Post on 28-Nov-2015
description
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BOB LUCILLE
HOPE BALL
JAMES DUNN at w"THE GOLDEN GLOVES STORY" selected 46e*t vdjecU/
'Ves, readers <^
COMICShave been demand-
ing more and moreexciting stories about
TOMAHAWKand his young friend
DAN HUNTER— those two forest --wise,
Indian-fighting heroes
of fearless frontier days/mm• York 17, N. Y. Whitr
. 42nd St., Ne«
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(his LORDSHIP AWAITS IN THE GARDEN.' FOLLOWME, MUM.'
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Stop gaping aroundand do something
• COUTH,
ADVERTISEMENT
when itcwesto blowing bubbles, FLEER'S DUBBU BUBBLE cahT be beat/
Editorial Advisory BoardPR. LAURETTA BENDER
Alioclete Professor of Psychiatry
School of Medicine. New York Universil
JOSETTE FRANKConsultant on Children's Reading,
Child Study Association of Amarica
u Tha following mogoiines all bear thli tradcmorh
Dr. W. W. 0. SONESProfessor of Education anoDi.actc, of Curriculum Study,
University of Pittsburgh
Dr. S. HARCOURT PEPPARD
Director, Esse, County Juve
Newark. N. J.
Clin
your guorontee of tha bait in comics raoding:
ACTION COMICSADVENTURE COMICS
ALAN LADDALL-AMERICAN WESTERN
ALL-STAR COMICSANIMAL ANTICS
BATMAN30B HOPEBUZZY
COMIC CAVALCADEDALE EVANS COMICS
DANGER TRAIL
A DATE WITH JUDYDETECTIVE COMICSFEATURE FILMS
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FUNNY STUFF
SANG BUSTERS
JIMMY WAKELYLEADING COMICSLEAVE IT TO BINKY
MISS BEVERLY HILLS
MR. DISTRICT ATTORNEYMUTT S JEFF
PETER PORKCHOPSREAL SCREEN COMICS
SCRIBBLYSENSATION COMICS
STAR SPANGLED COMICSSTRANGE ADVENTURES
SUPERBOYSUPERMANTOMAHAWK
WESTERN COMICSWONDER WOMAN
WORLD'S FINEST COMICS
WWM^>AND WE'VE FOUND IT FOR YOU I
HFlilNF> THF WHERE KING FARADAV'S PERILOUS MISSION IS To RESCUEZZ.i,'iJ?.J,ZM,.,i1** MOST DANGEROUS MAN ALIVR FROM THE MOSTIRON CURTAIN! IMPENETRABLE FORTRESS IN THE WOULD...CL__ D "HANSMAN'S HOUSE .'
"
rmiOAb!WHERE THE DELIVERY OF AN INNOCENT BOX OF CHOCOLATESHURLS ROSS mSSMp&tO OPERATOR OF THE STAR ePAfRICA,INTO FATAL. ...
* TROUBLE IN TRINIPAP/"
ALONMONt
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"SHADOWSOVER '
LONPON
/
WHERE TEX WILLIAMSIS FORCED TO DON THESCARLET-AND-GOLO SAKSOF A BULLFIGHTER ANDFACE A KILLER BULL AS(L-
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I'LL WEAR THE BLASTED SUIT >OU GOT ME,TILL I CAN FIGGER HOW TA BURN THESELONDON DUD5 AN' GIT ME SOME-DECENT CLOTHES DOWNTOWN.'BUT THAT'S AS PARA5 uI GO,' NOWf' -
HUf VPS, i
A. ffif'tAn r\
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...SG PA TOOK THE HIGHROAD TO LOOK FORHUMPHREY, AND A&3IE TOOK THE RAILROAD.'—
-:% UKNOW? THERE'S HUMPWREY-fi TkE M6XT TRAIN TO ANYWHERE-
.J
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POOR MA'S QONNA 9E PRETTY UPSET-JUST FOUND OUT PRE5IDENT TEDDY ROOSEVELTISCOMIN'TOTOWN TO
MEET -iOU
I COULD MAKE HIM BELIEVE IT, ALL RIGHT/I MADE YOU RELIEVE T WAS A BUTLER,DIDN'T IT--AWD I'M NOT,' I'M AN ACTOR/MY REAL NAME IS ARTHUR TYLERMJ'VE HEARD OF ME, I'M $UK£.
OH, SO THAW WHY YOU CAME HERE- NOTREALLY TO APOLOGIZE, BUT TO GET ME TO
,
RETURN AND SAVE YOUR FAMILY^ FACE/WELL, I'M $TILL LEAVING.' AND WON'T YOUALL LOOK 5ILLY WHEN PRESIDENT ROOSE-VELT COMES TO MEET THE EARL OFBRINSTEAD-AND NO EARL. /
I SUPPOSE IT'SJUSTAS WELL.VOU MIGHT FOOL A LOT OF IGNOR-ANT TOWNSPEOPLE INTO THINKlN'YOU'RE AN EARL, BUT I. RECKON,R005EVELT (""
well,good-x just a minute.1
after all, mrs.
bye, Humphrey \ floud wasn't in on all this
l mean, MR. Trough stuff ~ I owe her some-tylert i/thing: besides, it might be
good practice in acting-
a
, command performance^ AlP? ^—r FOR TttE RRE^/BENT.' S
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THE FOLLOWfNS MORNINQ«THE WHOLE TOWN TURNS OUT FOR THE FIRST POX HUNT IN »<3 SQUAW"
t,KOW COME YOU'RE PUTTIN' GfiAVYON THE FOX7.'XyCU GOTTA RIDE,}& .1__ - t7f>, '% "1 HUMPHREY.' THE ^
THESE DOSS NEVER HUNT FOX }i*^ULLY ioeaA : I WHOLE TOWN'SBEFORE-ALLEE TIME HUNT J/i this fo* / VDEPENDIN ON. .
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BUT THE DOGS PICK UP THE SCENTttF'THE GRAVY THAT CART POURED OMHUMPHREY'S BACK.') , ,.
'
7— - -:—r*> uey. THE FOX
(jj/ENT THAT WAY. BEAT IT.-
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MR.Tfl.ER..? WHO'S MR-TYLER?/! FOUND THI?I'M THE EARL OF BRlMSTEAD" /SCRAPBOOK INOLD FAMILY OF EARLS-CENTURIES--CASTLE OUT- i5fDE LONDON-PIP, PIP
'
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But MR. BELKNAP-YOU'LL MAKE THETOWN LOOK $/UYIN FRONT OF THEPRESIDENT! itsNOT JUSTMEVOU'LL BE HURT-ING.' NOW GIVEME BACK MY5CRAPBOOK
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-MR. PRE5IDENT--MV FRIENDS.'- CART BELKhJAPWANTED TO TELLVOU SOMETHING, AMD AS "SOU
CAN SEE, HE 15 UNABLE TO AT PRESENT/ 50WANT TO SAY IT FOR WM-l KNOW ALLVOU THINK I'M A REAL EN6U5H EARL--
ER-THEN-WHATEVER YOU WANT TD DO TD >ME IS ONLY WHAT I DESERVE.' I AM GUILTY,I TELL YOU~Gt//iry/ NOBODY ELSE KNEWWHO I REALLY WAS- I WANT TOTAKE ALL THE BLAME.'
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L YOU MA'S SON-
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ond Tom Mix'
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urn
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M,„
:;;,'=,;•!&&?. learned™ a<trtet*3"e«
In*, o«a.
THE TOPS IN POPS'J'HIS year. Tommy Dorsey celebrated his
fifteenth year in the band business. He oc-
cupies a unique niche in the entertainment
field. World-famous for his brilliant technique
in jazz, he is a highly respected musical artist
who has made classical recordings, too. Themusic world respects his keen judgment of
talent and his ability to build new stars.
•The Dorsey musical aggregation also has
been the incubator for many of the most im-
portant names in show business. The stimu-
lating "Tee Dee" personality has sparked
innumerable radio and film appearances. His
famous theme, "Get-
ting Sentimental Over
You," won for Dor-
sey the familiar label,
"The Sentimental
Gentleman."
Born in Mahoney
'Plane, Pa., where his
father was an accom-
plished instrumentalist,
organizer. Tommy attended
high school in Shenandoah. His father gave
him intensive musical training in every instru-
ment of the brass section before the trombone
was selected.
His first earnings, however, came from driv-
ing a truck for a meat market. For, this he
received $16 a week, but he soon discovered
that trombone playing, even in small bands.
was .much more remunerative. He and his
brother. Jimmy, played numerous one-nighters
together, traveling throughout the coal regions
of Pennsylvania. They finally organized their
first orchestra, which they called the Dorsey
Brothers Novelty Band. Although their group
didn't make the grade outside their home town,
they were soon offered a job with "big time"
name bands, and spent the next ten years
switching from one band to another on the
road, on radio stations, and in theaters.
By 1935, the Dorsey brothers had blowntheir horns with almost every major name or-
chestra, and then they organized their own sen-
sational unit, which boasted, among other
celebrated side men, the late Glenn Miller
.on the trombone. After almost two yiars, the
brothers broke up and Tommy opened with
his own band at the French Casino. The rest
is history. For ten years Tommy Dorsey has
retained his leadership on the air, in personal
appearances, and on RCA Victor recordings.
One of his latest platters on the RCA label
is "C'est Si Bon," with a good vocal job -by
pretty Frances Irvin. It's backed by "I Oughta
Know More About You." Jack Duffy joins
Frances on this Dorsey disc. Another newand excellent Tommy Dorsey waxing is "Com-in' Thru the Rye." coupled with "I Hadn't
Anyone Till You."
Perry Como fans won't want to bypass
Perry's latest Victor platter. "Hoop-De-Doo."
It's a fast-beat novelty tune with a real music-
hall bounce and delightful lyrics by Perry
and the Fontane Sisters. In "On the Outgoing
Tide," the plattermate, Como is at his best,
singing in slow, lilting rhythm of a love that
will survive earthly obstacles.•
Capitol Records has just released a slew
of new discs. If you're a Dixieland fan, take
a gander at the records bearing the Capitol
label and you're sure to discover the best in
Dixieland. Sharkey and His Kings of Dixie-
land waxed what we consider the best Dixie-
land piece of the month—
"In the Mood,"backed by "Solo Mio Stomp," Sharkey Bo-nano is on the trumpet; Santo Pecora on the
trombone; Lester Bouchon on the clary; Jeff
Riddick, piano; Chink Martin, tuba; and
Monk Hazel on the drums. This combo makes
for a sure-fire winner.
Paul Weston got in on the renewed Dixie-
land fad and recorded two old Dixie favor-
ites, "Original Dixieland One-Step" and
"Panama." Paul does many of the orchestral
backgrounds on the Capitol discs, and this
new' release is up to his usual fine" standard.
Jan Garber and his orchestra can take a
bow for their version of "The Old Piano Roll
Blues." The flip-over is "Clodhopper," a
strictly instrumental job. The label is purple,
which means it's Capitol.
A record that's getting a lot of play is
"Choo'n Gum." Kitty Kallen on the Mercury
label does a great job with the song, and on
the reverse side she is equally effective with
another brassy tune entitled "Juke Box Annie."
Also on a Mercury waxing, Bobby Sher-
wood and his orchestra will have you jumping
to his great interpretation of "Muskrat Ram-
ble" and "Dixieland Ball,"
Incidentally. Frankie Laine had better
watch his step. Satan from "Satan Wears a
Satin Gown" doesn't like the way that girl
from the swamp is taking the play away from
her; "Swamp Girl" is a big hit. You'll like
it though if you latch on to these two Laine
Mercury recordings,
Columbia has just released an album by
Arthur Godfrey called "Arthur Godfrey and
His Friends." The old redhead sings some
of the tunes he helped make popular, such as
"Too Fat Polka," Candy and Cake," and
"Making Love, Ukulele Style."
Frank Sinatra, Jane Russell and the Mod-
cmaires team up to make mighty good listening
on a Columbia platter entitled "Kisses and
Tears." On the flip-over Frank works without
Jane in "When the Sun Goes Down."
Decca Records has a winner with the An-
drews Sisters' platter. "I Wanna Be Loved."
Patty Andrews handles the vocal with her
sisters backing her up. The flip side is another
Andrews Sisters gem called "I've Got to Get
Out of the Habit."
You'll be singing a ditty called "Teasin'"
very shortly. It's a new Coral platter excel-
lently pen -fined by Connie Haines. The re-
verse side is an effective rendition of "All I
Do Is Wantcha." Georgia Gibbs on the Coral
label has turned out a fine job doing "I Don't
Care If the Sun Don't Shine" and "I'll Get
Myself a Choo Choo Train." Coral is a sub-
sidiary of Decca, and they are turning out
good discs in the tradition of the latter com-
pany.
M-G-M released a new Billy Eckstine rec-
ord entitled "My Destiny," which is reminis-
cent of an old Eckstine platter, "Somehow."
The coupler finds Mr. B. adding his magic to
"Roses."
Johnny Desmond has recorded one of the
cutest novelties in many a month. Two dis-
tinctive melodies and a catchy lyric are all
wrapped up neatly into a tricky little thing
called "The Picnic Song." The reverse side
is "I've Got a Heart Filled .With Love.'*
If you're a blues fan, you'll want to hear
the Striders' new Apollo disc—
"Five O'Clock
Blues" and "Cool Saturday Night."
We've received many letters from you fani
asking us to list the companies that are pro-
ducing records in the. three speeds. Here'i
the info:
RCA VICTOR 78 45 331/3CAPITOL 78 45 331/3M-G-M 78 45 331/3DECCA 78 33 1/3
MERCURY 78
COLUMBIA 78 7in. 33 1/3CORAL 78
APOLLO 78
That's about all for this month. Until next
time, keep spinning the discs . . . and happy
listening!
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LUCILLE WAS ->__^-^-—^ aiftjjj^^j
SOPN ON «V AinTkJPP'S i. n^yj*™"AUGUST 8, fcNKULUNti A*b IN V-^E3W**
THE'CHAUTflUQUA /•aSW-INTBUTTE,MONTANA, BUT INSTITUTE OF ~C^f&jM&'
WUStC'To^OPFJOW.'^^i^GPEW UP IN
JAMSSTOWN, **-*1/>—_ _—^' "vMd8^new lame, /VOUl? MOTHEU PLAyS BSwhepe hep
«IN CONCEPTS, DOESN'Tjffii
RWiLY MOVE& SHE? MASSE VOU'LL "1IBWHEN SHE ,86 FAMOUS LIKE HEP, SSWAS STILL (i?Sri SOME PAY/ r—rffc^SBAN INFANT...
Cs:-s 0»»t ifttcfe*:
- wia? v. jfc»-.4BB'r[fl| :
f^BPfefcw^^WwiBk
Mff) $; .V'jJPw
BUT DRAMATICS MEANT /MOPE TO YOUNGLUCILLE THAN PIP THE KEYSOAPC OF APlANa HEP HEAPT SET ON BECOMING ANACTRESS, SHE ENPOLLEP IN*THE JOHN/UUPPAY ANPEPSON PP/AM4T1C SCHOOL'.ONEDAY A TEACHEP TOOK HEP/ ASIPE—
VOU'D BETTER' ST4PTJOB HUNTING, LUCILLE.'
< YOU'ffE CASTING AIONEY'
\ STUPYIWG DPAMATCS.'
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BUT LUCILLE PEFUSEC? TO GIVE UPHEP DREAMS SO EASILY. SHE GOT AJOB WITH THE ROAD COMPANY OF"PlO PlTA".THEN ONCE AGAIN THE JINXSTRUCK WHEN SHE WAS FlPEP FOP"INEXPERIENCE.'" LUCILLE BEGAN TOTHINK THE TEACHEP HAP BEENPIGHT. FOP SOME TIME SME MiXePSODAS IN A &QOA0WAV STORE...
BUT LUCILLE'STITIAN LONELINESSWAS TOO BPEATH-TAKING TO BEWASTED BEHINDA SOCiA FOUNTAIN.'
SHE WAS SOONWORKING ASA WOP-EL tH
MANHATTAN'SCOAT-ANO-SUITSECTION... WHEREWORLD-FAMOUSPESlGNEP, HATTJECAPNEGlE.SAWHSRANP HIPED HEP?.
JUST WHEN. ITAPPEAPEO THATHEP FAME A5 ACARNEGIE MODELWOULD PAY OFFON THE STAGE,-A TRAGIC AUTO-MOBILE ACCIDENTIN CENTRAL PARKPUT LUCILLE IN
A WH6ELCHAII?FOP THPEE YEAfTS:
IT WAS A BAPACCIDENT, LUCILLE,ANP YOU'PE LUCKYTO &EAUV£/BVTKEEP YOUP CHIN UPWEIL PO OUP BEST,ANP MAYBE SOMEPAY YOU CAN WALKAGAIN...
THPEE YEARS OF GRITTY BATTLING AGAINSTPAIN AND DISCOURAGEMENT FOLLOWEO-BUTLUCILLE'S PLUCK AND PERSEVERANCE SAWHBP THROUGH, AND FAME CAME TO HEP ASTHE "CHESTERFIELD GIRL".ANO THEN...
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SHOlm.V XFTW :
HEIt HONEY/MOON,uiciu-e <sot us? w?st peal bpeawthe thpse years she had spentin a wheelckw well fitted heupop hep pole in "the big street'',in which she played a showgiplwho was pagawzbo ff?om thehips pown—
m
THEN FOUjCWEO"PICTURES AT"COLUMBIA,M.G.M.,ANE>
j PARAMOUNT,HER MOSTRecent being'fancy pants',
which cq-siarsHER WITHBOB HOPE,.,
R.K.O. LIKEDLUCILLE'5 WOPK'SO MUCH THATTHE?/ PUT HERUNpa?GOwn»cr.SHE BE?<*4NAPPEARING IN
SUCH PICTURESAS "THE GtRLFROM PARIS ",
"STAGE COOfi",AND "TOO MANYGlRLS^IN 1940LUCILLE /MARRIEDPESI AOtAZ,WITH WHOMSHE CO-STARREDIN THE LATTER1
PICTURE.-
LUCILLE THEM MOVEDOVER TO M.G.M. WHERESHE APPEARED IN THETITLE ROLE OF 'DUBARRY
WAS A LADY ".
TO HE1? FORTITUDE ANDCOURAGE, LUCILLE BALLSTANDS TOBAV AT THE PINNACLEOF SUCCESS.'AS SHE HERSELF SAVS,HER LIFE AND CAREER HAVE BEEN ONELONG 'OBSTACLE RACE*— A RACE .—IN WHICH SHE IS NOT ONLY STILlT^VERY MUCH IN THE RUNNING, ~HBUT WAY OUT IN THE LEAD
AS WELL.'
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ooo gooB <io SoO On „ooOS OqJteg/X»
THIS PAGE IS PUBLISHED AS A PUBLIC SERVICE IN COOPERATION WITHLEADING NATIONAL SOCIAL WELFARE AND YOUTH-SERVING ORGANIZATIONS.
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PATTI TELL5 ME I'M LIABLE TOBE YOUR FATHER-IN-LAWSOON i AND, ALTHOUGHI LIKE YOU, I THINKYOU'RE COMPLETELY
OVROWG FOR HER/ /(WHY.
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rgpoRTS "oS)
i MART El-
leiLMQREflGHT AGAINTONIGHT
JOE R'LEY
TO REFEREE
I'D SETTER HURRY ANDGET DRESSED-TOMGHT'STHE NIGHT, PATTI/ARE -you
SURE, I AM.AND I MOPE THEYKNOCK EACHOTHER OUT.'
COMINGTO THEFIGHT?
A FORTUNETELLERTOLD ME I'D LOSETONIGHT WITHOUTA KISS FROM
SCRWDQfcThere's a 300,000-gaIlon tank at the War-
ner Brothers studio which poses in variousmovies as an ocean, river, or lake. Recently,Oscar-winner Jane Wyman had to spend sev-eral long, damp days in the tank for shots ofa scene in which her sailboat overturns in abay. Between "takes," dripping Miss Wymanwas hustled into towels and robes, and com-forted with hot coffee. Despite her moist misery,one thing was sure: the pert star couldn'tdrown! Even if she didn't have the finest home-made dog-crawl in Hollywood, her safety wasassured by the presence of at least 100 would-be lifeguards—the crew of "The Lady Takesa Sailor." When the director informed Janethat Bette Davis had once "drowned" in thesame tank for a dramatic suicide scene, heronly reply to the grim thought was a plaintive,
"I wonder if she got as wet as I ami"
Members of a certain studio casting office
are sure now that they've heard everything!A woman phoned to ask if she could register
for work. "For yourself?" queried the studio.
"No," she replied, "I want to register my twopalm trees. They're awfully pretty and they'dlook good in a picture." "You must be ribbingme," said the casting director, whereupon thewoman got wrathy and banged down the re-
ceiver.
Character-actor Raymond Massey owns a
pre-Revolutionary Connecticut farmhouse, andit'i haunted by an unusual ghost—the ghostof a hone! "Our parlor was once a stable,"
explained the star, "and it was there that a
horse died in 1711." He hasn't seen the equinephantom yet, but his invisible presence is com-mon knowledge. "People think I'm mad," con-tinued Masaey, "when I tell them my ghost
situation. It seems that horses, poor things, aresoulless, and therefore aren't supposed to havethe material from which ghosts are made!"
buttons .
Strangers
Dennis Morgan lost most of his
recent press preview of "Perfect
which he co-stars with Ginger
The debuttoning, at the hands of avid auto-graph seekers, occurred when he left the the-
ater after the show. It left Mr. Morgan in
quite a state of embarrassment, and with the
feeling that somebody ought to invent a
"courtesy code" for signature hounds
—
onethat would get better results for them, and'at
the same time leave their victims clad in some-thing more than a tie!
"The 'code'," Mr. Morgan said, "should con-tain the following 'don't s':
"Don't maul an actor. He may need his but-tons more than you do.
"Don't ask him to use his own pen—andif you do, don't grab it. It may be a priceless
keepsake. '
"Don't stick your autograph book in his
car if it's moving away from the curb. Youmight get run over.
"Don't ask him to write out a special mes-sage to you if he's surrounded by other auto-graph seekers. Give them a break, too.
"Don't flash a bulb in his face. It mighthatter and cut him. If you must get a picture,
you'll get better ones by standing furtheraway.
"Don't approach him while he's dining in
a restaurant. Even an actor is entitled to eatin peace. If you must have his signature, waituntil he gets outside.
"Most actors and actress," Morgan concluded,"really love to give autographs. They'll givethem all day if things arc kept pleasant andcomfortable!"
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