Post on 27-Jan-2015
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Traps and Pitfalls to be avoidedin order to obtain Success.
Thursday, June 18, 2009
lecture IAppropriation and Sampling
Thursday, June 18, 2009
16 January 2008 16:00De WitteDame - Auditorium
SOURCE LECTURE SERIES / MASTERCOURSE
Ronald van TienhovenTRAPS AND PITFALLS TO BE AVOIDED
IN ORDER TO OBTAIN SUCCESS Appropriation and SamplingReduction and Essence Complexity and Contradiction Narrative and Anecdote Evocation and Voodoo Zeitgeist and Opportunism Morality and Empathy Morality and Empathy
Thursday, June 18, 2009
Thursday, June 18, 2009
Thursday, June 18, 2009
“My art has always used sex as a direct communication line to the viewer. The surface of my stainless steel pieces is pure sex and gives an object both a masculine and a feminine side: the weight of the steel engages with the femininity of the reflective surface.”
Jeff Koons-Rabbit, 1986 Studio Job-Coalscuttle, 2006
Thursday, June 18, 2009
Food FacilityA prototype food platform
By Marti Guixé, 2005
Appropriation as part of a business concept
Thursday, June 18, 2009
Food FacilityA prototype food platform
By Marti Guixé, 2005
Thursday, June 18, 2009
lecture IIReduction and Essence
Thursday, June 18, 2009
Guillaume Apollinaire calls on the playwright Alfred Jarry"Monsieur Jarry?"
"On the third floor and a half," answered the concierge.
The answer astonished me. But I climbed up to where Jarry lived–actually on the third floor and a half. The ceilings of the building had appeared wastefully high to the owner and he had doubled the number of stories by cutting them in half horizontally. This building, which is still standing, had therefore about fifteen floors; but since it rose no higher than the other buildings in the quarter, it amounted to merely the reduction of a skyscraper.
It turned out that Jarry's place was filled with reductions. This half-floor room was the reduction of an apartment in which its occupant was quite comfortable standing up. But being taller than he, I had to stay in a stoop. The bed was the reduction of a bed; that is to say, a mere pallet. Jarry said that low beds were coming back into fashion. The writing table was the reduction of a table, for Jarry wrote flat on his stomach on the floor. The furniture was the reduction of furniture–there was only the bed. On the wall hung the reduction of a picture. It was a portrait, most of which he had burned away, leaving only the head, which resembled a certain lithograph I know of Balzac. The library was the reduction of a library, and that is saying a lot for it. It was composed of a cheap edition of Rabelais and two or three volumes of the Bibliotheque rose. On the mantel stood a large stone phallus, a gift from Felicien Rops. Jarry kept this member, which was considerably larger than life size, always covered with a violet skullcap of velvet, ever since the day the exotic monolith had frightened a certain literary lady who was all out of breath from climbing three and a half floors and at a loss how to act in this unfurnished cell.
"Is that a cast?" the lady asked.
"No," said Jarry. "It's a reduction."
Thursday, June 18, 2009
1.Reduction in quantity
2.Reduction in scale
4.Reduction in presence
3.Reduction in detail
Apollinaire the skyscraper Jarry
the flat bed
Rabelais Felicien Rop’s Phallus
Thursday, June 18, 2009
Thursday, June 18, 2009
Marcel Duchamp - La Boîte-en-Valise, 1945-1968Thursday, June 18, 2009
Marcel Duchamp - Boite-en-valise no.0/XX,1942Thursday, June 18, 2009
lecture IIIComplexity and Contradiction
Thursday, June 18, 2009
either/orboth/and
Thursday, June 18, 2009
“A gentle manifesto for a nonstraightforward architecture”
ISBN-10: 0810960230
Thursday, June 18, 2009
Michelangelo Buonarroti (1475-1564) - Porta Pia, Roma
Thursday, June 18, 2009
OMA - Casa da Música, Porto, 2004
“Casa da Música reveals its contents without being didactic; at the same time, it casts the city in a new light”
Thursday, June 18, 2009
OMA-Casa da Musica, Porto, 2004
Thursday, June 18, 2009
lecture IVNarrative and Anecdote
(process and reference)
Thursday, June 18, 2009
Agatha Jaworska
Made in Transit
Thursday, June 18, 2009
Matthew Barney
Cremaster 41995
Thursday, June 18, 2009
Thursday, June 18, 2009
Thursday, June 18, 2009
Thursday, June 18, 2009
Thursday, June 18, 2009
lecture VEvocation and Voodoo
Thursday, June 18, 2009
“My ideal of design is of something powerful that cannot be seen, but only felt .”
Naoto Fukusawa
Yugen Design Philosophy - Design without thought
Thursday, June 18, 2009
Thursday, June 18, 2009
Spinoza - Alvearium
Thursday, June 18, 2009
Thursday, June 18, 2009
“When a number of bodies of the same or different magnitude form close contact
with one another through the pressure of other bodies upon them, or if they
are moving at the same or different rates of speed so as to preserve an
unvarying relation of movement among themselves, these bodies are
said to be united with one another and all together to form one
body or individual thing, which is distinguished from other
things through this union of bodies” Ethica, II, Proposition 13, definition
Spinoza
Thursday, June 18, 2009
Thursday, June 18, 2009
35
The 10,000 Year Clockthe clock of the long now
The Long Now Foundation
anticipatory design science(coined by Richard Buckminster Fuller in 1936)
Thursday, June 18, 2009
36The clock ticks once a year,
chimes on the century and the 'cuckoo comes out' on the millennium.
Thursday, June 18, 2009
37
Thursday, June 18, 2009
38Time Equation Scan object
Thursday, June 18, 2009
39
Mount Washington, Ely, Nevada
Thursday, June 18, 2009
lecture VIZeitgeist and Opportunism
Thursday, June 18, 2009
Parasitism
Thursday, June 18, 2009
Thursday, June 18, 2009
Thursday, June 18, 2009
Thursday, June 18, 2009
Thursday, June 18, 2009
Migration
Thursday, June 18, 2009
AMO Atlas - High-Rise World Development (as of 2003)
(from Content)
Thursday, June 18, 2009
lecture VIIMorality and Empathy
Thursday, June 18, 2009
ISBN-10:0-262-69326-7
Thursday, June 18, 2009
Thursday, June 18, 2009
Thursday, June 18, 2009
Thursday, June 18, 2009