COMPOSITION BASICS...Composition: Rule of Thirds . 18 Rule of Thirds Rule of Thirds: As you look...

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Transcript of COMPOSITION BASICS...Composition: Rule of Thirds . 18 Rule of Thirds Rule of Thirds: As you look...

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Composition:

Definition

the arrangement of objects within the frame of a photograph

Other Notes

• The foundation upon which we build our photographs

• ‘Rules’ are not for complete & absolute compliance, but...

• You need to know the rules before you can break them

• Break the rules only when you have a good reason for improving the photograph

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Snapshot:

- casual record of

event person or

object

- technical

perfection is not

main element

Photograph:

-artistic

interpretation of an

event, person or

subject

-to tell the viewer

something about

the subject

- has impact and

style

Which image is a snapshot and which is a finished photograph?

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Basic Anatomy of a Photo:

Subject

• Main Point of Interest

2nd Element

• “Background” ( foreground & everything else )

• Provides Context

Context

• Establish location of subject

• Add relevance to subject

• Compose the whole message

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Simplify

• Anything that isn’t the subject or part of

the context is a distraction

• Knowing what to exclude is as important

as knowing what to include

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Simplify

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Composition:

Get Closer, Simplify

Avoid Clutter

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By filling the frame you isolate the subject and eliminate

distractions.

• Details can be seen that could otherwise be missed.

• Helps give the entire image interest

• Allows a more interesting perspective of ordinary objects

• Creates a more intimate image of your subject

• When possible, experiment by comparing zooming in vs.

getting closer to your subject.

Composition: Fill the Frame

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Composition: Fill the Frame

Get Closer, Simplify & Avoid Clutter

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Composition: Fill the Frame

Getting close or zooming in often

improves the appeal of photos.

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Tight Cropping

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Tight Cropping

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Tight Cropping

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What We’ll Cover Today

- Composition Basics

‣ Rule of Thirds

- Lines

- Shapes, Textures & Patterns

- Negative Space

- Framing

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• Envision a tic-tac-toe grid superimposed over

your image.

Composition: Rule of Thirds

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• Place your main subject close to where the lines

intersect, rather than centered in the frame

Composition: Rule of Thirds

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Rule of Thirds

Rule of Thirds:

As you look through your

camera's viewfinder,

imagine there are lines

dividing the image into

thirds, both horizontally

and vertically, essentially

dividing your image into

nine equal-shaped blocks.

Frame your subject at one

of the intersection points

instead of in the center of

the viewfinder, as shown in

the following illustration.

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Rule of Thirds

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Rule of Thirds

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Landscapes:

• Place the horizon along upper or lower line dividing the image into thirds

Rule of Thirds

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Rule of Thirds

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Rule of Thirds

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Composition: Rule of Thirds

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Where do you see the rule of thirds?

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Lines

• Lines can be found in every photo

• How you deal with lines can be the difference between a

good photo and a great photo

• Lines can be straight, but they can also curve

• Think of lines as anything that draws the eye into,

and around a photo

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Lines

Lines Draw the Eye Into, and Around the Photo

• Lines may be actual or implied.

• Implied lines are made up by the way objects are placed in the photograph ( ex: multiples of the same object ). They don’t physically exist in a photograph.

• Lines can be synonymous with visual “movement”

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Use of Lines

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• Lines can enhance the sense of depth in photographs

• Lines can evoke different feelings / emotions

• Lines can also imply movement and direction

• Lines can be something that compliments the main subject or

the main subject itself

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Composition: Vertical Lines

Vertical Lines

• Denotes Dignity, Height, Strength, and Grandeur

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Composition: Vertical Lines

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Composition: Vertical Lines

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• Vertical lines can be more effective by simply shooting

vertically rather than horizontally. This emphasizes the lines.

• It’s important to attempt to keep your vertical lines as much in

line with the sides of your image as possible

• Try to prevent placing a line in the middle of the shot. In

some cases, this will cut your image in half.

Composition: Vertical Lines

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Vertical Lines

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Vertical Lines

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Vertical Lines

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Vertical &

Diagonal Lines

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Vertical & Diagonal Lines

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Vertical &

Diagonal Lines

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Diagonal Lines

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Diagonal Lines

• Denotes sensation of Force, Energy, depth and Motion

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Diagonal Lines

• Diagonal lines generally work well to draw the eye through the photograph, creating points of interest as they intersect with other lines.

• Can add a dynamic look and sense of action to an image.

• Try to prevent cutting the image in half from corner to corner

• Like horizontal and vertical lines, diagonal lines repeated through an image can create very effective patterns

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Diagonal Lines

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Curved Lines

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Composition: Diagonal

Lines

( + curved lines )

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Curved &

Diagonal Lines

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Curved Lines

• Curved lines add aesthetic appeal to nature photos. In

particular, S-curves frequently appear beautiful to the eye.

• Plus: a sense of Sensuality, Grace, Charm & being

Natural/Organic

• Generally used to create a sense of flow & depth within an

image

• Curved lines provide a greater dynamic sense when compared

to straight lines

• Curved lines can suggest more of a journey, where a straight

line leads the viewer to the destination quickly

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Curved Lines

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Composition: Curved

Lines

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The “S” Curve

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The “S” Curve

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The “S” Curve

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Horizontal Lines

• Horizons are the most common horizontal line to be found in

photographs, they often act as a dividing point.

• Shooting horizontally will accentuate the calming, stable

impact of horizontal lines

• Unbroken horizons can create static/dull photos. Try breaking

things up with other shapes to create a point of interest.

(mountains, trees, buildings etc.)

• Layering horizontal lines can create rhythm or patterns which

can become the focus of the image

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• Be aware of camera tilt

• Keep the horizon line level and square to the photo edge 51

Composition: Horizon Line

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Composition: Horizon Line

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Curved & Horizontal Lines

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Horizontal Lines

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• Lines can be subtle too

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Horizontal Lines

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Horizontal Lines

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Composition: Horizontal Lines Horizontal Lines

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Horizontal Lines

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Negative Space

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• Composing a photo with lots of negative space can make

ordinary objects stand out

• Try giving your negative space an actual color and

texture

Negative Space

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• New photographers can become so

involved in photographing their

subjects that they accidentally ignore

the rest of the photo. But, the space

around and in between your subjects

can be just as important.

Negative Space

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Negative Space

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Negative Space

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What We’ll Cover Today

- Composition Basics

- Rule of Thirds

- Lines

- Shapes, Textures & Patterns

- Negative Space

- Framing

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Framing

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• Helps emphasize your subject by directing your viewers attention.

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Composition: Framing

• Look for frames within

a frame. Extra frames

add extra depth, drawing

your viewer into the

photo. Frames can be

subtle; keep your eyes

open

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Composition:

Framing

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Composition: Framing

• Mirrors can act as

effective frames

• Useful for capturing

candid moments incognito

• Watch out for your own

reflection

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Composition: Framing

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Think Outside

The Box

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Think OutsideThe Box

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Examples: Think outside the Box

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- Ten Tips to Remember

• Lock focus and recompose to create better composition

• Move around to change your angle of view

• Simplify the image

• Fill the frame

• Take vertical shots too

• Remember and practice the Rule of Thirds

• Know your camera’s limitations

• Shoot, shoot, shoot. Take lots of photos

• Be aware of the lighting conditions

• Capture natural emotions, no more cheese!

Finishing Notes: Top Ten Tips

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ABOUT THE RULES…..

In practice, most photographers work more

subjectively (relying on intuition). Once they

understand the various elements of composition, they

stop thinking about them.

"There are no rules for good photographs, there are only good photographs."

- Ansel Adams