Memory and Observance

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A reflection on memory, observance, and interaction through the visual comparison of Auschwitz and Ground Zero. Clara Braddick. Photography & Imaging BFA Thesis, Tisch School of the Arts, NYU. 2012.

Transcript of Memory and Observance

Memory and ObservanceClara Braddick

Memory and ObservanceClara Braddick

Self Portrait

at Ground Zero,

2011

As a photographer, the camera acts as a simultaneous barrier and tool

for me to understand the world. It widens the gap between looking and

seeing, and active versus passive participation in a place. I visited

Auschwitz while studying abroad in the fall of 2010, and visited The

World Trade Center on the 10th anniversary of September 11th, 2001.

Visiting these two sites so close together in time, I was struck by

the ways in which these places have been transformed into memorials.

I want to raise the question of what it means to photograph in a place

that has been transformed from a chaotic, traumatic landscape to a con-

tained, constructed memorial. Why do we revisit painful events? By pho-

tographing Auschwitz and Ground Zero, am I reopening a healed wound,

or gaining something new from the experience?

The images in this book illustrate that there is something to be reckoned

with in these places; photography shifts the way we experience and think

about loss and memorialization through its preservation of the temporal.

The act of photographing at these memorials becomes significant to how

visitors deal with the complexity of the Holocaust and 9/11. The camera

enables the everyday person to visually construct a singular perspective

isolated from the whole, and perhaps in doing so, brings new meaning to

the revisiting of Auschwitz and Ground Zero.

Ground Zero on September 11, 2011

Train Tracks to Auschwitz, 2010

Footprint at Night

Ground Zero, 2011

Right: Empty Space

Ground Zero, 2011

Tunnel (Imagined Gravestone)

Auschwitz, 2010

Wire Figures

Auschwitz, 2010

[pause]

Portraits and Empty Beds. Auschwitz, 2010

Anonymous Photographs on Display in Schindler’s Factory

Krakow, Poland, 2010

Barbed Wire Fence Against a Photograph. Schindler’s Factory. Krakow, Poland, 2010

Twisted Metal Against a Photograph. World Trade Center Memorial Museum, New York, 2011

Observance

World Trade Center, 2011

Seeing

World Trade Center, 2011

Left Behind

Auschwitz, 2010

Left Behind II

Ground Zero, 2011

[pause]

Instead of 52 Horses

Auschwitz, 2010

Portraits, World Trade

Center Memorial

Museum, New York,

2011.

Left: Portraits,

Auschwitz, 2010

Cameras at Ground Zero, 2011

Cameras at Auschwitz, 2010

Shoes

Auschwitz, 2010

Reflections

Ground Zero, 2011

Helmet in the Gift Shop. Ground Zero, 2011

Glasses in a Display Case. Auschwitz, 2010

Prisoner Isolation Cells

Auschwitz, 2010

Bunks

Auschwitz, 2010

Reflections II

Ground Zero, 2011

All Images © Clara Braddick, 2012.

www.clarabraddick.com