Consuming Women (working title)

Installation

by guillermina buzio

Cow pins on meat

Cow pins on meat

I am creating a multidisciplinary installation that

addresses the similarities that exist in the

language used in popular culture to describe,

and consume, both the female body and meat.

Film - Carne: 1968

Director Armando Bo, Argentinean director died in 1981Argentina

Carne fresca fresh meat

Tremenda morcilla sausage weener

to pork you Moo that chick is a nice steak buenas nalgas Cow eat a woman

Gorda como una vaca tiene tetas caidas de vaca

stupid cow mi zodape de carne es el mejor

Que pedazo de carne

Cow pins

(mass production) clear acrylic, laser cutRepetition, packaging

Identity

background

minority

the other

central and periphery

Borderlands

“The US Mexican border es una herida abierta where the third world grates against the first and bleeds. And before a scab forms, it hemorrhages again, the lifeblood of two worlds merging to form a third country- a border culture.”

Gloria Anzaldúa- Borderlands

vos4’ super 8, video

reconciliationPerformance

the process of making consistentVideo, photographs, super 8

Performance

My identity- being born into a political situation in Argentina under a military government.

Periphery and center

Intersection of my Argentinean and Canadian identity

Fragmentation (body-identity)

Labels (constrained)

Packaging

Repetition