Jazz Guitar Handbook Complete

7/29/2019 Jazz Guitar Handbook Complete

http://slidepdf.com/reader/full/jazz-guitar-handbook-complete 1/97

Designed for Intermediateto Advanced Players

Covers Theory , Chord Substitutions ,Modern Chords and much more

Contains many Ideas and Exercisesto Expand your Musical Thinking

An Excellent Source Book forPlayers and Teachers - Keep aWorld of information at your fingertip

G Major

II( S) ( S)

C Major

D Major

A Major

( S)( S)

Bb Major

II( S)( S)

Eb Major

* Roman Numeral Marker

(indicates the fret for the first finger)

Finger

1st1st2d

3rd4th4th( S)

( S) indicates a finger stretch .

Stretch the first or fourth finger while

keeping your hand in the same position .

12 Major Scale Positions

( () )

II( S)( S)

Db 0r C# Major

- Indicates Root

II( S)( S)

( S) ( S)

Ab Major

( ) ( )

( ) Indicates Alternate Fingering

F Major

( S)( S)

B Major

( S)( S)

B Minor

E Major

E Minor

( S)( S)

Gb or F# Major

( S)( S)

Gb or F# Minor

It is a good idea to practice all of these forms . If the stretches are too difficult

try starting higher up the guitar neck where the frets are closer together and

working your way down as your fingers get used to these fingerings . You will

find that some of the “ hard “ fingerings are easier on the high frets than the

“ easy “ fingerings .

( S)II

F Minor

A Minor

II( S)( S)

Bb Minor

II( S) ( S)

C Minor

Real Melodic Minor FingeringsThe following are scale fingerings for the Real Melodic Minor Scale

( also called Jazz Minor ) . They are derived by lowering the major

third of the preceding Major Scale fingerings .

G Minor

II( S)

D Minor

II( S) ( S)

( S)( S)

B Minor

E Minor

( S)( S)

Gb or F# Minor

( S)II

F Minor

A Minor

( S) ( S)

II( S) ( S)

C Minor

G Minor

II( S)

D Minor

II( S) ( S)

Harmonic Minor Scale Fingerings

These fingerings are derived by lowering the sixth degree of

of the Real Melodic Minor scale fingerings .

Bb Minor

II( S)

( S) ( )

xx 12 3 4

x x 12 3 4

x x11 23

12 3 4

11 3 4

2 23 4

xx 12 3 4

x x 12 3 4

x x11 23

It is important to see that G min7 and Bb 6 contain the same notes .Learn to see these forms as two possible chords .

x x1 23 4

xx 1234

3( )111 4

x x 123 4

x x 1 3 3 3

x x1 23 4

x x4 3 1 1x x

3 4( )

x x12 3 3

x2 2 2x32( )

x x123 4

x x1 23 4

x x1 2 34

x x12 3 411 3 4

x x7fr

x x12 34

x x12 3 4

3 3 3 4( )

x x 12 3 4 5 fr

x x 1 23 41 11 2

12 3 34

xx 12 3 4

12 3 4

12 3 410 fr

x x7fr

x x12 3 42 3144fr

x x2fr

xx 1 2 3 4

x x 1 33 3

x x 12 3 4

x x 1 12 4

1 23 4

1 12 3

x x 1 12 3

1 12 3

12 3 4

x x 111 3 1 123

x x 11 33

x x 111 3

x x12 3 3

x x 11 3 3

2111 3

x x11 1 3

x x1 11 3

x x1 12 3

1112 33 1 1112 3x 3112 3 1x 112 3 44x1 2 3

1 3 33

x x 2 4

2 41 1

x x2 4

2 41 1

x x 11 4

Any of these Dominant Seventh Voicings may be mixed and matched in variouscombinations.Also you can find many of these voicings on other string sets thanthe ones shown in these chord diagrams .

x x( )

11 3 4x x 2

11 3x x 2 4

1 3x x

11 3x x 2

1 3x x

282828

2 3 2 2 4 1 11 13 4 11111 3

4 1111 3

41 1x x 2 3 41 xx1 333x x3 2 41 xx

1 23 4x x 12 34x x1 2 34x x11 4 23

231 11x1 1x 23 4 4231 1x12 3x 12 3x12x

1 111 11 3 4

x x1 223

x x4x x

111 41 23

x x 12 3 4

1 111 11 3 4

x x1 223

x x4x x

111 12 3 4

x x4123

xx 12 3 4

x x 12 3 4

x x11 23

x x12 3 4

x x 411 3

xx 12 3 4

x x 12 3 4

x x11 23

x x12 3 4

x x 2 413

12 3 4

x x 1 111

x x11 11

x x 3331

42 3 1

1 43 1

4 23 1

x x11 21

21 3 1

42 3 1

x x 12 11

3 42 1

x x3 421

42 3 1

( )2 3 3

x x 1 42 3x x 1 4 23x x

1423 x x

1 42 3x x

1 42 3x x1

1 42 x x 1

1 12 x x1

143 x x( )332 1

143 x x

143 x x2 3

4x x 2 3

41 3 2

2 3 33

1 42 3x x

1 42 3x x 1 4 23x x

1 4 23x x14

( )2 3 3

1423x x

1423 x x

4 132x x

41 3 2x x

4132x x

111 23 x 1

1 43 x x

2 3 33

1 23 4

x x1124

x x 23

x x 1 23 4

53 1 14

x x 2 11 4

12 3 4

x x11 3 4

1 23 4

This sequence can be useful for chord melody applications andcan be practiced with the plain G minor voicing as well .

x x 11 23

x x11 1 2

x x 11 23

x x31 2

31 2 4

1 223x x

1 1 12x x 4

1 1x x

31 2 4

11 234

( )x x

11 234

( )x x

1 23 4

12 3 4

111 1x x

x x 12 3

12 3 4

12 34x x

12 3 4

3 41 2

1 12 3

x x1 12 3

x x 41

x x 11

x x 1 1

x x 1 333

x x 2 4

12 333

x1 2 333

x 41 2 33

x 412 33

21 3 44

x11 3 4

112 3 4

2 1 3 44

1 23 4

x x 1 23 4

x x 1 12 4

11 2 4

1 2 3 4

x x1 2 3 4

x x 12 3 4

x x12 3 4

11 2 4

31 2 4

3 12 4

31 2 4

3 12 4

1 2 3 4

( )12 3

2 1 3 44

21 3 44

x 31 12 3

x 21 3 3

xx 21 13

x 21 13

12 3 33

1 2 333

x41 2 33

x 21 3 3

12 3 4

x x 12 3 4

12 3 4

x x123

( )x x

2 3 33

x x 112 3

12 3 4

x x 112 3

1 23 4

x x 1 23 4

1 23 4

12 3 4

x x11 3 4

12 3 4

x x1 1 23

x x 1 1 23

x x1 23 4

x x11 3 4

x x 1 2 3 4

12 3 4

x x 1 13 4

1 3 3 3

x x 1 3 3 3x x

1 3 3 3

x x1 3 3 4

1 3 3 4

1 3 3 4x x1 3 3 4

x x 2 4

x x 11 11x x

11 2 4

1 33 4

1 1 3 3x x 2

1 1 1x x

1 1 3 3x x

1111 3 4 x x 113 4

x x 113 4

2 xx 13 4 2 xx 13 4 3 4

1x x 11111

x 33 441

12 3 4x x 11 1 3

1 1 1x x

12 3 4x x

x 1113

4 1 2 444x 1111 4

1 1x x

11 2 3x x

x 11 2 3 4

x 1 12 3 4

12 3 44

x 12 3 3 4x

1 23 4

x x11 2 4

x x 1 2 3 4

x x 12 3 4

x x 1 123

1 3 3 4

x x 1 3 3 4

x x 1 12 3 4

x 12 3 3 3x12 3 4

x x 123 4

x x 2 3 11

2 3 11

12 3 4

1 23 4

x x 2 111

444( )333

1 23 4

x x1 23 4

12 3 4

1 23 4

x x 1 23 4

x x 12 34

x x 12 3 4

1 23 4

x x 1 23 4

x x1 23 4

II( S)( S)

4 5 V fr

6 VIfr

G , A , B , C# (Db), D# (Eb) & FWholetone Scale

F# (Gb) , G# (Ab) , A# (Bb) , C , D & EWholetone Scale

Below are three different fingerings for the A , C ,Eb or F# Diminished Scales .Another way to look at the Diminished Scale is that it comprises two diminished 7tharpeggios a half step apart (G# dim7 and A dim7 contain the A diminished scale notes) .

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