Post on 26-May-2020
Do you hear anything about
Galveston?
(Willis L. Moore, Chief of U.S. Bureau, in a telegram dated September 9, 1900)
Outline
I. The Galveston Hurricane of 1900
II. Isaac Cline
III. Reading a Nonfiction Novel
IV. Setting a Purpose for Reading and Annotating
I. The Galveston Hurricane of 1900
The Facts
Date: September 8, 1900
Time: 5:00 PM – 11:00 PM
(period of hurricane-force
winds)
Strength: Category 4 (145 mph winds)
Storm Surge: >15 feet
Death Toll: 6,000–12,000 (official toll: 8,000)
Deadliest natural disaster in U.S. history
II. Isaac Cline
• Chief meteorologist at the Weather Bureau in Galveston from 1891 – 1901
• First meteorologist to provide reliable forecasts of freezing weather
• One of the first meteorologists to provide flood warnings on the Colorado and Brazos Rivers
II. Isaac Cline
• Published Tropical
Cyclones in 1927 after
years of research
• Debate exists as to his
role in the Galveston
hurricane – whether he
was responsible for so
many lives being lost
or for so many lives
being saved
III. Reading a Nonfiction Novel
This is a different task than reading a fiction novel, and you must read this differently than you would fiction!
III. Reading a Nonfiction Novel
1. This is not a story; it really happened.
2. These are not characters; they are real
people.
3. The writer of a nonfiction novel does
NOT have complete control over a story
– s/he is limited by what actually
occurred.
4. A writer of a nonfiction novel must “fill in
the gaps.”
III. Reading a Nonfiction Novel
5. Nonfiction novels have features that
fiction novels do not, and these are
important and meant to be used!
o Maps
o End Notes
o Footnotes
o Index
6. A writer of nonfiction must establish
his/her credibility in authoring the text.
IV. Setting a Purpose for Reading and Annotating
1. Structure of novel – How does Larson
structure the novel? Why does he put
things in the order that he does? Why
are things divided as they are?
2. Credibility/Ethos – How does Larson
establish his credibility as a source on
the topics he presents?
3. Suspense – What does Larson reveal,
when, and why?
IV. Setting a Purpose for Reading and Annotating
4. Patterns of Language & Rhetorical
Devices – How does Larson use
language to achieve his purpose?
What patterns emerge? Where does
he deviate from the patterns, and why?
5. Speculation – Where has Larson “filled
in the gaps”? Why in those places?
How does doing so relate to his
purpose?
IV. Setting a Purpose for Reading and Annotating
6. Sympathies – Where do Larson’s
sympathies lie? How can you tell?
How does the language reveal it?
7. Purpose – What IS Larson’s purpose,
anyway? How does he achieve it?
(Hint: It’s NOT “to inform.”)
8. Thesis – What is Larson’s central
argument? What evidence does he use
to support it?