with that (Cup of tea
anyone?). Then there’s the Rugby World
Cup, how good was that?
The thing I love about photography is
that no matter what is going on around
you, both in the wider sense of the world,
or the bubble around you, there is always
a plethora of opportunities to capture that
world. Whether it’s capturing devastation,
or freezing time during triumph, it’s your job
as a photographer to have that extension
of your limb at the ready for whatever life
throws your way.
As Summer falls upon us, I urge our
readers to get out there and capture
the outdoor season and what makes it
important to you. Check out page 20 for
more details on our Summer competition.
From the whole NZ Photographer team
we wish you all the best for leaving 2011
in the memory bank, and moving on with
a successful 2012.
ABOUT Whether you’re an enthusiastic weekend snapper or a beginner who wants to learn more, NZ Photographer is the fun e-magazine for all Kiwi camera owners – and it’s free!
EDITOR Brady Dyer,editor@nzphotographer.co.nz
GROUP EDITOR Trudi Caffell
ART DIRECTOR Jodi Olsson
ADVERTISING ENQUIRIES Phone Lisa Clark on 09 576 1121 or email lisa@espiremedia.com
ADDRESS NZ Photographer, C/- Espire Media, PO Box 99758, Newmarket
WEBSITE www.nzphotographer.co.nz
NZ Photographer is an Espire Media publication
go extreme. there’s no turning back.You go to extremes to get just the right shot, and with the SanDisk Extreme®
line of CompactFlash® cards, you’ll get that shot, every time. Engineered to be
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90MB/second 60MB/second
For more info contact info@lacklands.co.nz
Cover Image: Competition Winner Francis Vallance
4 | www.nzphotographer.co.nz
I got into photography when I was a kid
and full of awe of the beauty around
me, learnt the basics, experimented and
dreamed of owning a high quality camera,
one day, when I was old and rich.
With that behind us, I’m going to fill you in
on how I managed to produce professional
looking images well before I was old and
rich, on the cheap.
CameRa
When I finally purchased my first good DSLR
camera I was still a student on a very strict
budget. A budget = trade-offs. You’ll have to
geaR to get you staRted
INSTRUCTIONS
By Amanda Jasmine
Producing ProfessionAl looking PhotogrAPhs
requires A foundAtion of three things: creAtivity,
technicAl skill of the PhotogrAPher, And high-
quAlity cAmerA equiPment - no comPromises, enough sAid
www.nzphotographer.co.nz | 5
think about what you want to shoot for, and
figure out what’s important to you.
For me, I wanted to photograph people
and hopefully in a studio setting. I didn’t
care about speed, I didn’t care about
video. I wanted great skin tones and high
quality images. I read 100s of reviews
and I chose the Fujifilm FinePix S5 Pro.
At the time, this was arguably the best
camera for my goals. A great resource
when choosing any camera gear is
Dpreview.com which has thousands of
pages of reviews on everything from
memory cards, to camera bodies. There
are some great tools for comparing
certain makes and models so it is well
worth checking out.
WheRe to buy
I used a site called www.PriceSpy.co.nz
and purchased my camera at a lowest
cost in the New Zealand from an Asian
import business. I purchased new. Simply
put, I just wouldn’t want to invest any
money into a camera that someone
might not have cared for properly, not to
mention that the camera price second-
hand wasn’t much better than the Asian
Import price I found.
Note however, I had to wait a very
long time for my camera to arrive and
had to deal with terrible, seriously, terrible
customer support. When it comes to
photography equipment, customer support
is extremely valuable. Often the people
behind the counter in specialist stores live
and breathe photography and will be able
to aid you with your purchase.
leNs
I think that this is the secret weapon
of photography. I know so many
photographers, and the difference
between the photos of those who have
okay images and those with stunning
sharp perfect images is often as simple
as the lenses they use.
Don’t buy cheap lens, period. You’re
wasting your money! Cheap lenses look
cheap, cloudy, dull. If you don’t have
much money available then just save and
buy one really good lens with the lowest
f.stop possible.
The bonus of a low f-stop include
being able to make your subject sharp,
but everything around it blurry and out
of focus (a technique called bokeh), as
well as shoot clean photos in low light
conditions.
One way to do this on a budget is by
buying a prime lens. This is the type of
lens that doesn’t zoom, you literally have
to walk forward if you want a closer
look at your image. Although this is a
cheaper way to have a great quality lens
for cheaper it can be pretty frustrating not
being able to zoom in however, so note,
it’s a trade-off alright.
suggested leNs
Try to find a lens with a f/stop
around 2.8 with a range between
24-70mm. Both Canon, Nikon, and
Sigma have a lens of this spec, and
it’s great when travelling, or any
situation where you don’t want to
have to constantly swap lenses.
www.nzphotographer.co.nz | 7
www.amandajasmine.co.nz
theRefoRe…
All you really need to get started making
high-quality images is one good DSLR
camera and even more importantly a
great lens with a small f-stop (plus memory
cards of course). From here you can start
adding on equipment as you go, which
will make things more interesting and give
greater variety.
Here are my suggestions:
More lenses (high quality of course). •
Try a Tilt shift lens and a fish-eye/•
wide angle lens
Flash (I use Nikon SB-900) – the •
built-in flash on top of the camera
isn’t going to take you very far.
Flash trigger – so you don’t have •
to use the flash on the camera’s
hot shoe (but have the flash off
camera instead), this makes
all the difference to good flash
photography.
Tripod – useful for such things as •
slow shutter speed photos and HDR
images
Remote shutter trigger – so you •
can do slow shutter speed photos,
or even be in a photo yourself –
obviously you can use the camera’s
built in timer as a way around this.
RefleCtoR
Shoot through umbrella and stand – I
suggest an umbrella as opposed to a soft
box because it is a fraction of the price.
Good photo editing software (I use
Adobe Photoshop Lightroom 3.2 and
Adobe Photoshop CS5)
examples of pRo photos doNe
oN the Cheap
I shot these photos at my apartment in May
using an available white wall – luckily
my male flatmate didn’t mind us taking up
the lounge to do this shoot, how nice ;). I
used the first camera and lens I purchased
(FinePix S5 Pro, Sigma 24-70mm, 2.8
f.stop), one $12 shoot through umbrella
mounted onto a tripod, and a cheap radio
transmitter flash trigger I purchased online
for less than $50.
Model: Anna Hildred
8 | www.nzphotographer.co.nz
the oPPortunity of A lifetimeBy ollie dale
RWC
Rugby WoRld Cup at f/2.8
www.nzphotographer.co.nz | 9
It’s notevery day you get a chance to shoot theall blacks
It’s not every day you get the chance
to shoot the All Blacks, and even
rarer the opportunity to photograph
them in a Rugby World Cup on home
soil, so when happenstance brought me
an accreditation to the RWC 2011 I
grabbed it with both hands.
Interestingly enough it was more about
who I knew than any level of photographic
skill, previous experience or quality of
equipment, which proves the most valuable
asset you have is your network.
I didn’t get the accreditation because I
used to edit NZ Photographer, nor because
I’ve been a freelance photographer
since 2003. It wasn’t because I’ve
photographed the All Blacks before (the
previous time was vs. Australia at Eden
Park in 2003), nor was it because I’m an
NZIPP Master of Photography.
It was because I knew my Dad.
Geoff Dale, renowned press
photographer (NZ Herald 1970-1998)
and mad keen rugby player, photographed
the first RWC in 1987, and went on to
photograph two more World Cups; 1995
10 | www.nzphotographer.co.nz
in South Africa and 2003 in Australia.
When he applied for this World Cup he
was immediately granted accreditation
to 5 pool games, while I received the
standard “We’re sorry, but, who are you?”
response from the IRB.
But Dad had been talking of trying
something different this time, and applied
for the role of Photographic Manager for
Eden Park, the person in charge of looking
after all the photographers at each Eden
Park match of RWC 2011.
When he was successful in his
application, I jumped at the opportunity -
surely his accreditation would be available
if he was unable to take it himself, now that
he was employed by the IRB?
Surprisingly, and thankfully, they
accepted my request to take his pass on his
behalf, and that, folks, is how I got behind-
the-scenes of the best World Cup ever.
Shooting from the side line is a different
world to watching the game on the TV
at home. For starters, each photographer
chooses a number from 1-168, the
numbers correlating to a 75cm space on
a wooden bench seat behind the dead
ball line. That space is theirs for the game,
unless they can convince someone at the
other end to swap with them at half time.
Secondly, we watch the game through
the lens, usually attached to 300, 400 or
600mm of glass, and we watch it end-on,
so as the back line passes the ball your
lens swings back and forth across the park
- if you had no idea about how the game
works it’d be nigh on impossible to follow,
especially when Sonny Bill Williams has
the ball - you don’t know which way it’ll
go, or when.
For a measly $100 I purchased a radio
that let me listen to the TV commentary
www.nzphotographer.co.nz | 11
Ollie Dale is a professional commercial and lifestyle photographer based out of Parnell, Auckland. He has worked all around the
world, but still thinks Aotearoa is the most beautiful place on Earth. To view more (or to enquire about purchasing) images from the
RWC 2011 visit his blog at www.olliedale.com
and the referees; an incredibly useful
tool! While I’m concentrating on which
way the play is going, how close the
play is to me (and therefore should I get
ready to swap cameras?), and how much
room I have left on my memory cards, the
commentary was vital for informing me
about everything else that was going on,
such as injuries in back play, who was
being subbed on and off, etc.
Because I was shooting without a client
I was able to enjoy the games almost
stress-free, but most other photographers
were either uploading from the side line
or rushing back in to the cramped photo
rooms under the stadium at half time to file
their pictures.
I was consistently outshot by the talented
photographers from around the world who
were all around me, but I loved every
minute of my 8 games on the side line. I
wasn’t at the final, though if I had been in
the country I was pretty much guaranteed
a place there. A wedding in the Lake
District in northern England that I’d agreed
to shoot over a year before meant I had
to watch the game at 9am on a Sunday
morning in an almost empty pub on the
other side of the planet, listening to some
pretty poor commentary, care of ITV.
The year my Dad shot the first world
cup at Eden Park he turned 35. This
year I turn 35. Geoff photographed the
first try scored by an individual (Michael
Jones), an image that went on to inspire
the bronze statue now outside Eden
Park, sculpted by my sister Natalie. I
photographed the first try of this World
Cup, but I doubt it’ll ever do anything
more than sit in my portfolio.
What I do have though, are some
awesome photos and even better
memories of the World Cup that
united Kiwis like never before, and it’s
all because I was in the right place
at the right time. Thanks Dad, for
an awesome opportunity to follow
in your footsteps. Maybe one day
I’ll be standing in the players’ tunnel
watching the All Blacks captain walk
past me with the Webb Ellis Cup?
12 | www.nzphotographer.co.nz
tIps foR betteR summeR photogRaphs
tell the stoRy of summeR
Photography is a form of communication.
You want your images to tell the story
of summer, and how it makes you feel.
Think about what summer means to you,
and strive to capture that in your images.
Does summer mean picnics, building
sand castles at the beach, car rides with
the top down, or playing Frisbee with the
dog? Do you think of blue skies, blazing
heat, and rows of grapevines? Is summer
a time to spend at the cottage with your
family, fishing, swimming in the lake, and
roasting marshmallows on the camp fire?
Does it mean eating ice cream, soaking
up the air-conditioning at the mall, and
wearing jandals?
What ever summer means to you, these
can all be turned into iconic images that
capture the true essence of summer in
New Zealand.
use ColouR effeCtIvely
With sunny days, come lovely colours.
Summer brings out rich and saturated
colours, so use these colours to your
advantage. Including strong & bright
colours in your pictures already gives
an indication to your viewers that it’s
summertime.
In addition, the choice of which specific
colours you include can help you tell your
summer stories more effectively; colour
TUTORIAL
WArm sunny dAys AlreAdy Provide enough encourAgement to get out more With your cAmerA. hoW cAn you tAke full AdvAntAge of the seAson to creAte stunning imAges?
www.nzphotographer.co.nz | 13
choice can determine the mood of the
image. Warm colours bring to mind the
warm temperatures we enjoy in summer.
Using warm tones in your images, or a
splash of vibrant red, orange or yellow,
lends an impression of heat to your
photograph. In contrast, you can also
make use of cool colours to create a
feeling of refreshment. For instance, the
blue of a swimming pool can help your
viewer imagine the restorative power of a
dip in chilly water.
avoId haRsh lIght
The bright and sunny days of summer are
often the worst time to take pictures. If you
are photographing people in the middle
of the day, the bright light can create dark
shadows on their faces, or cause them
to squint if they are looking into the sun.
To avoid this, try to move people into the
shade to photograph them. Alternatively,
if the shot is being posed, you can use
a diffuser to soften the light. A diffuser
is simply a piece of translucent material
which scatters light rays. Diffusers reduce
glare and harsh shadows. They eliminate
unattractive contrast, and even out the
tonality in an image.
Rather than buying a diffuser, you can
have a friend assist you by holding up
a bed-sheet or frosted white shower
curtain. Remember to place the sheet or
diffuser between the sun and your subject.
Another way to avoid the harsh light of
the summer is to shoot during “golden
hour.” Golden hour is the half hour before,
and half hour after, sunrise or sunset. At
this time of day, the sun’s rays fall at more
of an angle, creating longer and softer
shadows, and warmer, more gentle light.
Sometimes it’s best to spend the afternoon
in the pool, and then pull out your camera
in the evening!
With these tips in hand, get out there
and start photographing! Capture warm
and colourful images of the subjects that
say “summer” to you.
www.nzphotographer.co.nz | 15
emelialukins
Francis Vallance was the winner
of this issue’s cover and a $100
voucher from the fabulous team at
Giclée Print. For all YOUR fine art and
canvas printing needs, visit
www.gicleeprint.co.nz
gaelRoebuckJervingallares
20 | www.nzphotographer.co.nz
COMPETITIONS
CaptuRINg summeR
With summer here it’s
unlikely you need any
encouragement to get the
camera out. But, if you do, then here it is!
To win the cover of Issue 27 you need to
submit a photo that captures Christmas!
You must submit your photo before the
25th February so that we have time to get
it on the cover of the next issue. Not only
will your photo be displayed proudly on
the cover of Issue 27, but thanks to our
sponsors of our competitons, Giclée Print,
you will pick up a $100 voucher.
One entry per person, and you must be
in New Zealand or hold a NZ Passport at
the time of entry to qualify to win.
Images must be 100dpi, 1600
pixels wide, and sent to competitions@
nzphotographer.co.nz by 5pm on 25th
February, 2012. The winner will be
published in Issue 27.
www.nzphotographer.co.nz | 21
Want your photo on the cover
of our next issue? Easy! Flick
back to Issue 24, read our
tutorial on how to easily create your own
mini planet, and submit it by 27th January.
If we choose your mini planet, not only will
it grace the front cover of Issue 26, but our
friends at Giclee Print will also give you
a $100 gift voucher to get some of your
photos hung on your wall! We haven’t
had too many entrants, so we urge you to
get out their with your camera, take a bit
of time to think about what planet you are
trying to capture and make a stunning mini-
earth planet. This technique is brilliantly
easy to pull off!
Thanks again to our sponsors of our
competitions - for all YOUR fine
art and canvas printing needs, visit
www.gicleeprint.co.nz One entry per person, and you must be
in New Zealand or hold a NZ Passport at
the time of entry to qualify to win.
One entry per person, and you must be
in New Zealand or hold a NZ Passport at
the time of entry to qualify to win.
Images must be 100dpi, 1600
pixels wide, and sent to competitions@
nzphotographer.co.nz by 5pm on 27th
January, 2012. The winner will be
published in Issue 26.
mINI plaNetCompetItIoN
WAnt your Photo on the cover of issue 26?
22 | www.nzphotographer.co.nz
poWeRful Images of 2011
2011 IMAGES
2011 hAs Been And gone, so We’ve Pulled together this hAndful of imAges from the PAst 12 months Which AreWhich Are very PoWerful, Both in the PhotogrAPhy And the event they Were from
Robert Peraza, who lost his son Robert David Peraza in 9/11, pauses at his son’s name at the
North Pool of the 9/11 Memorial. Source: Getty Images / Justin Lane
www.nzphotographer.co.nz | 23
This sightseeing boat, Hama Yuri, was pulled 1300 feet from the coast and somehow balanced itself on a two story house during the tsunami in Japan
A protester gets sprayed in the face with pepper
spray at an Occupy Portland protest. Source:
Randy L. Rasmussen/The Oregonian
24 | www.nzphotographer.co.nz
A before and after shot of Joplin, Missouri after a massive
tornado on May 22 Source: zeitlosimagery
A monstrous
dust storm
(Haboob)
roared through
Phoenix,
Arizona in July.
Source: dbryant
www.nzphotographer.co.nz | 25
Chile’s Puyehue volcano erupts, causing air traffic cancellations across South America, New Zealand, Australia and forcing over 3,000 people to evacuate. Source: Reuters
26 | www.nzphotographer.co.nz
Mihag Gedi Farah, a seven-month-
old child, is held by his mother in
a field hospital of the International
Rescue Committee in the town of
Dadaab, Kenya. The baby has since
made a full recovery.
Source: AP / Schalk Van Zuydam
Firefighters of Ladder Company 4 — which lost seven men on 9/11 — perched together on their aerial ladder, watching a news
bulletin in Times Square declaring that Osama bin Laden was dead on May 2. Source: lens.blogs.nytimes.com-
www.nzphotographer.co.nz | 27
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Office workers look
for a way out of a
high rise building in
central Christchurch,
New Zealand on
February 22. A strong
earthquake killed at
least 180 people.
Source: Reuters /
Simon Baker
28 | www.nzphotographer.co.nz
Pat Shepherd is a Wellington based
photographer who grew up on the
bonnie shores of Scotland. Receiving
his first Fisher Price camera at the age of
8, he later ventured into the adult world of
photography at 16, when he got his first
Canon SLR.
Pushing for photography classes to start
at school, he soon realised this wasn’t
going to happen, so he signed up for
night classes at Aberdeen College. It was
these night classes he says, “really got
him excited about the possibilities and
opportunities photography holds”.
After studying photography full-time for
two years, Pat started his travels down to
the Southern Hemisphere, spending a year
backpacking around Australia. It was here
that he fell in love with capturing the world
on film. He briefly returned to Scotland,
upgraded his camera gear and got on the
plane to New Zealand.
It’s been 10 years since Pat arrived
and he is so amazed at the opportunities
New Zealand has presented him with.
Music photography has been his main
focus for the past eight years. He has
worked with and photographed a huge
variety of musicians including Tiki Taane,
Shapeshifter, Little Bushman, Trinity Roots,
The Black Seeds and many more.
“With music photography, it’s not just
the fact you get to attend incredible gigs,
it’s that you get to meet such inspiring
individuals and get to learn and document
their stories.”
Pat turned this love of documenting
artist’s stories into his own free street press
publication called Exposure Lifestyles. The
publication features images and interviews
with the cream of Aotearoa’s creative crop.
Released whenever he has spare time to
put it together, the publication has many
followers who keep asking when the next
one is on its way. Pat was happy to tell us
meet patRICk
shepheRd
2011 IMAGES
Barnaby Weir at Fly My Pretties
www.nzphotographer.co.nz | 29
Bret McKenzie in WellingtonElectric Wire Hustle
Children from TMK School
Children of Sky Blue School
Tears of joy in Thailand
over the past few years,
pat has been busy using his photography
to help create positive
change in the lives
of refugee children on the thai/
burma border.
30 | www.nzphotographer.co.nz
there will be another one coming out close
to the middle of 2012, so keep your eyes
peeled on the streets, as we hear they get
snapped up pretty quickly.
Over the past few years, Pat has
been busy using his photography to
help create positive change in the
lives of refugee children on the Thai/
Burma border. It first started when he
came up with the idea of The Good
Karma Project. For 6 weeks, Pat and
his friend taught photography and art to
children from Burma, who had fled the
government regime to the relative safety
of Thailand. The photography and art
was exhibited at Toi Poneke Gallery
in Wellington. It was then auctioned
Fat Freddys Drop halloween gig
Jon Toogood at Rippon 2006
www.nzphotographer.co.nz | 31
off, raising $10,000 for the children’s
charity SpinningTop.
Now co-managing the charity
SpinningTop, Pat continues to visit the
border to document the work they do
and to help raise awareness about
the children’s situation. His most recent
project is the Little Lotus Project, where
artists fundraise their own way to
the border to hold art and creativity
workshops with the children. Last year,
4 of them spent 3 weeks on the border
and this year they have 12 artists
volunteering their time. Pat says, “It’s so
incredible that these artists are willing to
volunteer their time to help improve the
lives of these children. If everyone was
only willing to use their skills in any small
way, to help others who need it more
than we do.”
If you are interested in finding out more
about Pat’s project or donating towards
the Little Lotus Project, just head to
www.littlelotusproject.org
Little Bushman
Shapeshifter at Rippon
Mara TK in Wellington
Tigalau Ness at One Love Sky Blue school mural
32 | www.nzphotographer.co.nz
Cool stuff
thRoWable paNoRamIC ball CameRa
If you find yourself struggling to take
great photos like the ones you see in
magazines, and often find yourself
wanting to throw your camera, then this
is the camera for you. What started as
a thesis project by Jonas Pfeil, the Ball
Camera comes with 36 two megapixel
cameras and an accelerometer which
helps the camera to trigger when it is
suspended in the air momentarily. When
the photographer tosses the prototype into
the air, naturally it will hang there for a
moment before falling down to ground,
in that instant the camera would take the
360 degree panoramic image.
Source: www.youtube.com/
watch?v=Th5zlUe6gOE
COOL STUFF
during our length yProJect to vieW every
PAge on the internet, We hAve stumBled uPon some
greAt little Products, videos And WeBsites thAt
We think you ought to knoW ABout
www.nzphotographer.co.nz | 33
lytRo CameRa
You may have already seen this
marvellous camera which can only be
described as magic. This camera uses
light field photography, which captures
all the available light in a scene going
in every direction and allows a user
to adjust the focus of a photograph on
a computer after the picture has been
taken. Unlike a conventional camera that
captures a single plane of light, the Lytro
camera captures the entire light field.
Source: http://photojojo.com/store/
awesomeness/f-stop-watch/
CameRa sIZe
One characteristic important when
purchasing a new camera is the physical
size it will take up on your person. This nifty
website camerasize.com lets you choose
different makes and models and compares
their size relative to an AA battery.
Source: http://photojojo.com/store/
awesomeness/usb-film-roll/
addRess Is appRoxImate
While we don’t often discuss film making,
this video is particularly interesting because
it uses a technique called stop-motion.
That is taking a photo of each and every
individual frame. When done properly the
technique looks amazing, the problem is
when you have 24 frames in a second, you
will realise quickly how many photos are
taken to make up several minutes of footage.
This 3 minute video is a beautiful and
creative stop-motion video by Tom Jenkins
of Theory Films. A lonely desk toy longs for
escape from the dark confines of the office,
so he takes a cross country road trip to the
Pacific Coast in the only way he can – using
a toy car and Google Maps Street View.
No CGI was used — all the animation
you see in the video was done by hand
and captured on a still photograph using a
Canon 5D Mark II!
Video link: http://vimeo.com/32397612
34 | www.nzphotographer.co.nz
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NZ’s e-mag for sales leaders
NZSALESSEPTEMBER 2011 ISSuE 54
Negotiating with difficult people
Mining your database for sales opportunities
Running Late
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What to do When You are Chasing the Money
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f sherISSUE 12 September 2011
Magnificent Squid – International secrets shared
Landbased from the boat – Its becoming a habit!
Great Barrier Is – Better late than never
The Waitemata – Auckland’s overlooked Jewel
NZFisher – One year old!
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