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faculty.winthrop.edufaculty.winthrop.edu/stockk/Modernism/amer mod005.pdf · Part 2: Abstract Expressionism and the politics of criticism Clement Greenberg and the ascendance of the

faculty.winthrop.edufaculty.winthrop.edu/stockk/Contemporary Art/AIT greenberg modern… · 5 Clement Greenberg (1909—1994) 'Modernist Painting' More than any other single text

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faculty.winthrop.edufaculty.winthrop.edu/stockk/Modernism/amer mod001.pdf · from an art of 'naturalism' or 'social realism' to what became celebrated after 1945 as 'Abstract Expressionism'

faculty.winthrop.edufaculty.winthrop.edu/stockk/Modernism/vol 2 matisse.pdf · Matisse's slightly later interest in a more controlled mode of painting, what he called in his Notes

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faculty.winthrop.edufaculty.winthrop.edu/stockk/Contemporary Art/Chave... · · 2009-08-24264 Anna C. Chave Minimalism and the Rhetoric of Power Source: Anna C. Chave, 'Mimmalism

faculty.winthrop.edufaculty.winthrop.edu/stockk/WOmen in art/Parker 20th cent feminism (B).pdf · Woman, beautiful, artist, wife, housekeeper, cook, saleslady, all these things. I

faculty.winthrop.edufaculty.winthrop.edu/stockk/Contemporary Art/Nochlin...Created Date 1/17/2000 1:46:30 PM

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faculty.winthrop.edufaculty.winthrop.edu/stockk/Contemporary Art/sandler ch 12 part A.pdf · 376 ART OF THE POSTMODERN ERA capitalism. Although they numbered only some six dozen during

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faculty.winthrop.edufaculty.winthrop.edu/stockk/Modernism/vol 1 imp 1.pdf · MODERNIZATION: SPECTACLE AND IRONY 113 stew of Argenteuil; not a line, not a plane, not a shape carried

faculty.winthrop.edufaculty.winthrop.edu/stockk/SELF PORTRAIT/McPherson Cezanne (A).pdf · In Merleau-Ponty's existential phenomenology, which is grounded in the fundamental ambiguity

faculty.winthrop.edufaculty.winthrop.edu/stockk/Paris/documents contmp ch 2001.pdf · Albers, Hans Arp, and Wassily Kandinsky.l Arp and Kandinsky used the term "con- ... Biederman's

faculty.winthrop.edufaculty.winthrop.edu/stockk/Contemporary Art/Hopkins ch 2... · 2009-08-24 · the creation of a machine-age iconography, rendered in a dry, ironic, linear style.

faculty.winthrop.edufaculty.winthrop.edu/stockk/Paris/documents contmp ch 2002.pdf · master's degree in art history in 1962, having worked with Meyer Schapiro. Taking the nonreferential,