Post on 27-Jan-2015
description
mus
ic ro
om
relig
ious m
usic
com
posit
ion fo
r pia
no
oper
a
music room
religious music
composition for piano
opera
orchestral music
vocal music
symphonic music
band music
prose
1840
1845
1850
1855
1860
1865
1870
1875
1880
1890
1900
1895
1885
current diffusion of work[...]
1901
1883
Aida
Opera House - Cairo
Rigoletto
La Fenice - Venice
Nabucco
La Scala - Milan
Il Trovatore
Teatro Apollo - Rome
Macbeth
Teatro della Pergola - Florence
Un ballo in maschera
Teatro Apollo - Rome
Otello
La Scala - Milan
Falstaff
La Scala - Milan
Don Carlos
Salle Le Peletier - Paris
Simon Boccanegra
La Fenice - Venice
La forza del destino
La Fenice - Venice
·28
Parsifal
Festspielhaus - Bayreuth
Siegfried
Festspielhaus - Bayreuth
Tannhäuser
Semperoper - Dresden
Götterdämmerung
Festspielhaus - Bayreuth
Lohengrin
National Theatre - Weimar
Die Meistersinger von Nürnberg
National Theatre - Munich
Rienzi, der Letzte der
Tribunen
Semperoper - Dresden
Der Ring des Nibelungen
Festspielhaus - Bayreuth
(27th January)
Vincenzo Lavigna
Virginia Maria
elected as a liberal
-moderate representative
opening of the Suez Canal
(for which he composed Aida)
Franco-Prussian
war
death of Manzoni
(for which he composed
Messa di Requiem)
adoption of the
Albertine Statute
Unification of Italy
signed the Triple Alliance between
Germany, Austria and Italy
MargheritaBarezzi
Giuseppina
Strepponi
entry into the Senate
Icilio Romano
(13th february)
Cosima Wagner
Matilde
Wesendonck
IsoldeEva
Sigfrido
flees to Switzerland
for political reasonsactive participation in
revolutionary movements
=
BEAUTIFUL REASONSTapestry conference
26 February 2014Annapolis
giorgia lupitw: @giorgialupiwww.accurat.itwww.giorgialupi.net
Thursday 27 February 14
mus
ic ro
om
relig
ious m
usic
com
posit
ion fo
r pia
no
oper
a
music room
religious music
composition for piano
opera
orchestral music
vocal music
symphonic music
band music
prose
1840
1845
1850
1855
1860
1865
1870
1875
1880
1890
1900
1895
1885
current diffusion of work[...]
1901
1883
Aida
Opera House - Cairo
Rigoletto
La Fenice - Venice
Nabucco
La Scala - Milan
Il Trovatore
Teatro Apollo - Rome
Macbeth
Teatro della Pergola - Florence
Un ballo in maschera
Teatro Apollo - Rome
Otello
La Scala - Milan
Falstaff
La Scala - Milan
Don Carlos
Salle Le Peletier - Paris
Simon Boccanegra
La Fenice - Venice
La forza del destino
La Fenice - Venice
·28
Parsifal
Festspielhaus - Bayreuth
Siegfried
Festspielhaus - Bayreuth
Tannhäuser
Semperoper - Dresden
Götterdämmerung
Festspielhaus - Bayreuth
Lohengrin
National Theatre - Weimar
Die Meistersinger von Nürnberg
National Theatre - Munich
Rienzi, der Letzte der
Tribunen
Semperoper - Dresden
Der Ring des Nibelungen
Festspielhaus - Bayreuth
(27th January)
Vincenzo Lavigna
Virginia Maria
elected as a liberal
-moderate representative
opening of the Suez Canal
(for which he composed Aida)
Franco-Prussian
war
death of Manzoni
(for which he composed
Messa di Requiem)
adoption of the
Albertine Statute
Unification of Italy
signed the Triple Alliance between
Germany, Austria and Italy
MargheritaBarezzi
Giuseppina
Strepponi
entry into the Senate
Icilio Romano
(13th february)
Cosima Wagner
Matilde
Wesendonck
IsoldeEva
Sigfrido
flees to Switzerland
for political reasonsactive participation in
revolutionary movements
=
BEAUTIFUL REASONSTapestry conference
26 February 2014Annapolis
giorgia lupitw: @giorgialupiwww.accurat.itwww.giorgialupi.net
Thursday 27 February 14
=
We think that the aesthetic aspects of data-visualization can be considered
as important as the data itself in helping readers get interested about a topic and triggering their curiosity to explore more
Accurat for Popular Science, May Issue Thursday 27 February 14
=
We think that aesthetic features can be considered
not only as an ornamental attribute within a data-driven visual story
Accurat for La Lettura, Corriere della SeraThursday 27 February 14
=we think that we should, in some particular cases, allow for a visualization to take its shape from a
visual idea and not straight from the data:
Accurat for La Lettura, Corriere della SeraThursday 27 February 14
=
we think that a reader should be able to find a data-visualization both
intellectually compelling and emotionally rich
Accurat for La Lettura, Corriere della SeraThursday 27 February 14
Oh, that is beautiful. And strange!
I want to know what this is about!
image from Populuxe Set, Creative Commons licence
“
Thursday 27 February 14
VISUALIZING PAINTERS’ LIVES
Personal Project, directed by Giorgia Lupi and Michela Buttignol, produced by AccuratThursday 27 February 14
Thursday 27 February 14
Can we add more fun?
image from Populuxe Set, Creative Commons licence
“
Thursday 27 February 14
A SLICE FOR EVERYONE
MC CANN WorldGroup, Accuratfor Fiorucci
Thursday 27 February 14
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Thursday 27 February 14
Thursday 27 February 14
Thursday 27 February 14
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Thursday 27 February 14
Thursday 27 February 14
can we do itwhen we have
a limitedamount of data?
image from Populuxe Set, Creative Commons licence
“
Thursday 27 February 14
“FAMOUS WRITERS’ SLEEP HABITS AND LITERARY PRODUCTIVITY”
Maria Popova, Accurat, Wendy MacNaughton,for brainpickings.org
Thursday 27 February 14
Thursday 27 February 14
Thursday 27 February 14
Thursday 27 February 14
Thursday 27 February 14
Thursday 27 February 14
Thursday 27 February 14
can we do it evenwith interactive
data visualizations?
image from Populuxe Set, Creative Commons licence
“
Thursday 27 February 14
NEXT ATLAS
Thursday 27 February 14
Thursday 27 February 14
NEXT ATLAS
Thursday 27 February 14
=loading an analytical representation with
emotional investment can generate attention rather than distraction
Accurat for La Lettura, Corriere della SeraThursday 27 February 14
=
purpose:testing what is interesting and what is not,
...what people like and what they don’t, ....what they understand and what they don’t
Accurat for La Lettura, Corriere della SeraThursday 27 February 14
=
The risk we take is a constant search for beauty,
unconventional, but still beauty, to make people “wander”.
Accurat for La Lettura, Corriere della SeraThursday 27 February 14
=
BEAUTIFUL REASONSTapestry conference
26 February 2014Annapolis
giorgia lupitw: @giorgialupiwww.accurat.itwww.giorgialupi.net
Thursday 27 February 14