Post on 29-Jul-2020
PROGRAM | KINGS AND QUEENS I
SUN 19 MAY 2019CONCERT HALL, QPAC
M U S I C F I T F O R R O YA LT Y
QUEENSKINGS AND
1II PROGRAM | KINGS AND QUEENS
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CONTENTS
SUPPORTING YOUR ORCHESTRA
MUSICIANS AND MANAGEMENT
ARTIST BIOGRAPHIES
IF YOU'RE NEW TO THE ORCHESTRA
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1WELCOME
GLOSSARY OF TERMS
IN THIS CONCERT
Conductor Fabian Russell Host Guy Noble Trombone Jason Redman
PROGRAM
Queensland Symphony Orchestra acknowledges the traditional custodians of Australia. We acknowledge the cultural diversity of Elders, both past and recent, and the significant contributions that Aboriginal peoples and Torres Strait Islander peoples have made to Queensland and Australia.
To ensure an enjoyable concert experience for everyone, please remember to turn off your mobile phones and all other electronic devices. Please muffle coughs and refrain from talking during the performance.
WELCOME
3LISTENING GUIDE
Welcome to Kings and Queens, we are so happy to see you here.
Today, we delve in to the triumphant world of royalty, with processions, marches, waltzes and who knows what King Guy will bring to us! I always adore playing Handel’s fabulous Entrance of the Queen of Sheba and just get carried away with the interplay between the majesty of our oboes and the joyous accompaniment of the string semiquavers. I have to hold myself to my seat though, as I always feel like standing up in reverence to watch the arrival ceremony!
Another favourite - Mother Goose Suite by Ravel. Just the third movement today but if you’re ever looking to engage our youngsters AND our young at heart in classical music, then check out the animated piano duo versions online.
We also have a collaboration of two great musicians, King Wilfred Lehmann, who composed the trombone concerto you will hear today, and Prince Jason Redman, who will perform it. I was lucky enough to begin my Queensland Symphony Orchestra days with Wilf as a violinist in the orchestra too - a ‘supreme’ musician. Coupled with my friend Jason’s exquisite trombone playing, we’re in for a royal treat.
Great to have renowned conductor Fabian Russell with us, oh sorry ‘King Fabian’, and an orchestral mantra, ‘We only work on Sundays if we can have Guy with us!’ What will his costume be?
Thanks so much for your continued support. Sit back and enjoy – as we will. Please stop and say hello to any of us for more music chat. See you again soon.
Brenda Sullivan First Violin
Handel Sinfonia Act 3: Entrance of the Queen of Sheba, from Solomon, HWV 67Verdi Overture to NabuccoRavel Suite (5 pièces enfantines) from Ma Mère l’Oye (Mother Goose), No.3Lehmann Concerto for Trombone, mvt 1 & 3Beethoven Symphony No.7 in A, Op.92, mvt 2Wagner Elsa’s Procession to the Cathedral (Feierlicher Zug zum Münster), from LohengrinJ. Strauss Jr. Emperor Waltzes, Op.437Elgar Imperial March, Op.32
© Peter Wallis
SUN 19 MAY 11.30AM Approx. duration 80 mins (no interval)
PROGRAM | KINGS AND QUEENS 32 PROGRAM | KINGS AND QUEENS
IF YOU'RE NEW TO THE ORCHESTRA
WHO SITS WHERE
The following terms appear in bold the first time they appear in the listening guide.
Sinfonia an orchestral piece used as an introduction to a work, common in the 18th century.
Oratorio a vocal work based on a sacred or secular text, usually religious in nature.
Overture a piece of music usually performed at the beginning of an opera or play.
Symphony a large or extended musical composition, most commonly written for Western orchestra and containing around three or more movements.
Movement a self-contained section of a work.
Waltz an elegant dance which has groups of three beats, with the first beat receiving the most emphasis.
GLOSSARY OF TERMS
Orchestras sit in sections based on types of instruments. There are four main sections in the Western classical orchestra: strings, woodwinds, brass, and percussion, and sometimes a keyboard section.
STRINGSThese instruments produce sound by bowing or plucking stretched strings.
First and Second ViolinsViolaCelloDouble BassHarp
WOODWINDWind instruments produce sound by being blown into - the vibrating air from the musician creates the sound.
Flute / PiccoloClarinet / Bass ClarinetOboe / Cor AnglaisBassoon / Contrabassoon
BRASSBrass players create sound by vibrating their lips. When this vibration is pushed through large brass tubes, it creates a huge sound.
HornTrumpet Trombone / Bass TromboneTuba
PERCUSSIONThese instruments create sound by being struck. Some instruments just make a sound; others play particular notes.
Timpani, Bass drum, Cymbals, Glockenspiel, Snare drum, Tam tam, Tambourine, Triangle, Xylophone.
KEYBOARDKeyboard instruments are played by pressing keys.
PianoCelesteHarpsichord
© Peter Wallis
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LISTENING GUIDE
Georg Frideric Handel (1685-1759)Entrance of the Queen of Sheba, from Solomon, HWV 67Music and a sense of royalty often go hand in hand. In Solomon, Handel represents the Queen of Sheba’s arrival at Solomon’s court with this vivid orchestral sinfonia. Handel’s oratorio apotheosised his friend King George, symbol to Handel of just, constitutional government in his adopted homeland. This piece was also featured in a pre-filmed sequence at the Opening Ceremony of the 2012 London Olympic Games when James Bond (Daniel Craig) met Elizabeth II at Buckingham Palace.
Guiseppe Verdi (1813-1901)Nabucco OvertureYoung Giuseppe Verdi almost gave up composing after the failure of his comedy Un giorno di regno (King for a Day) in 1840, but the director of La Scala persuaded him to read Temistocle Solera’s libretto for Nabucco and Verdi fell in love with the words ‘Va, pensiero’ (Go thoughts on golden wings) and started composing again. Nabucco begins with what’s known as a ‘pot-pourri’ overture, previewing themes from the opera. Besides ‘Va, pensiero’ you’ll hear the furtive ‘curse theme’. Incidentally, Nabucco isn’t just a king in this opera. At one point, he proclaims himself god!
Joseph Maurice Ravel (1875-1937)Suite from Mother Goose: Laideronnette, Empress of the PagodasRavel originally wrote Mother Goose as a two-piano piece which was premiered by two children in 1910. The work was inspired by fairytales and therefore conformed to miniature dimensions. ‘Mother Goose’ refers to Perrault’s Contes de ma Mère l’Oye, published in 1697, but the third movement refers to ‘Laideronnette, Empress of the Pagodas’, from a story collection by the Comtesse d’Aulnoy. It concerns a former princess who has been made ugly by a wicked witch. With a Green Serpent (once a handsome prince), she has sailed to the land of the Pagodas (tiny people-like articulated figurines, with bodies made of jewels and porcelain). Here the two travellers are restored to their former appearance and married. The scene described is the Empress’s bath, accompanied by Pagodas and Pagodines singing and playing on Oriental-sounding instruments.
Wilfred Lehmann (born 1929)Concerto for Trombone I. Prelude III. FinaleJason Redman, our soloist and Section Principal Trombone, had the following to say about this work: Wilfred Lehmann wrote this Concerto for Trombone in 2004/5 after phoning with an idea to write a piece for me. Wilfred had returned to Queensland Symphony Orchestra as Associate Concertmaster during my early years with the Orchestra, during which time he also conducted many concerts and recordings. The Concerto had its premiere performance in March 2005 at a Studio Series Concert in our old Ferry Road Studios in West End. I was the soloist and Wilfred Lehmann conducted the entire programme. I am particularly excited to be able to perform the two outer movements of this Australian Trombone Concerto again this evening.
Lehmann uses the full orchestra in a very dramatic style, with primal, tribal rhythms and surging climaxes, and it demonstrates his deep understanding of orchestral sounds and textures. The majestic opening theme of the Prelude, with its striking rhythmic, leaping intervals, is one that reappears throughout the work, for example later returning in the muted solo trombone voice. Musical dialogues between the opening theme and melancholy melodic lines bring us to a striking finish to the movement. The pulsing and energetic Finale develops a lot of the same thematic material from the Prelude, beginning with an inverted variation on the Prelude's opening theme, repeated in the orchestra. After a slow, lamenting melody on solo trombone, the full forces of the orchestra launch into a final furious ascent, with the trombone leaping, running and sliding to the climactic last chord.
Ludwig van Beethoven (1770-1827)Symphony No.7 in A, Op.92 II. AllegrettoThe first performance of Beethoven’s Seventh Symphony took place in 1813 at a benefit for Field Marshall Prince von Wrede’s soldiers wounded at the Battle of Hanau. The patriotic significance of the occasion was augmented by the premiere of Beethoven’s Wellington’s Victory, celebrating Joseph Bonaparte’s defeat at the Battle of Vitoria. Even on that first occasion, the Seventh’s dignified second movement attracted most audience attention. It has since been used in several films including The King’s Speech, where George VI (Colin Firth) overcomes a speech impediment to address the British people at the outset of war.
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LISTENING GUIDE
Richard Wagner (1813-1883)Lohengrin, Act 2: Elsa’s Procession to the Cathedral (Feierlicher Zug zum Münster)Richard Wagner’s subject matter usually concerned gods and goddesses from German mythology. His opera Lohengrin comes from an episode in Eschenbach’s medieval poem, Parzival. Lohengrin, a knight of the Grail, answers a call from King Henry of Brabant to defend Elsa who has remained silent when accused of murdering her brother, a duke. Lohengrin agrees to defend her on condition she never ask his name. But after the wedding, Elsa becomes curious. Lohengrin reveals that he is the son of King Parsifal, but must now return to Montsalvat since she has broken her vow. Liszt premiered Lohengrin in Weimar in 1850 but Wagner couldn’t attend. He was in exile for having taken part in republican uprisings.
Johann Strauss Jr. (1825-1899)Emperor Waltzes (Kaiser-Walzer), Op.437Strauss’s music often had interesting origins. In its first performance The Blue Danube was sung to lyrics that celebrated Vienna’s new street lighting. The Emperor Waltz was written to celebrate the 40th anniversary of Franz Josef’s accession to the Austrian throne. Typical of a Strauss waltz, it exceeds its form. It is actually a cavalcade of melodies beginning with an imperious-sounding march that segues beautifully into triple-time dances that you can swirl away to.
Edward Elgar (1857-1934)Imperial March, Op.32Elgar was struggling to earn a living when his publisher Novello suggested he write a march for Queen Victoria’s Diamond Jubilee. He polished off the work and hoped it would please but Novello’s editor asked for some longer phrases, ‘say, sometimes of eight bars’. Elgar refashioned the work and returned it in early 1897, swallowing his pride because failure meant returning to teaching. He contemplated quoting excerpts in the score from a poem by Sir Edward Arnold praising Victoria’s ‘glorious years three-score!’. He was a proud subject and gave the world some very regal music.
Gordon Kalton Williams © 2019
© Peter Wallis
ARTIST BIOGRAPHIES
Fabian RussellConductorFabian Russell is at the forefront of the Australian classical music industry as an award-winning conductor, artistic director, orchestral musician, soloist, and educator.
He is the Founder, Artistic Director, and Conductor of The Orchestra Project; a Melbourne-based training orchestra comprised of Australia’s finest young musicians.
Fabian has enjoyed a long relationship with the internationally-acclaimed Australian Youth Orchestra as Associate Conductor and in 2013 was Conductor-in-Residence at the Australian Youth Orchestra National Music Camp in Adelaide.
He has conducted most of Australia’s professional orchestras and has served as Assistant Conductor at the Melbourne Symphony Orchestra. He has also conducted the Victorian Opera in an acclaimed season of John Adams’ Nixon in China. In 2008, Fabian was invited to be Principal Guest Conductor of the Melbourne Youth Orchestra and was subsequently appointed Principal Conductor and Artistic Director.
Fabian has established an international reputation as a leading brass musician, holding positions as a professional tuba player with Melbourne Symphony Orchestra, Sydney Symphony Orchestra, and Orchestra Victoria, and has performed as a soloist with numerous Australian orchestras.
Photo credit Lucien Fischer
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Jason RedmanTromboneJason Redman has been the Principal Trombonist of Queensland Symphony Orchestra in Australia since 1990, and has been teaching trombone to Undergraduate and Post Graduate students at the Queensland Conservatorium, Griffith University since 1998.
At 17, he was chosen to be Principal Trombone with the Australian Youth Orchestra for their ‘Grand Bicentennial Tour’ of Europe. He held this position, and also Principal Trombone with the Queensland Youth Orchestra until August 1990 when, at the age of 19, he was appointed Principal Trombonist of Queensland Symphony Orchestra.
In 1996, he was awarded a Churchill Fellowship, enabling a three-month study tour of the USA, working with leading orchestral trombone players and teachers in San Francisco, Chicago, Philadelphia and New York.
Guy NobleConductorGuy Noble has had a long association with Queensland Symphony Orchestra, having first worked with the Orchestra in 1994. He has been host of the Music on Sundays series since 2005 and conducted the Orchestra in many other concerts in QPAC, Cairns, Townsville and the Gold Coast. When he isn’t with Queensland Symphony Orchestra, Guy also performs with the other major orchestras around the country. He also has worked with the Malaysian Philharmonic, the Hong Kong Philharmonic (in Music of John Williams) and the Auckland Philharmonic in their Unwrap the Classics series, and the Bergen Philharmonic as part of the Bergen Festival. He is also host and conductor of the Adelaide Symphony Orchestra’s Classics Unwrapped series at the Adelaide Town Hall.
As a soloist Jason has performed trombone concertos by Mozart, Rouse, Creston, Bloch, Lehmann (2005 premiere) and Lovelock with Queensland Symphony Orchestra.
He has been guest Principal Trombone with the Adelaide, Melbourne and West Australian Symphony Orchestras.
His former students hold positions in AOBO, WASO, TSO and the Münchner Rundfunkorchester.
Jason is a Bach Brass Trombone Artist and regularly gives workshops and masterclasses around Queensland as part of Queensland Symphony Orchestra’s Education and Community Engagement program.
Guy is the host and accompanist each year for Great Opera Hits (Opera Australia) in the Joan Sutherland Theatre of the Sydney Opera House. His Opera! The Opera will be performed as part of the inaugural season of Coast Opera Australia in December.
Guy has worked with a wide variety of international performers with orchestras across Australia, including Harry Connick Jnr, Ben Folds, The Beach Boys, The Pointer Sisters, Dianne Reeves, Glenn Frey, Randy Newman, Clive James, Conchita, The Two Cellos, Alfie Boe, and Olivia Newton-John.
He is also the host of Concert Hall on Qantas Radio.
ARTIST BIOGRAPHIES
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MUSIC CHAIR DONORS
SUPPORT A MUSICIAN TODAY
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CONCERTMASTERWarwick Adeney Prof Ian Frazer AC and Mrs Caroline Frazer Estate Barbara Jean Hebden Cathryn Mittelheuser AM John Story AO and Georgina Story
ASSOCIATE CONCERTMASTERAlan Smith Arthur Waring
FIRST VIOLINShane Chen Jessica Read
Lynn Cole Neil W. Root
Ann Holtzapffel Aitken Whyte Lawyers
Rebecca Seymour Dr John H. Casey
Joan Shih Simon Mills
Brenda Sullivan Heidi Rademacher and in memory of Hans Rademacher Anonymous
Stephen Tooke Tony and Patricia Keane
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SECTION PRINCIPAL SECOND VIOLINGail Aitken Dr John H. Casey
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SECOND VIOLINKatie Betts Dr Geoffrey Trim
Jane Burroughs Dr Graham and Mrs Kate Row
Faina Dobrenko The Curavis Fund
Simon Dobrenko The Curavis Fund
Delia Kinmont Dr Colin and Mrs Noela Kratzing
Natalie Low Dr Ralph and Mrs Susan Cobcroft
Tim Marchmont Dr Geoffrey Trim
Nicholas Thin Benn Day Simon Mills Young Professional Circle
Helen Travers Elinor and Tony Travers
Harold Wilson Trevor J Rowsell
SECTION PRINCIPAL VIOLAImants Larsens Dr Geoffrey Trim
ASSOCIATE PRINCIPAL VIOLAYoko Okayasu Dr Damien Thomson and Dr Glenise Berry
VIOLACharlotte Burbrook de Vere Di Jameson
Nicole Greentree Shirley Leuthner
Bernard Hoey Desmond B. Misso Esq
Kirsten Hulin-Bobart CP Morris
Jann Keir-Haantera Ms Helen Sotiriadis
Graham Simpson Alan Galwey
Nicholas Tomkin Alan Symons
SECTION PRINCIPAL CELLODavid Lale Arthur Waring
ASSOCIATE PRINCIPAL CELLOHyung Suk Bae Benn Day John Story AO and Georgina Story Young Professional Circle
CELLOKathryn Close Dr Graham and Mrs Kate Row
Andre Duthoit Anne Shipton
Matthew Jones M.J. Bellotti
Matthew Kinmont Dr Julie Beeby
Kaja Skorka Robin Spencer Anonymous
Craig Allister Young Di Jameson
SECTION PRINCIPAL DOUBLE BASSPhoebe Russell Di Jameson Sidney Irene Thomas (In memory)
ASSOCIATE PRINCIPAL DOUBLE BASSDušan Walkowicz Amanda Boland
DOUBLE BASSAnne Buchanan Dr Betty Byrne Henderson AM
Justin Bullock Michael Kenny and David Gibson
Paul O'Brien Roslyn Carter
Ken Poggioli Anonymous
SECTION PRINCIPAL FLUTEAlison Mitchell Alan Symons
ASSOCIATE PRINCIPAL FLUTEHayley Radke Desmond B Misso Esq
PRINCIPAL PICCOLOKate Lawson Dr James R Conner
SECTION PRINCIPAL OBOEHuw Jones Prof Ian Gough AM and Dr Ruth Gough
ASSOCIATE PRINCIPAL OBOESarah Meagher Sarah and Mark Combe
OBOEAlexa Murray Dr Les and Ms Pam Masel
PRINCIPAL COR ANGLAISVivienne Brooke CP Morris
SECTION PRINCIPAL CLARINETIrit Silver Arthur Waring
ACTING ASSOCIATE PRINCIPAL CLARINETBrian Catchlove Support a Musician Today
CLARINETKate Travers Dr Julie Beeby
PRINCIPAL BASS CLARINETNicholas Harmsen Support a Musician Today
SECTION PRINCIPAL BASSOONNicole Tait In memory of Margaret Mittelheuser AM
ASSOCIATE PRINCIPAL BASSOONDavid Mitchell John and Helen Keep
BASSOONEvan Lewis CP Morris
PRINCIPAL CONTRABASSOONClaire Ramuscak CP Morris
SECTION PRINCIPAL FRENCH HORNMalcolm Stewart Arthur Waring
PRINCIPAL FRENCH HORNIan O'Brien Dr Geoffrey Trim
ASSOCIATE PRINCIPAL FRENCH HORNAlex Miller Mr Nick Beaton & Dr Pamela Greet
FRENCH HORNVivienne Collier-Vickers Ms Marie Isackson
Lauren Manuel Dr John H. Casey
SECTION PRINCIPAL TRUMPETSarah Butler Mrs Andrea Kriewaldt
ASSOCIATE PRINCIPAL TRUMPETRichard Madden Elinor and Tony Travers
TRUMPETPaul Rawson Mr Nick Beaton and Dr Pamela Greet
SECTION PRINCIPAL TROMBONEJason Redman Frances and Stephen Maitland OAM RFD
PRINCIPAL TUBAThomas Allely Arthur Waring
PRINCIPAL HARPJill Atkinson Noel and Geraldine Whittaker
PRINCIPAL TIMPANITim Corkeron Dr Philip Aitken and Dr Susan Urquhart Peggy Allen Hayes
SECTION PRINCIPAL PERCUSSIONDavid Montgomery Dr Graham and Mrs Kate Row
ASSOCIATE PRINCIPAL PERCUSSIONJosh DeMarchi Dr Graham and Mrs Kate Row
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Music lovers who have supported your Orchestra over the last 12 months. We thank you.
ANNUAL GIVING
Young Professionals who collectively support a musician’s role within the Orchestra and share their ideas and energy to help us create an exciting future for Queensland Symphony Orchestra. We thank you.
ALLEGRO ($100,000 – $249,999)Tim Fairfax ACTim Fairfax Family FoundationTrevor & Judith St Baker Family Foundation
CON BRIO($50,000 - $99,999)Philip Bacon GalleriesProf. Ian Frazer AC and Mrs Caroline FrazerDi JamesonCathryn Mittelheuser AMArthur Waring
INTERMEZZO($20,000 - $49,999)G & K IlettCP Morris Justice Anthe PhilippidesStack Family Foundation John Story AO and Georgina Story
GRAZIOSO ($10,000 - $19,999)Joseph and Veronika ButtaDr John H. CaseyMorgans FoundationIn memory of Mr and Mrs J.C. OverellIan and Cass GeorgeDr Graham and Mrs Kate RowMrs Beverley June Smith Dr Geoffrey TrimAnonymous (2)
VIVACE ($5,000 - $9,999)Dr Philip Aitken and Dr Susan UrquhartJohn and Janet AllanDavid and Judith BealDr Julie BeebyJohn and Lynnly ChalkDr James R ConnerT.C. and M.R. CooneyTim and Elaine Crommelin
Benn DayProf. Ian Gough AM and Dr Ruth GoughMr Nick Beaton and Dr Pamela GreetDoug Hall FoundationMalcolm and Andrea Hall-BrownJohn and Rhonda HawkinsPeggy Allen HayesMichael Kenny and David GibsonDr Colin and Mrs Noela KratzingMrs Andrea KriewaldtFrances and Stephen Maitland OAM RFDDan and Helen McVayDesmond B Misso Esq.The Neilsen GroupHeidi Rademacher and in memory of Hans RademacherJohn B Reid AO and Lynn Rainbow ReidAlan Symons and in memory of Bruce Short, Kevin Woodhouse and Graham WebsterSidney Irene Thomas (In memory)Neil W Root and Trevor J RowsellElinor and Tony TraversTurner Family FoundationDavid and Judy TynanK and S WarkNoel and Geraldine WhittakerSteve and Jane WilsonAnonymous
PRESTO ($2,500 - $4,999)Amanda BolandNigel Chamier AMSarah and Mark CombeEmma CovacevichThe Curavis FundJustice Martin DaubneyDr Betty Byrne Henderson AMTony and Patricia KeaneShirley Leuthner Prof. Andrew and Mrs Kate Lister
Anne ShiptonSimon MillsSiganto FoundationRobin SpencerTom StackMrs Amanda TalbotDr Damien Thomson and Dr Glenise BerryGreg and Jan WanchapGary and Diana WillemsenAnonymous
STRETTO ($1,000 - $2,499)ADFAS BrisbaneAitken Whyte LawyersJulieanne AlroeDr Geoffrey Barnes and in memory of Mrs Elizabeth BarnesWilliam and Erica BattM.J. BellottiKay BryanProfessors Catherin Bull AM and Dennis Gibson AOJean ByrnesConstantine CaridesElene CaridesMrs Roslyn Carter Greg and Jacinta ChalmersDr Ralph and Mrs Susan CobcroftMrs Ruth CoxDr Peter Hopson & Julie CrozierMs Elizabeth Dann and Philip McNicol Mrs I. L. DeanMrs Elva EmmersonC.M. and I.G. FurnivalAlan GalweyDr Edgar Gold AM, QC and Dr Judith Gold CMLea and John GreenawayDr and Mrs W.R. HeaslopDr Peter Hopson and Julie CrozierDeb HoulahanMs Marie IsacksonAinslie Just
John and Helen KeepAndrew KopittkeDr Frank LeschhornLynne and Francoise LipSusan MabinMr Greg and Mrs Jan MarshDr Les and Mrs Pam MaselAnnalisa and Tony MeikleIn memory of Jolanta MetterB and D MooreHoward and Katherine MunroIn memory of Mildred Wise MuirheadRon and Marise NilssonIan PatersonDavid Pratt and Ramon NorrodJessica ReadIn memory of Pat RichesG & B RobinsGraeme Rosewarne and Jim O'NeillCath ScullyDr Margaret SorokaMs Helen SotiriadisUrban ListProf. Hans Westerman and in memory of Mrs Frederika WestermanMargaret and Robert WilliamsRodney WylieAnonymous (14)
TUTTI ($500-$999)Trudy BennettDr Sheena L. BurnellCarol CarmudieDrew and Christine CastleyRichard ChambersIan and Penny CharltonRobert ClelandTerry and Jane DaubneyDr C. DavisonStephanie DerringtonIn memory of Mrs Marjorie DouglasMs Carolyn EacollMs Robyn ElliottD J GardinerMs Christine Gay Ms Julia GrayWendy GreenMr Tony HallDr Alison HollowayDaryl and Lisa HolmesJim and Maxine MacmillanGary and Gayle MartinLoraine McLarenDr Masanori MatsumotoTimothy Matthies and Chris BonnilyJohn and Robyn MurrayCatherine PearseDr Phelim ReillyMrs R RichardsonJoan RossMr Rolf and Mrs Christel SchaferAlison StanfordMrs H TullyTanya VianoMax and Robyn WhiteMrs Juanita WrightAnonymous (16)
YOUNG PROFESSIONAL CIRCLEShadi AhmadGabrielle AneseMichelle BagnallDr Sheena L. BurnellJonathan Butler-WhiteRoger CantMr Rowan DanielewskiMarina DatovaHelen DavisBenn DayStephanie DerringtonMs Amelia DobsonGrant & Karen GastonZackary GeorgeEloise GluerAmy GreeneHannah GriggMiss Cassandra HeilbronnAndrew and Anita JonesElizabeth KellyDylan KerrMr Alexander MackBenjamin McIntyreMarnie NicholsMichaela PoundJessica ReadInna RybkinaNathan SchokkerPenelope SmidNicholas W SmithHilary TroyJennifer WhybirdDr Geoffrey Chia-Yu Wu
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Visionary donors whose regular, lifetime giving exceeds $10,000. We thank you.
LIFETIME GIVING
PLATINUM ($500,000+)Tim Fairfax ACTim Fairfax Family FoundationArthur Waring
DIAMOND($250,000 – $499,999)Prof. Ian Frazer AC and Mrs Caroline FrazerThe Pidgeon FamilyTrevor & Judith St Baker Family Foundation
PATRON($100,000 – $249,999)Philip Bacon GalleriesEstate of Susan Mary BlakeEstate of Barbara Jean HebdenDi JamesonCathryn Mittelheuser AMJohn B Reid AO and Lynn Rainbow ReidMrs Beverley June SmithJohn Story AO and Georgina StoryGreg and Jan WanchapNoel and Geraldine Whittaker
MAESTRO ($50,000 – $99,999)Dr John H. CaseyPeggy Allen HayesMrs Andrea KriewaldtFrances and Stephen Maitland OAM RFDIn memory of Mr and Mrs J.C. OverellJustice Anthe PhilippidesDr Graham and Mrs Kate Row
Queensland Symphony Orchestra is proud to acknowledge the generosity and support of our valued donors.
(Donor lists correct as at April 2019.)
SYMPHONY($20,000 – $49,999)Dr Philip Aitken and Dr Susan UrquhartDavid and Judith BealDr Julie BeebyMrs Roslyn CarterDr Ralph and Mrs Susan CobcroftMrs I. L. Dean Prof. Ian Gough AM and Dr Ruth GoughG and K IlettMs Marie IsacksonJohn and Helen KeepDr Les and Mrs Pam MaselDesmond B Misso Esq.CP MorrisHeidi Rademacher and in memory of Hans RademacherAnne ShiptonStack Family FoundationDr Damien Thomson and Dr Glenise BerryElinor and Tony TraversRodney WylieAnonymous
CONCERTO($10,000 – $19,999)Joseph and Veronika ButtaDr Betty Byrne Henderson AM Sarah and Mark CombeDr James R Conner Mrs Ruth CoxMrs Elva EmmersonAlan GalweyIan and Cass GeorgeMalcolm and Andrea Hall-BrownDr and Mrs W.R. HeaslopTony and Patricia KeaneDr Colin and Mrs Noela KratzingMichael Kenny and David GibsonShirley LeuthnerMorgans FoundationIan PatersonIn memory of Pat RichesNeil W Root and Trevor J RowsellAlan Symons & in memory of Bruce Short,Kevin Woodhouse & Graham Webster Dr Geoffrey TrimProf. Hans Westerman and in memory of Mrs Frederika WestermanMargaret and Robert WilliamsAnonymous (2)
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Queensland Symphony Orchestra Music Director is proudly supported by Tim Fairfax AC. The Artist-in-Residence program is supported by The University of Queensland.
PATRON His Excellency the Honourable Paul de Jersey AC, Governor of Queensland
MUSIC DIRECTOR Alondra de la Parra
ARTIST-IN-RESIDENCE Paul Lewis
CONDUCTOR LAUREATE Johannes Fritzsch
CONDUCTOR EMERITUS Werner Andreas Albert
CELLO David Lale ~ Hyung Suk Bae >> Kathryn Close Andre Duthoit Matthew Jones Matthew Kinmont Kaja Skorka Craig Allister Young
DOUBLE BASS Phoebe Russell ~ Dušan Walkowicz >> Anne Buchanan Justin Bullock Paul O’Brien Ken Poggioli
FLUTE Alison Mitchell ~ Hayley Radke>>
PICCOLO Kate Lawson*
OBOE Huw Jones~ Sarah Meagher>> Alexa Murray
COR ANGLAIS Vivienne Brooke*
CLARINET Irit Silver~ Brian Catchlove+ Kate Travers
BASS CLARINET Nicholas Harmsen*
VIOLIN 1 Linda Carello Shane Chen Lynn Cole Ann Holtzapffel Rebecca Seymour Joan Shih Brenda Sullivan Stephen Tooke Brynley White
VIOLIN 2 Gail Aitken ~ Wayne Brennan ~ Katie Betts Jane Burroughs Faina Dobrenko Simon Dobrenko Tim Marchmont Delia Kinmont Natalie Low Nicholas Thin Helen Travers Harold Wilson
VIOLA Imants Larsens ~ Yoko Okayasu >> Charlotte Burbrook de Vere Nicole Greentree Bernard Hoey Kirsten Hulin-Bobart Jann Keir-Haantera Graham Simpson Nicholas Tomkin
~ Section Principal= Acting Section Principal>> Associate Principal + Acting Associate Principal* Principal ^ Acting Principal
BASSOON Nicole Tait~ David Mitchell>> Evan Lewis
CONTRABASSOON Claire Ramuscak*
FRENCH HORN Malcolm Stewart ~ Alex Miller >> Ian O’Brien * Vivienne Collier-Vickers Lauren Manuel
TRUMPET Sarah Butler~ Richard Madden>> Paul Rawson
TROMBONE Jason Redman~
BASS TROMBONE Tom Coyle*
TUBA Thomas Allely*
HARP Jill Atkinson*
TIMPANI Tim Corkeron*
PERCUSSION David Montgomery~ Josh DeMarchi>>
CONCERTMASTER Warwick Adeney
ASSOCIATE CONCERTMASTER Alan Smith
BOARD OF DIRECTORS Chris Freeman AM Chair Rod Pilbeam Deputy Chair Prof Margaret Barrett Mary Jane Bellotti Emma Covacevich Tony Denholder Simon Gallaher Tony Keane John Keep Cat Matson
MANAGEMENT Craig Whitehead Chief Executive Ros Atkinson Executive Assistant to Chief Executive and Board Chair Deb Houlahan Chief Operating Officer and Company Secretary Amy Herbohn Financial Controller Barb Harding General Finance Coordinator Shelley Adams Human Resources Advisor
Timothy Matthies Director - Artistic Planning Michael Sterzinger Manager - Artistic Administration Murray Walker Program Coordinator - Artistic Planning Fiona Lale Artist Liaison Judy Wood Community Engagement Manager Pam Lowry Education Officer Matthew Farrell Director – Orchestra Management Nina Logan Orchestra Manager Peter Laughton Operations and Projects Manager Vince Scuderi Production Coordinator Nadia Myers Orchestra Librarian
Katya Melendez Manager - Development Carolyn Bowes Manager - Corporate Partnerships Karen Towers Development Coordinator Matthew Hodge Director - Sales and Marketing Renée Jones Manager - Marketing Rachel Churchland Coordinator - Digital Marketing Celia Casey Coordinator - Marketing and Publications Michael Hyde Senior Manager - Sales Emma Rule Manager - Ticketing Services Mike Ruston Coordinator - Ticketing Services
QUEENSLAND PERFORMING ARTS CENTRE
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CHAIR Professor Peter Coaldrake AO
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CHIEF EXECUTIVE John Kotzas
ACKNOWLEDGMENT The Queensland Performing Arts Trust is a statutory body of the State of Queensland and is partially funded by the Queensland Government
The Honourable Leeanne Enoch MP, Minister for Environment and the Great Barrier Reef, Minister for Science and Minister for the Arts
Director-General, Department of Environment and Science: Jamie Merrick
QPAC respectfully acknowledges the Traditional Owners of the Lands across Queensland and pays respect to their ancestors who came before them and to Elders past, present and emerging.
Patrons are advised that the Performing Arts Centre has EMERGENCY EVACUATION PROCEDURES, a FIRE ALARM system and EXIT passageways. In case of an alert, patrons should remain calm, look for the closest EXIT sign in GREEN, listen to and comply with directions given by the inhouse trained attendants and move in an orderly fashion to the open spaces outside the Centre.
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CHAMBER PLAYERS SUN 26 MAY 2019, 3PM Queensland Symphony Orchestra Studio ABC Building, South Bank
Madeleine Dring Trio for Flute, Oboe and Piano Sculthorpe String Quartet No.12 (From Ubirr) Schubert String Quintet in C, Op.163
A delightful afternoon of music hand-picked by our musicians.
COMING UP
SOULFUL JOURNEYS SAT 8 JUN 2019, 7.30PM Concert Hall, QPAC
Conductor Daniel Blendulf Cello Pablo Ferrández Chorus Canticum Chamber Choir
Skipworth Spiritus Debussy Nocturnes Dvořák Concerto in B minor for Cello and Orchestra, Op.104
OPERA GALA SAT 1 JUN 2019, 7.30PM Concert Hall, QPAC
Conductor Giovanni Reggioli Soprano Natalie Aroyan Tenor Kang Wang Bass-baritone Jeremy Kleeman Chorus Brisbane Chorale
A night of opera favourites including works by Puccini, Verdi, Rossini, and Bizet.
PARTNERSGovernment Partners Principal Partner
Gold Partners
Industry Collaborators
Premier Partners
Accommodation PartnersMajor Partners
Education Partners
22 PROGRAM | KINGS AND QUEENS
qso.com.auQueensland Symphony Orchestra GPO Box 9994 BRISBANE QLD 4001 Cnr Grey and Russell Street, South Brisbane 07 3833 5044 | info@qso.com.au
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