Nineteenth-Century PORTRAITS AND SOCIETY › ... › MIT21A_348S08_portraits19.pdf ·...

Nineteenth-Century

PORTRAITS AND

SOCIETY

Source:

Hamilton, Peter, and Roger Hargreaves. The Beautiful and the Damned: The Creation

of Identity in Nineteenth-Century Photography. Burlington, VT: Lund Humphries, 2001.

p. 6, fig. 8, Beautiful and Damned

Fratelli Alinari, Alinari ‘Sala di posa’ Portrait Studio, c. 1900.

Anonymous, Tintype Studio, c. 1900.

John Thomson, Traveling Photographer, c. 1876.

Anonymous, Studio Portrait, c. 1870.

Camille Silvy, Miss B. Brook Hunt, 1861.

p. 30, fig. 19-26, Beautiful and Damned

Top, L to R: Nadar, Sir George Scharf, 1867; Cundall, Downes & Co., Wilkie Collins, c. 1860; Maull

& Polybank, Richard Owen, c. 1861; John Watkins, Michael Faraday, c. 1861

Bottom, L to R: John Jabez Edwin Mayall, Benjamin Disraeli, c. 1861; John and Charles Watkins,

Thomas Carlyle, c. 1861; John and Charles Watkins, Charles Dickens, c. 1861

p. 33, fig. 34-36, Beautiful and Damned

L to R: Alexander Bassano, Ellen Terry, Actress; Lord Charles Beresford; Cardinal Vaughan, n.d.

Elliot & Fry, Colonel Cody,

known as Buffalo Bill, 1892.

Napoleon Sarony, Oscar Wilde, 1882.

Herbert Barraud, Alfred Tennyson, 1888-1889.

W. & D. Downey, Gladys, Countess de

Grey, later Marchioness of Ripon, 1897.

Various, Celebrities in the Church,

Science, Literature and Art,

Photographic Groups of Eminent

Personages, c. 1867.

MIT OpenCourseWarehttp://ocw.mit.edu

21A.348 / CMS.835 Photography and TruthSpring 2008

For information about citing these materials or our Terms of Use, visit: http://ocw.mit.edu/terms.

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