The Audio Production on Video-Games

Francesco Libralon

Socio 93 Steps S.r.l.s.Manager di Produzione

CompositoreSound Designer

GAME AUDIO

Voice Acting Sound Effects Original Soundtracks

• Voice Effects• Dubbing

• Digital• Library• Foley

• Cinematic/Song• Genre• Virtual/Live

THEVOICE ACTING

THE VOICE ACTING

Dubbing

Example_1 Example_2 Example_3 Example_4 Example_5

VOFX_Voice Effects

THE VOICE ACTING

Example_1 Example_2 Example_3

THESOUND

EFFECTS

Digital/Synthesized Libraries Foley/Recorded

THE SOUND EFFECTS

THEORIGINAL

SOUNDTRACK

Cinematic or Song Genre Virtual or Live

THE ORIGINAL SOUNDTRACK

HOW A GAME SHOULD SOUND?OST/SFX/VO balancement

usually done in movies should be done in games

visual flow

FASI DI PRODUZIONE - MOMENTI SALIENTI

Audio Research

Production Start

Feedbacks

Production End

SOUND AND VISION

Artwork Script/Story I.P.

Sample_1 Sample_2 Sample_3

BEST CHOICE

AUDIO RESEARCH

START OF PRODUCTION

Incipit WIP Deliveries

FEEDBACKS

Timeline Single Referent Talk, not Listen

END OF PRODUCTION

Past Feedback Check Finalization

PRODUCTION CHAIN

FREQUENT ISSUESLack of Communication

High Requests-

LowBudget

Short Time

Audio Style Shift

CONCLUSIONS

The Communication is more important than you think!!

Poor Perception of the Audio Profession

Q&A TIME!

Francesco Libralon - Production Managerfrancesco@93steps.com

http://93steps.com