Melting Point: Afgangskatalog 2014, Kunstakademiets Designskole, Bornholm

M e l t i n g p o i n tg r a d u a t i o n e x h i b i t i o n 2 0 1 4

S C H o o l o F d e S i g n , b o r n H o l Mc e r a m i c s & g l a s s

M e l t i n g p o i n tp r e f a c e

S u S a n n e J ø k e r J o H n S e n c u r a t o r & p r o j e c t l e a d e r e u r o p e a n c e r a m i c c o n t e x t 2 0 1 4

Kunstakademiets Designskole, BornholmStenbrudsvej 43

DK-3730 NexøT: +45 41 70 19 70

bornholm@kadk.dkwww.dkds.dk/bornholm

financed by15. Juni FondenAugustinus FondenAAge og JohAnne Louis-hAnsen Fonddansk tennis Fondotto Bruuns FondtoYotA-Fondennordea-fondensparekassen Bornholms Fond

at tænke gennem materialet, at udfordre og eksperimentere med dets potentiale og egenskaber, er det der kendetegner dette års glas og keramik afgangsstuderende fra kunstakademiets designskole bornholm. udstillingstitlen Melting point, der henviser til smeltepunktet som fællesnævneren for forarbejdning af glas og keramik, vidner om habilt kendskab til materiale og håndværk, men også en særlig åbenhed over for materialernes sanselighed som grundlæggende redskab for at føre en kunstnerisk ide ud i livet.

begrebet kunsthåndværk forandres hele tiden. det bevæger sig i et spændfelt mellem design og kunst, og benytter sig af skulpturelle begreber. Fællesnævneren er udgangspunktet i materiale og håndværk, fokus på eksperimentet, fortællingen og det at skabe form.

de studerende anvender deres fag til at stille spørgsmål, udfordre traditionen og begreberne, og fortælle en historie gennem materiale og form. Værker med forskellig fokus identificeres i samme kategori. Det serielle kunsthåndværk med en defineret brugsfunktion, en installation fremstillet til specifikke omgivelser, eller unika og objekter der blot har referencen, eller slet ingen brugsreference overhovedet.afgangsprojekterne vidner netop om kunsthåndværkets forskelligartethed og diversitet. det der binder dem sammen er valget af materialer, æstetisk og kunstnerisk bevidsthed og det at kunne skabe form.

Thinking through material, challenging and experimenting with its potentials and inherent properties, characterizes the

work of this year’s glass and ceramics graduates from the Royal Danish Academy, School of Design Bornholm.

Melting Point is the title of the exhibition, which refers to the common factor when in the process of working with glass and

ceramics. The students have thorough understanding of materials and craft, but also keep an open mind toward the

material’s sensuality as an underlying tool to make an artistic idea come to life.

The world of arts and craft is constantly undergoing change. It is working its way between the realm of design and art, in addition to taking advantage of the concepts from sculptural work. Design and art has its point of departure in materials and craft, experimenting, storytelling and creating form in

three dimension.

The students use their field of work, in glass and ceramics, to ask questions, challenge tradition and to tell stories through materials and form. Works of art with different focuses are

identified in the same category. Serial functional works of crafts, an installation created for a specific environment, or

independent works of art and objects that have a reference to a function, or no functional reference at all.

The graduate projects portray the diversity in the field of arts and craft very well. What ties them all together, is the choice of

materials, aesthetic and artistic awareness and the ability to create form.

graduation afgang

M e l t i n g p o i n tt h e g r a d u a t e s 2 0 1 4

Erling RolandsenElisabeth Bondo Martin

Maja Malene Bergenholz Johanne Jahncke

Maja Frendrup Kristine Spore Kreutzmann

Ea Staxen MadsenKanami Takeda

Trine Lyngsholm Eirin Bjørsland Hansen

Liv TrudsøMette Marie Lyng

Nina Casson McGarvaBjørn Friborg

Anna Bystrup JensenAntonin Raphaël Funes

Anne LykkeKatja de Neergaard Herand

Morten Palmhøj Nielsen Trine Rytter

Amalie Foldager Christensen

thegraduates

C o u n t r Y o F o r i g i nn o r w a y

Look in-between the Numbers

ErlingRolandsen

M e l t i n g p o i n tl o o k i n - b e t w e e n t h e n u m b e r s

M a t e r i a l Sg l a s s

M e a S u r e M e n t Sw : 1 3 c m x h : 2 7 c m

M e l t i n g p o i n tl o o k i n - b e t w e e n t h e n u m b e r s

From the very beginning when I discovered glass as a material, its ability to let things happen in the interior made me start working with glass.This ability I salute in this project.

project statement

Erling Rolandsenerlingland@gmail.com

www.erlingland.com

Look in-between the Numbers

C o u n t r Y o F o r i g i nd e n m a r k

Naturally

ElisabethBondoMartin

M e l t i n g p o i n tn a t u r a l l y

M a t e r i a l Sb l a c k & w h i t e s t o n e w a r e w i t h g l a z e

M e a S u r e M e n t Sw : 6 0 c m x h : 6 0 c m x l : 4 0 c m

M e l t i n g p o i n tn a t u r a l l y

Where is the nature? What is the nature?We have begun to spend a lot more time and energy on ways to avoid spoiling and destroying nature. But is nature by definition only the untouched landscapes where all the green and blue is seen or are big cities in reality also part of nature? We no longer see ourselves as natural beings because we destroy and misuse. But aren’t these just natural actions of the human being?

projectstatement

Elisabeth Bondo Martinr2-d2saves_u@hotmail.com

www.facebook.com/ebmartin1t: +45 42 40 62 28

Naturally

Beauty of Decay

MajaMalene

Bergenholz

M e l t i n g p o i n tb e a u t y o f d e c a y

M a t e r i a l Ss t o n e w a r e , l u s t e r & g l a z e

M e a S u r e M e n t Sv a r i a b l e s i z e s

M e l t i n g p o i n tb e a u t y o f d e c a y

Ceramic surfaces express the beauty of decay – aesthetically and contemporary. The field of tension between what once existed and what it has become adds to creating the mood of a room.

project statement

Maja Bergenholzwww.bergenholz.com

maja@bergenholz.com

Beauty of Decay

Imaginary EvolutionTheatre of the Real World

JohanneJahncke

M e l t i n g p o i n ti m a g i n a r y e v o l u t i o n . t h e a t r e o f t h e r e a l w o r l d

M a t e r i a l Sg l a s s , m e t a l s & m i n e r a l s

ssM e l t i n g p o i n t

i m a g i n a r y e v o l u t i o n . t h e a t r e o f t h e r e a l w o r l d

Through this project I attempt to portray development: Development as an evolutionary process in the natural sciences. Development as an inner process reflecting the transformation I myself have gone through.

project statement

Johanne Jahnckewww.johannejahncke.dk

johannejahncke@gmail.comt: +45 51 23 16 40

Imaginary Evolution.Theatre of the Real World

Ceramic Details

MajaFrendrup

M e l t i n g p o i n tc e r a m i c d e t a i l s

M a t e r i a l Ss t o n e w a r e f i r e d i n g a s k i l n

M e a S u r e M e n t Sh : 2 0 c m – 3 5 c m

M e l t i n g p o i n tc e r a m i c d e t a i l s

The ceramic surface communicates a story to the viewer using contrast, depth, structure and tactility.Unexpected details in the surface catch our attention and make us want to experience the surface closer.

project statement

Maja Frendrupmajafrendrup@gmail.com

t: +45 30 24 62 57

Ceramic Details

Translucent

C o u n t r Y o F o r i g i ng r e e n l a n d

KristineSpore

Kreutzmann

M e l t i n g p o i n tt r a n s l u c e n t

M a t e r i a l Sp o r c e l a i n & g l a z e

M e a S u r e M e n t Sh : 1 5 c m

M e l t i n g p o i n tt r a n s l u c e n t

A mystery caught in a translucent porcelain vessel.The white porcelain contrasting the dark red ox-blood glaze.Translucency revealed by the glazed layer and the unglazed porcelain.

project statement

Kristine Spore Kreutzmannkristinegrl@outlook.com

www.kristineskreutzmann.com

Translucent

C o u n t r Y o F o r i g i ng r e e n l a n d

Manifold

EaStaxen

Madsen

M e l t i n g p o i n tm a n i f o l d

M a t e r i a l Sg l a s s & s a n d

M e l t i n g p o i n tm a n i f o l d

In my work, glass is my inspiration and incentive. Through a curious and experimenting approach to glass, I have created a work challenging as well as enhancing the nature and expression of glass.

project statement

Ea Staxen Madsenea@staxenmadsen.dk

Manifold

C o u n t r Y o F o r i g i nj a p a n

Bathing Ceremony

KanamiTakeda

M e l t i n g p o i n tb a t h i n g c e r e m o n y

M a t e r i a l Sv a r i o u s t y p e s o f c l a y & g l a z e

M e l t i n g p o i n tb a t h i n g c e r e m o n y

everyone should be spoiled in the bathroomleave your responsibilities with your clothes wash away your stress with water forget about the real world be yourself

“Bathing Ceremony” is a series of functional pieces that displays a new concept of bathing.These pieces use unique aspects of the clay which appeal to your senses and lead you towards a poetic bathing experience.

project statement

Kanami Takedacargocollective.com/kanamitakeda/

kanamitakedaceramic@gmail.com

Bathing Ceremony

C o u n t r Y o F o r i g i nj a p a n

The Taste of Ceramics

TrineLyngsholm

M e l t i n g p o i n tt h e t a s t e o f c e r a m i c s

M a t e r i a l Sc e r a m i c s & f o o d

M e l t i n g p o i n tt h e t a s t e o f c e r a m i c s

The Taste of Ceramics’ is an explorative project where the experience of the food textures combined with the tactility of the ceramics is the underlying basis to create a different and intensified sensuous experience.

project statement

Trine Lyngsholmmail@trinelyngsholm.dkwww.trinelyngsholm.dk

The Taste of Ceramics

Maden er udviklet i samarbejde med Madkunstner Augusta sørensen.

Sort Sol

EirinBjørsland

Hansen

M e l t i n g p o i n ts o r t s o l

M a t e r i a l Sg l a s s , m e t a l & m i r r o r i z i n g

M e a S u r e M e n t Sw : 1 2 0 c m x h : 1 6 0 c m x l : 1 7 0 c m

M e l t i n g p o i n ts o r t s o l

Drawing inspiration from the natural phenomenon of starling murmuration, my work deals with the human relation to scale.Repetition and mirroring creates an interaction between the spectator, the sculpture, and the surroundings.

project statement

Eirin Bjørsland Hansenwww.eirinbhansen.com

eirinbhansen@gmail.comt: +47 99 57 88 70

Sort Sol

Perception of Balance

LivTrudsø

M e l t i n g p o i n tp e r c e p t i o n o f b a l a n c e

M a t e r i a l Sp o r c e l a i n & i n l a i d c l a y

M e a S u r e M e n t Sw : 1 0 c m x h : 1 9 c m x l : 6 , 5 c m

M e l t i n g p o i n tp e r c e p t i o n o f b a l a n c e

Playing with form and pattern which may challenge the spectator’s perception of balance and imbalance, of symmetri and asymmetri.

project statement

Liv Trudsølivpiv1@gmail.comt: +45 41 28 15 58

perception of balance

Relations

Mette MarieLyng

M e l t i n g p o i n tr e l a t i o n s

M a t e r i a l Sp o r c e l a i n , g l a s s , w o o d & l e a t h e r

M e l t i n g p o i n tr e l a t i o n s

“Relations” is a series of light-objects, where the design reflects a relation that is experimental, playful and immediate. A symbiotic relationship where both parties are mutually dependent and the balance always is bordering right on imbalance.

project statement

Mette Marie Lyng lyngpet@gmail.com

memamemamema.tumblr.com

Relations

C o u n t r Y o F o r i g i nf r a n c e & u k

My natural Abstraction

NinaCasson

McGarva

M e l t i n g p o i n tm y n a t u r a l a b s t r a c t i o n

M a t e r i a l Sg l a s s , k i l n c a s t e d & s h a p e d h o t

M e l t i n g p o i n tm y n a t u r a l a b s t r a c t i o n

I use a detail found in nature as inspirational base for an abstraction of my own, which I then build into a complex sculpture. Contrasts in translucency and texture enrich the natural glass qualities.

project statement

Nina Casson McGarvaninacassonmcgarva@gmail.com

ninacassonmcgarva.wix.com/nina-casson-mcgarva

My natural Abstraction

C o u n t r Y o F o r i g i nf r a n c e & u k

Struggling with an Imitation of the Force of Nature

BjørnFriborg

M e l t i n g p o i n ts t r u g g l i n g w i t h a n i m i t a t i o n o f t h e f o r c e o f n a t u r e

M a t e r i a l Sc l a y

M e l t i n g p o i n ts t r u g g l i n g w i t h a n i m i t a t i o n o f t h e f o r c e o f n a t u r e

Struggling within a process, no logic. Without choice in a paradox, there is nothing. Natures materials in a man-made environment, a work of art frozen in this time and culture.

project statement

Bjørn Friborgbjorn@friborg.org

M: +45 21 33 23 34t: +46 76 23 456 25

Struggling with an Imitation of the Force of Nature

Simple complexity

AnnaBystrupJensen

M e l t i n g p o i n ts i m p l e c o m p l e x i t y

M a t e r i a l Sc l a y

M E A S U R E M E N T Sv a r i a b l e s i z e s b e t w e e n 4 0 c m – 7 0 c m

M e l t i n g p o i n ts i m p l e c o m p l e x i t y

With a focus on craft, technique and form I have created a series of vessels with individual personalities. The vessels and their separate parts are thrown on the potter’s wheel and then assembled.

project statement

Anna Bystrup Jensenannabystrup@gmail.com

t: +45 60 45 74 85

Simple complexity

C o u n t r Y o F o r i g i nf r a n c e

Construction

AntoninRaphaël

M e l t i n g p o i n tc o n s t r u c t i o n

M a t e r i a l Sg l a s s

M e l t i n g p o i n tc o n s t r u c t i o n

My work is based on a construction technique that allows me to build forms from cut fragments of flat glass. These are then fused together, picked up and finished in the hot shop, to obtain the final version of the object. My inspiration comes from the glass material itself. The history, the characteristics and the aesthetic values of glass, are elements I choose to put forward into my work.

project statement

Antonin Raphaël Funesantoninfunes@hotmail.fr

Construction

C o u n t r Y o F o r i g i nf r a n c e

A magical Machinery

AnneLykke

M e l t i n g p o i n ta m a g i c a l m a c h i n e r y

M a t e r i a l Sc l a y , m e t a l , g l a s s & w i r e

M e l t i n g p o i n ta m a g i c a l m a c h i n e r y

I work within the realms of fantasy, visionary and surreal art.In my work, I strive to open a window to these realms for the spectator, providing impressions that stimulates the observer’s own senses and imaginative fantasy.”A Magical Machinery” is a narrative of my exploration of ”The Land where spirit and matter meet”. They reflect my findings and discoveries in this universe.

project statement

Anne Lykkeartist@annelykkeceramics.com

www.annelykkeceramics.comt: +45 31 23 55 25

A magical Machinery

Ceramic I l lusions

Katjade Neergaard

Herand

M e l t i n g p o i n tc e r a m i c i l l u s i o n s

M a t e r i a l Sp o r c e l a i n & g l a z e

M e l t i n g p o i n tc e r a m i c i l l u s i o n s

”I will lead you into a universe, which I will offer you the opportunity to look into. What will happen when you take the time to look? It’s about standing at the right place” – A ceramic object, where the viewers have to create the full image on their own.

project statement

Katja de Neergaard Herandkatdenher@gmail.com

Ceramic I l lusions

The l i tt le Inventor

MortenPalmhøjNielsen

M e l t i n g p o i n tt h e l i t t l e i n v e n t o r

M a t e r i a l Sg l a s s & w o o d

M e l t i n g p o i n tt h e l i t t l e i n v e n t o r

ssM e l t i n g p o i n t

g r a d u a t i o n e x h i b i t i o n 2 0 1 4

My project is a mix of my own personality and manga. The expression is inspired by manga, and the mood, I went for, describes me well, as a person. So it’s a picture of the inside of my head, with a cartoony twist.

project statement

Morten Palmhøj Nielsenchinzz@hotmail.com

t: +45 29 90 77 38

The l i tt le Inventor

TrineRytter

M e l t i n g p o i n tf o l d

M a t e r i a l Sp o r c e l a i n

M e l t i n g p o i n tf o l d

In my design I have developed a technique, where I use sharp paper folds which I have transferred into a functional coffee and tea set in porcelain. The set consists of; coffee pots, teapots, milk jugs, sugar bowls, mugs and cups. All parts can be combined as you wish.

project statement

Trine Ryttertrinerytterceramics@gmail.com

www.trinerytter.dk www.facebook.dk/trceramic

t: +45 40 94 94 00

AmalieFoldager

Christensen

M e l t i n g p o i n ti r o n

M a t e r i a l Si r o n g l a z e s o n l i g h t s t o n e w a r e

M e l t i n g p o i n ti r o n

Iron is heavy, shiny and strong.Iron is organic, flexible and porous. Iron is everywhere; it is brand new and age-old. Iron is here to stay!

project statement

Amalie Foldager Christensen amaliefoldager@gmail.com

M e l t i n g p o i n tp o s t s c r i p t – f o r t h e g r a d u a t e s

disciplinI ved noget ingen andre ved. I kan noget helt specielt og meget unikt. i ved noget om materialer og om hvordan man bruger dem til at udtrykke sig gennem. i har udfordret den viden og disse udtryk gennem jeres mange forskellige eksamensprojekter. I forstår verden gennem jeres nysgerrighed og de flydende grænser for hvad der er muligt at gøre med materialer. i har alle et individuelt kunstnerisk sprog som nu skal ud og stå prøven i den virkelige verden.

en afgang er dobbelt, den peger både bagud og fremad. tre års studier er slut, gruppen af studerende opløses og i skal ikke længere høre på lærernes vejledninger i, hvad der er det rigtige at gøre. Fremad har i en forventning til hvad udstillingen kan få af betydning i jeres videre karriere.

i skal fortsætte med at udvikle et selvstændigt, kunstnerisk sprog, gennem længerevarende, eksperimenterende, dybdegående keramik eller glas projekter. projekter der er baseret på en samtidsforståelse for keramik og glas brugt som selvstændigt udtryksmiddel. i skal ikke føle jer fanget i en snæver ramme i forståelsen for kunsthåndværk, i skal se det flydende felt som mulighedernes land og kaste jer ud i opgaver, udstillinger og nye konstellationer for jeres udtryk.

Husk hvad din styrke er, nemlig en dyb materiale forståelse kombineret med et stærkt kunstnerisk individuelt udtryk. du skal tro på at det sprog og udtryk du har opbygget og indeholder er værdifuldt. Følg ikke strømmen. gør det der for dig føles rigtigt. tro på det. gør noget, bare gør! det er ikke alt der kan forstås. lyt til dig selv og tro på det du gør. Det er din disciplin.

disciplineYou know something no one else knows. You are capable of

something special and very unique. You are familiar with the materials and know how to express yourself using these

materials. You have challenged that knowledge and those expressions through the course of many different exam projects.

You understand the world by using your curiosity and testing the flexible boundary of capabilities of the materials. You all have an individual artistic language that now will be tested

in the real world.

A graduation has two sides, one pointing into the future and one into the past. The three year program has come to an end

and the graduates will now disperse. You no longer have to take into consideration what your teacher believes to be the right

thing to do. You are all anticipating what the exhibition might mean for your future career.

You should continue to develop an independent, artistic language using long-term, experimental and in-depth ceramic

and glass projects. Projects based on an understanding of glass and ceramics, using your own independent expression. Do not feel trapped in a narrow frame of mind in consideration to the

world of arts and craft. Rather use the flexible boundaries of this field to broaden your opportunity – throw yourself into

tasks, exhibitions and new constellations for your expression.

Remember your strength – an in-depth understanding of material combined with a strong individual artistic expression. You need to believe that the language and expression you have

constructed for yourself is of great value. Don’t follow the crowd. Do what feels right. And believe in it. Do something.

Just do it – not everything must be understood. Listen to your heart and believe in yourself. This is your discipline.

n i n a e r i C H S e n c e r a m i c t e a c h e r , a t t h e s c h o o l o f d e s i g n , B o r n h o l m

ceramics & glass

Bornholms Kunstmuseum21. juni – 10. august

ceramics & glass

Politikens Hus14. august – 4. september

ceramicsCeraMiC Context 2014

Svanekegaarden 12. – 28. september

Glasmuseet Ebeltoft11. oktober – 30. november

theexhibitions

S C H o o l o F d e S i g n , b o r n H o l Mg l a s s

S C H o o l o F d e S i g n , b o r n H o l Mc e r a m i c s

made by

Photography :ida Cæcilie Busswww.idabuss.com

Printing :thePrintlinkwww.theprintlink.com

graphic design and concept :PAPer BeAt roCkwww.paperbeatrock.dk

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