Post on 08-Mar-2018
JohnDowland(1563 - 1626)
Lachrimæor Seaven Tearsfigured in seaven passionate pavanswith divers other pavans, galliards and allemandsset forth for the Lute, Viols or Violins, in fve parts
London 1605
Clefs:
ViMa 3 c – Version 1.0 – April 2011. A publication (htp://www.vistamaresof.com/musica/).Editing and typeseting © 2012 Maurizio M. Gavioli. Licensed under the Creative Commons license “Atribution - Share Alike” (in simple words,
do with it whatever you like as long as you give me proper credit and share derivativeTypeset with MuseScore (htp://musescore.org). works like this one; for details, see htp://www.creativecommons.org/licenses/by-sa/3.0).
Table of Contents
1. Lachrimæ Antiquæ.............................................................4
2. Lachrimæ Antiquæ Novæ.................................................6
3. Lachrimæ Gementes...........................................................8
4. Lachrimæ Tristes...............................................................10
5. Lachrimæ Coactæ.............................................................12
6. Lachrimæ Amantis...........................................................14
7. Lachrimæ Veræ.................................................................16
8. Semper Dowland semper dolens...................................18
9. Sir Henry Umptons Funerall..........................................22
10. M. John Langtons Pavan...............................................24
11. Te King of Denmarkes Galiard..................................26
12. Te Earle of Essex Galiard............................................28
13. Sir John Souch his Galiard............................................30
14. M. Henry Noell his Galiard..........................................32
15. M. Giles Hobies Galiard................................................34
16. M. Nichol. Gryfth his Galiard....................................36
17. M: Tomas Collier his Galiard with 2. trebles.........38
18. Capitaine Digorie Piper hsis Galiard.........................39
19. M. Buctons Galiard.........................................................40
20. Mrs. Nichols Almande...................................................41
21. M. George Whitehead his Alman...............................42
2
Preface
Tis edition follows as faithfully as possible the original 1605 edition by John Windet (London), a movable-type print in separate parts.
Two versions are available: one in ‘viol clefs’ (treble, alto and bass clefs) and one in ‘recorder clefs’ (treble, treble 8ª bassa and bass clefs).
Editorial Remarks
• All editorial additions are placed above the staff or marked by doted lines or parentheses. Corrections or special issues are marked by note numbers referring to the critical notes below.
• Original time signatures and note values have been retained, but the music is presented in modern clefs (treble, alto or reble 8ª bassa and bass).
• Accidentals above the staff are editorial suggestions.
• All marked accidentals have been retained, even when superfuous according to modern conventions; however, they have been silently ‘modernized’ when current conventions dictate a different sign (i.e.: a sharp used to raise a fatened note has been converted to a natural sign).
• Te original had no barlines and the parts were separate. For this edition, the parts have been set in score format and measure bars added (this required spliting some notes in several tied notes). Solid barlines come from the lute part. Barlines added to follow the tactus are indicated by dashed lines.
• Fermatas are original, unless enclosed in parentheses.
Critical Notes
1) Original: E2) Original has a wrong clef.
3) Original: 4) Original: 5) Original: G F
6) Original: F7) Original: 8) Original:
9) Note A missing in the original.10) Original:
Lachrimæor Seaven Tears
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Bassus
intus
Tenor
Altus
Cantus
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John Dowland (ca. 1563-1626)4. Lachrimæ Tristes
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