Post on 01-Jun-2018
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19-1 Arena Chapel
Name of work Figure #
Student
Arena Chapel 191 Hayden Davies
Artist (Patron)
Giotto Di Bondone
Culture, Century
(Period/Movement)
14th Century
Medium
(Location if Architecture)
Padua Italy
Key Figures / Setting
(Significance)
Enrico Scrovegni (founder of the chapel) is depicted in the fresco of l ast
judgment
Art History Vocabulary
Influences on / by Artistmany fresco's depict the act of usury (lending money for profit)usury was a sin
How fits (or not)
With Times
The size and splendour of the Arena Chapel offended the monks of
the neighbouring Eremitani Church
Key Formal Characteristics
dedicated to the virgin of Annunciation & virgin of Charity
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19-3 Annunciation, Nativity, and Adoration of th
Shepherds
Name of work Figure # Student Annunciation, Nativity, and Adoration of the Shepherds Bennet Adamson
Artist (Patron) Nicola Pisano
Culture, Century (Period/Movement) 13th Century Italy
Medium (Location if Architecture) Marble
Key Figures / Setting (Significance) Jesus and Shepherds
Art History Vocabulary pulpit- a raised platform or lectern in a church or chapel from which the preache
delivers a sermon.
Influences on / by Artist Bible stories (nativity scene)
How fits (or not) With Times Classical sculptural style
Key Formal Characteristics Relief Sculpture
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19-5 panel from the Saint Francis
Altarpiece
Name of work Figure # Student panel from the Saint Francis Altarpiece 195 Bennet Adamson
Artist (Patron) Bonaventura Berlinghieri
Culture, Century (Period/Movement) Italy, 13th century
Medium (Location if Architecture) Tempera on wood
Key Figures / Setting (Significance) Francis of Assisi
Art History Vocabulary
Influences on / by Artist Religion
How fits (or not) With Times Italo-Byzantine painting style
Key Formal Characteristics tempera & gold leaf painting
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19-7 Madonna Enthroned with Angels and
Prophets
Name of work Figure # Student Madonna Enthroned with Angels and Prophets Bennet
Adamson
Artist (Patron) Cimabue
Culture, Century (Period/Movement) 13th Century Italy
Medium (Location if Architecture) Tempera & gold leaf on wood
Key Figures / Setting (Significance) Madonna, angels, prophets
Art History Vocabulary
Influences on / by Artist Religion, The black death
How fits (or not) With Times started to break away from italobyzantine style
Key Formal Characteristics
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19-8 Madonna Enthroned
Name of work Figure #
Student
Madonna Enthroned 198 Hayden Davies
Artist (Patron) Giotto Di Bondone
Culture, Century (Period/Movement) 14th Century
Medium
(Location if Architecture)
Tempera and gold leaf on wood
Key Figures / Setting (Significance) Madonna
Art History Vocabulary
Influences on / by Artist
Figures are bulky, give the illusion the could throw shadows
How fits (or not)
With Times
Displaced byzantine style and replaced it with naturalistic style from the
classical period
Key Formal Characteristics
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19-9 Lamentation (Arena Chapel)
Name of work Figure #
Student
Lamentation (Arena Chapel)
199 Hayden Davies
Artist (Patron) Giotto Di Bondone
Culture, Century (Period/Movement) 14th Century
Medium (Location if Architecture) Fresco
Key Figures / Setting (Significance) Christ, Virgin Mary, Angels
Art History Vocabulary
Influences on / by Artist uses diagonal slope of rocky path to direct eye to christ
How fits (or not)
With Times
more detail in the emotional faces and movement of angels
Key Formal Characteristics
halos around important figure's heads
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19-10
Virgin
and
Child
Enthroned
with
Saints
Nameofwork Figure#
Student
VirginandChildEnthronedwithSaints 19-10 HaydenDavies
Artist(Patron) DucciodiBuoninsegna
Culture, Century
(Period/Movement)
14thCentury
Medium
(LocationifArchitecture)
Temperaandgoldleafonwood
KeyFigures/Setting
(Significance)
VirginMary
Art
History
Vocabulary
Influenceson/byArtist softeneddrapery,individualizedfaces
Howfits(ornot)
WithTimes
similarformalityandsymmetrytothebyzantinestyle,butmorerelaxedand
lessrigid
KeyFormalCharacteristics
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19-12 Orvieto Cathedral
Name of work Figure # Student Orvieto Cathedral Bennet Adamson
Artist (Patron) Lorenzo Maitani
Culture, Century
(Period/Movement)
14th Century Italy
Medium (Location if Architecture) Orvieto Italy Stone and wood
Key Figures / Setting (Significance) City Cathedral
Art History Vocabulary pinnacle cap or crown of a buttresss
Influences on / by Artist French Gothic Cathedrals
How fits (or not) With Times Fusion between an italian Basilica and a Gothic Cathedral
Key Formal Characteristics
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19-16 Peaceful City, from Effects of Good
Government in the City and in the Country
Name of work Figure #
Student
Peaceful City, from Effects of Good Government in the City and in the Country
(1916)
Paul W
Artist (Patron) Ambrogio Lorenzetti
Culture, Century
(Period/Movement)
1338 CE 1339 CE
14th Century Italy
Medium (Location if Architecture) Fresco
Key Figures / Setting
(Significance)
gave visual form to Sienese civic concerns
The Black Death killed both Lorenzettis
Art History Vocabulary fresco
Influences on / by Artist the violent/turbulent politics of the Italian cities
constant party struggles, overthrowing and replacing of governments
How fits (or not)
With Times
no, one of the first frescos to start applying perspective
Key Formal Characteristics a panoramic view of Siena, with its markets, towers, etc.
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19-17 Peaceful Country
Name of work Figure #
Student
Peaceful Country 1917
AD
Artist (Patron) Ambrogio Lorenzetti (commissioned by Sienese Government)
Culture, Century
(Period/Movement)
Italian
14th Century
Medium (Location if Architecture) Fresco (Palazzo Pubblico, Siena)
Key Figures / Setting (Significance) Part of three (Effects of Bad Government in the City + Effects of Good " ")
Art History Vocabulary Illusionistic Representation
Influences on / by Artist Brother, Pietro Lorenzetti
How fits (or not)
With Times
Advance of earlier generic + crude landscapes. Much more details.
Key Formal Characteristics Panoramic view
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19-18
Florence
Cathedral
Nameofwork Figure#
Student
FlorenceCathedral[1918]
AD
Artist(Patron) ArnolfodiCambio
Giottodi
Bondone
designed
the
campanile
Culture, Century(Period/Movement) Romanesque;Late13th,early14th
Medium(LocationifArchitecture) Florence,Italy
KeyFigures/Setting(Significance) Representpower+wealthofFlorence;competitionbetweenother
cities(Siena,Pisa,etc)
ArtHistoryVocabulary Revetment(decorativewallpaneling)
Influenceson/byArtist OrvietoCathedral
Howfits(ornot) WithTimes Doesn'ttrytobeveryhighandtall;flatter,tiedtoground
KeyFormalCharacteristics Nave,transpets,dome,campanile,geometricdesigns
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20-1 Giovanni Arnolfini and His Bride
Name of work Figure #
Student
Giovanni Arnolfini and His Bride [201]
AD
Artist (Patron) Jan van Eyck
Culture, Century (Period/Movement) Netherlandish 15th Century
Medium (Location if Architecture) Oil painting
Key Figures / Setting
(Significance)
Arnolfini (a Lucca financier) + his bride
Secular painting but w/ religious overtones
Art History Vocabulary
Influences on / by Artist
How fits (or not) With Times Commissioned piece by wealthier businessman, becoming common at time.
Still has religious themes (eg Passion of Christ in background).
Key Formal Characteristics Put his name in there in top corner: "Jan van Eyck was here"
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20-2
Well
of
Moses
Nameofwork Figure#
Student
WellofMoses [202]
AD
Artist(Patron) ClausSluter (PhiliptheBold,dukeofBurgundy)
Culture, Century
(Period/Movement)
French Late14th,early15thCentury
Medium
(LocationifArchitecture)
Stone
ChartreusedeChampmolMonastery,Dijon,France
KeyFigures/Setting
(Significance)
Moses+prophetsDavid,Daniel,Isaiah,Jeremiah,Zachariah
UsedtohaveChrist+VirginMaryuphigher
Art
History
Vocabulary Naturalistic
Influenceson/byArtist Gothicstyle+jambs
Howfits(ornot)WithTimes Similarintheme,butmovedonceagaintowardmorerealistic.
KeyFormalCharacteristics
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20-3 Retable de Champmol 20-3 Jason
Name of work Figure #
Student
Retable de Champmol 20-3 Jason
Artist (Patron)
Melchior Broederlam
Culture, Century
(Period/Movement)
Northern Europe, 14th Century
Medium
(Location if Architecture)
Oil on Wood
Key Figures / Setting
(Significance)
Annunciation and Visitation on left panel, Presentation in the Temple and Flight
into Egypt on right panel: from the chapel of Champmol, Dijon, France.
Art History Vocabulary
Polyptychs (multipaneled)
Influences on / by Artist
Later panelists, first pioneers of oil painting
How fits (or not)
With Times
Yes used in churches, Broederlam was one of the greats of his time.
Key Formal Characteristics
Combined 2point and 1point projection on left, 1 pointprojection on right.
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20-4
Mrode
Altarpiece
Nameofwork Figure# Student MrodeAltarpiece 204 Jason
Artist(Patron) RobertCampin(knownasMasterofFlmalle)
Culture,Century
(Period/Movement)Northern
Europe,
15th
Century
Medium (LocationifArchitecture) OilonWood
KeyFigures/Setting (Significance) 'Flemish'Annunciationincentre,decoratedbyreligioussymbolssetinaFlemish
household.
RightpanelisJosephsettingamousetrapfortheDevil.
Leftpanelarethepatronswitnessingtheeventinaclosedgardensymbolizing
Mary'spurity.
ArtHistoryVocabulary privatecommission:aworkforanonclericalclient/patron.
Influenceson
/by
Artist
strong
influence
on
Van
Eyck
and
Northern
Renaissance
in
general.
Howfits(ornot)withTimes HewasapioneeroftheNorthernRenaissance:hewasoneofthefirst
successfulNorthernartistswithoilpaintings,andthetightnaturalismofhis
paintingsinfluencedmanyartists'works.
KeyFormalCharacteristics Onepointperspective
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20-7 Man in a Red Turban
Name of work Figure #
Student
Man in a Red Turban 207 Jason
Artist (Patron) Jan van Eyck, for Phillip the Good
Culture, Century (Period/Movement) Northern Europe (Burgundy) 15th Century
Medium
(Location if Architecture)
Oil on Wood
Key Figures / Setting
(Significance)
May be a selfportrait: was first Western painted portrait in a thousand
years in which the sitter looks directly at the viewer.
Incredible detail: beard stubble, bloodshot eyes, and aged skin show
incredible skill. Soft lighting shows distinct skill in portrayal, like convex
mirror in Arolfini
Art History Vocabulary threequarter head, oil
Influences on / by Artist Campin panel paintings,Rembrandt.
How fits (or not)
With Times
Very much so, named "the leading painter" of his day, along with Rogier
van der Weyden, Gentile da Fabriano, and Pisanello.
Key Formal Characteristics Threequarter head, soft angled light from top. Center composition.
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20-8
Deposition
Nameof
work
Figure
#
Student Deposition
20
8
Jason
Liu
(centerpanelofatriptychfromNotre-Damehors-les-murs,Louvain,
Belgium)
Artist(Patron) RogiervanderWeyden,fortheArchers'Guild
Culture, Century
(Period/Movement)
NorthernEurope15thCentury
Medium(LocationifArchitecture) OilonWood
KeyFigures/Setting(Significance) ItrepresentstheDepositionofChrist,alsoknownasthe'Descentfromthe
Cross'.
ArtHistoryVocabulary triptych:athreepaneledfoldingworkofart
Influenceson/byArtist VanEyck'snaturalisticoilstyle,buttheshallowbackgroundandtheincredible
displayofemotionbearsinfluenceontheremainderoftherenaissanceaswell.
Howfits(ornot)WithTimes ThenaturalisticstyleoftheEarlyRenaissance,especiallyVanEyck.
KeyFormalCharacteristics Centercomposition,inshallowbackdropandsoft,uniformshading.
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20-11 a goldsmith in his shop
Name of work Figure #
Student
A Goldsmith in His Shop (2011)
Paul Wang
Artist (Patron) Petrus Christus
Culture, Century
(Period/Movement)
1449 CE
Burgundy and Flanders
Medium
(Location if Architecture)
Oil on wood
3 feet 3inches by 2 feet 10 inches
Key Figures / Setting
(Significance)
portrays Saint Eligius, patron saint of goldsmiths
a couple is buying a wedding ring
Art History Vocabulary N/A
Influences on / by Artist Christus was one of the 2nd generation of Flemish masters who used oil paints, and created naturalistic representations
How fits (or not) With Times N/A
Key Formal Characteristics a panel painting for the Bruges goldsmiths' guild chapel
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20-15
January
from
Les
Trs
Riches
Heures
du
duc
de
Berry
Nameofwork Figure#
Student
JanuaryfromLesTrsRichesHeuresduducdeBerry
GraydenMatheson
Artist(Patron) LimbourgBrothers
Culture, Century(Period/Movement) NorthernEurope,14091416
Medium(LocationifArchitecture) Inkonvellum
KeyFigures/Setting(Significance) Portrayspeoplescharacteristicactivitiesfromeachmonth(itisapagein
acalendar),integratesreligiousartwithsecularart
ArtHistory
Vocabulary
Influenceson/byArtist ReligionandAstrology
Howfits(ornot)WithTimes Itfitswellwiththetimes
KeyFormalCharacteristics
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20-16 October from the book of hours (Les
Trs Riches Heures du Duc de Berry)
Name of work Figure #
Student
October from the book of hours (Les Trs Riches Heures du Duc de Berry)
Grayden Matheson
Artist (Patron) Limbourg Brothers
Culture, Century (Period/Movement) Northern Europe, 14091416
Medium (Location if Architecture) Ink on vellum
Key Figures / Setting (Significance) Portrays peoples characteristic activities from each month (its a page in a
calendar)
integrates religious art with secular art
Art History Vocabulary
Influences on / by Artist Religion and astrology
How fits (or not) With Times It fits well
Key Formal Characteristics
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20-21
Tarvisum
page
Nameofwork Figure#
Student
Tarvisumpage
GraydenMatheson
Artist(Patron) MichelWolgemut
Culture, Century(Period/Movement) NorthernEurope,1493
Medium(LocationifArchitecture) Woodcutprintonpaper
KeyFigures/Setting(Significance) Earlyexampleofwoodcutillustration
ArtHistoryVocabulary
Influences
on
/
by
Artist
Howfits(ornot)WithTimes Fitswithtimes
KeyFormalCharacteristics
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20-22 Saint Anthony Tormented by Demons
Name of work Figure #
Student
Saint Anthony Tormented by Demons 2022
Grayden Matheson
Artist (Patron) Martin Schongauer
Culture, Century (Period/Movement) Northern Europe, 14801490
Medium (Location if Architecture) Engraved Copper
Key Figures / Setting (Significance) Saint Anthony, Portrayal of demonic creatures
Art History Vocabulary Burin: Chisellike tool used to engrave metal
Intaglio: incised
Cross Hatching: a technique used to add texture to 2d imagery
Influences on / by Artist Religion influenced SchongauerHow fits (or not)With Times Metal engraving was fairly new at the time, however the religious
imagery fits the time period perfectly
Key Formal Characteristics Copper Engraved Print
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21-1
Flagellation
of
Christ
Nameofwork Figure#
Student
FlagellationofChrist
ColinM
Artist
(Patron)
Piero
Della
Francesca
Culture, Century
(Period/Movement)
Italy14001500
14551465
Medium(LocationifArchitecture) Oil&temperaonwood
KeyFigures/Setting
(Significance)
SetonporticoofPontiusPilate'spalaceinJerusalem
CompositionnotofChrist,but3figuresinforeground
DebateastobiblicalfiguresofrepresentationofMuslimcaptureof
Constantinople
ArtHistory
Vocabulary
N/A
Influenceson/byArtist
Emphasisonmathematicalproportionsofpicture
Proportions,geometry,exact&lucidstructuresdefinedbymath
Howfits(ornot)WithTimes Fits introductionofRenaissancemathematicalcomponentsinart
KeyFormalCharacteristics Perfectperspective
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21-5
Saint
Mark
Nameofwork Figure#
Student
SaintMark
ColinMitchell
Artist(Patron) Donatello
Culture, Century(Period/Movement) Italy,14001500
14111413
Medium(LocationifArchitecture) Marble
KeyFigures/Setting(Significance) SaintMark
ArtHistoryVocabulary Contrapposto shiftingofweightwithinasculpture
Influenceson/byArtist GrecoRomanclassicalism
Howfits(ornot)
WithTimes
Classicalrevival,typicalinRenaissance
KeyFormalCharacteristics Sculpture'sindependencefromarchitecturalsetting
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21-7 Saint George and the Dragon
Name of work Figure #
Student
Saint George and the Dragon
Colin Mitchell
Artist (Patron)
Donatello
Culture, Century
(Period/Movement)
Italy, 14001500
1417
Medium(Location if Architecture)
Marble
Key Figures / Setting
(Significance)
St. George
Art History Vocabulary
N/A
Influences on / by Artist
Legend of St George & dragon
How fits (or not)
With Times
Fits with Renaissance reliefs
Key Formal Characteristics
Relief sculpture
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21-12 David
Name of work Figure #
Student
David
Colin Mitchell
Artist (Patron) Donatello
Culture, Century
(Period/Movement)
Italy 14001500
14401460
Medium (Location if Architecture) Bronze
Key Figures / Setting (Significance) Youthful slayer of Goliath
Art History Vocabulary Bottega studio or workshop of a major artist
Influences on / by Artist Medici family
How fits (or not) With Times GrecoRoman classical revival
Key Formal Characteristics Contrapposto, Nude
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21-20
Holy
Trinity
Nameofwork Figure #Student HolyTrinity(2120)PaulWang
Artist(Patron) Masaccio
Culture, Century
(Period/Movement)
EarlyRenaissance
1424CE 1427CE
Medium
(LocationifArchitecture)
Fresco
22feetby10feet5inches
KeyFigures/Setting
(Significance)
mathematicsandperspectivewereusedinthispainting
measurementsweresoexactonecouldguessthedimensionsofthe
chapel
Art
History
Vocabulary
coffered
barrel
vault,
triumphal
arch
Influenceson/byArtist Brunelleschi'snewscienceofperspective(influenceon)
Howfits(ornot)WithTimes no,Masaccio'suseofmathematicswasrevolutionary
KeyFormalCharacteristics ademonstrationofBrunelleschi'sperspectiveratherthanapainter's
abilitytorepresentfigures
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21-23 Madonna and Child withAngels
Name of work Figure #
Student
Madonna and Child with Angels (2123)
Paul Wang
Artist (Patron) Fra Filippo Lippi
Culture, Century
(Period/Movement)
1455 CE
Early Renaissance
Medium
(Location if Architecture)
Tempera on Wood
3 feet by 2 feet
Key Figures / Setting (Significance) a humanization of the holy family to a degree never seen before
Art History Vocabulary N/A
Influences on / by Artist
Fra Filippo was a monk, who was guilty of many misdemeanours
even abducted a nun named Lucretia and made her his mistress
How fits (or not) With Times no, artists didn't humanize the holy family before
Key Formal Characteristics a painting that shows how artists are humanizing religious themes
precursor to High/Late Renaissance
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21-28
Birth
of
Venus
Nameofwork Figure#
Student
BirthofVenus(2128)
PaulWang
Artist
(Patron)
Sandro
BotticelliCulture, Century
(Period/Movement)
EarlyRenaissance
1484CE 1486CE
Medium
(LocationifArchitecture)
TemperaonCanvas
6feetby9feet
KeyFigures/Setting(Significance) showstheinnocenceandbeautyofthefemalenude
ArtHistoryVocabulary N/A
Influenceson/byArtist inspiredbyanAngeloPolizianopoem
Howfits(ornot)WithTimes no,ignoredscience,perspective,andanatomythatwereprevalentinthe15th
century
KeyFormalCharacteristics revivalofthethemeoffemalenudeinanelegantandromanticrepresentation
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21-31 Santo Spirito
Name of work Figure #
Student
Santo Spirito, Figure 2131
Ian Tai
Artist (Patron) Filippo Brunelleschi
Culture, Century
(Period/Movement)
1434 CE 1436 CE
Renaissance
Medium (Location if Architecture) Florence, Italy
Key Figures / Setting (Significance) mathematical units determine every dimension/aspect of the church
Art History Vocabulary cruciform, crossing square, central plan
Influences on / by Artist growing appreciation for perspective and mathematics in general
How fits (or not) With Times no, quite different from both the Florence Cathedral and Gothic churches
Key Formal Characteristics expresses a new Renaissance spirit that placed its faith in reason rather than
emotion
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21-40 Christ Delivering the Keys of the
Kingdom to Saint Peter
Name of work Figure #
Student
Christ Delivering the Keys of the Kingdom to Saint Peter, Figure 2140
Ian Tai (Paul W)
Artist (Patron) Perugino
Culture, Century
(Period/Movement)
Renaissance
1481 CE 1483 CE
Medium
(Location if Architecture)
Fresco
11 feet by 19 feet
Key Figures / Setting
(Significance)
depicts the event on which the papacy bases its authority
use of converging lines help give a 3D feeling
Art History Vocabulary N/A
Influences on / by Artist commissioned by Pope Sixtus IV
How fits (or not) With Times fits with the times; by this time, perspective is in almost every painting
Key Formal Characteristics illustrates the infallible and total authority of the Pope over the church
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21-44 Sant'Andrea,
Name of work Figure #
Student
Sant'Andrea, Figure 2144
Ian Tai
Artist (Patron) Leon Battista Alberti
Culture, Century
(Period/Movement)
Renaissance
1471 CE
Medium (Location if Architecture) Mantua, Italy
Key Figures / Setting
(Significance)
design reflects on Alberti's study of ancient Roman architecture
reflects upon Constantine's Basilica Nova
Art History Vocabulary N/A
Influences on / by Artist ancient Roman architecture
How fits (or not) With Times no, abandoned many medieval designs, such as the columnar arcade in the
nave
Key Formal Characteristics the different style makes this piece very influential later on in High/Late
Renaissance and Baroque
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21-49
Foreshortened
Christ,
Nameofwork Figure#
Student
ForeshortenedChrist,Figure2149
IanTai
Artist(Patron) AndreaMantegna
Culture, Century
(Period/Movement)
1500CE
Renaissance
Medium
(LocationifArchitecture)
Temperaoncanvas
2feetby3feet
KeyFigures/Setting(Significance) demonstratestheartist'smasteryofperspective
ArtHistoryVocabulary foreshortening
Influenceson/byArtist thenewtrendofincorporatingperspectiveinart
Howfits(ornot)WithTimes yes,it'saworkofoverwhelmingpowerthatbringsaharrowingcloseupof
deadChrist
KeyFormalCharacteristics usesnewtechniquessuchasforeshorteningbuttellsanintenselypoignant
biblicaltragedy
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22-1 Ceiling of the Sistine Chapel
Name of work Figure #
Student
Ceiling of the Sistine Chapel (221)
Paul W
Artist (Patron)
Michelangelo Buonarroti
Pope Julius II (Patron)
Culture, Century
(Period/Movement)
High/Late Renaissance
1508 1512 CE
Medium
(Location if Architecture)
Buon Fresco (True Fresco)
128 feet x 45 feet
Key Figures / Setting
(Significance)
general consensus that Michelangelo painted the ceiling lying down on his
back
Julius II forced Michelangelo to paint
Michelangelo wanted to work on sculptures in Julius II's tomb instead
Art History Vocabulary fresco, intonaco, grisaille
Influences on / by Artist
strong biblical influence; Genesis is depicted in the narrative panels
figures are painted like bodybuilders, regardless of age/sex; a penchant of
Michelangelo
How fits (or not) with Times great example of High Renaissance Art
Key Formal Characteristics
more than 300 biblical figures illustrating mankind's creation and downfall
took Michelangelo 4 years; he did not paint every part, but he did paint every
face
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22-4 Last Supper
Name of work Figure # Student Last Supper 224 Irving Tian
Artist (Patron) Leonardo Da Vinci
Culture, Century (Period/Movement) High/Late renaissance, ca. 14951498
Medium (Location if Architecture) Oil and Tempera on Plaster
Key Figures / Setting (Significance) Christ sitting at the centre of the table announcing that one of the twelve
disciples will betray him.
Art History Vocabulary Psychological focus, Perspectivalfocus
Influences on / by Artist N/A
How fits (or not) With Times Fits with time due to the accurate representation of the bible story, use of
human models, clear emotion in the painting.
Key Formal Characteristics Christ is the converging point of perspective lines making him literally the
centre of the mural. In open door people Christ creates the idea of a li ght
halo.
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22-5
Mona
Lisa
Nameofwork Figure#
Student
MonaLisa 225
Irving
Tian
Artist(Patron) LeonardoDaVinci
Culture, Century(Period/Movement) High/LateRenaissance,ca.15031505
Medium(LocationifArchitecture) Oilonwood
KeyFigures/Setting(Significance) LisadiAntonioMariaGherardini(TheWomenmodelledafter)
ArtHistoryVocabulary Mona(mylady)sfumato(mistyhazinesseffect)
Influenceson/byArtist N/A
Howfits(ornot)WithTimes Doesn'tfitwithtimeportraitisnotattributedtowealthduetothelack
ofjewellery
and
Lisa
is
looking
directly
into
the
viewers
eye;
it
was
against
Renaissanceetiquetteforwomantolookdirectlyintoaman'seyes.
KeyFormalCharacteristics Leanardo'sskillwithchiaroscuroandatmosphericperspectivecreatesa
portraitthateffectstheviewerpsychollogically.
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22-9 Philosophy (School ofAthens)
Name of work Figure #
Student
Philosophy (School of Athens) 229
Irving Tian
Artist (Patron) Raphael
Culture, Century (Period/Movement) High/Late Renaissance, 15091511
Medium (Location if Architecture) Fresco
Key Figures / Setting (Significance) Raphael and many great philosophers and scientists gathered together in a
setting resembling the interior of Saint Peter's
Art History Vocabulary N/A
Influences on / by Artist N/A
How fits (or not) With Times Fits with time due to its central idea of philosophy, science, mathematics,
and the arts.
Key Formal Characteristics Fresco refers to Julius II's traits of being a spiritual and temporalpope. The
characters all have a sense of personality.
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22-12 Piet
Name of work Figure # Student Pieta 2212 Irving Tian
Artist (Patron) Michelangelo
Culture, Century (Period/Movement) Hight/Late Renaissance, ca. 14981500
Medium (Location if Architecture) Marble
Key Figures / Setting (Significance) Mary cradling Christ's corpse
Art History Vocabulary N/A
Influences on / by Artist N/A
How fits (or not) With Times Doesn't fit with time. Very controversial because Mary and Christ are being
portrayed in a new way that makes Mary look the same age or eve n
younger than Christ.
Key Formal Characteristics The polish, luminosity, and high detail show Michelangelo's skill to
transform marble into skin, hair, and cloth.
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22-13
David
Nameofwork Figure#
Student
David(2213)
PaulW
Artist(Patron) MichelangeloBuonarroti
Culture, Century(Period/Movement) High/LateRenaissance,1501CE 1504CE
Medium,(LocationifArchitecture) Marble,17feettall,PiazzadellaSignoria,Florence
KeyFigures/Setting(Significance) doneafterMichelangelo'sreturnfromhis7yearsofbanishment
likelytohavebeeninspiredbyGrecoRomansculpture
ArtHistoryVocabulary N/A
Influenceson/byArtist carvedDaviddifferentlyfromDonatelloandVerrocchio
notaselfcontained;there'sanunseenconnectionbetweenDavidand
Goliath
Howfits(ornot)
WithTimes
abitdifferentfrompreviousDaviddepictions
portraysDavidbeforeencounterwithGoliath
KeyFormalCharacteristics massive,17feet,statuethatdepictsDavidsternlywatchinghisfoe
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22-18 Interior of the Sistine Chapel
Name of work Figure # Student Interior of the Sistine Chapel, Paul W
Artist (Patron) Michelangelo Buonarroti, Pope Julius II (Patron)
Culture, Century (Period/Movement) High/Late Renaissance, 1508 - 1512 CE
Medium (Location if Architecture) Buon Fresco (True Fresco) 128 feet x 45 feet
Key Figures / Setting
(Significance)
- general consensus that Michelangelo painted the ceiling lying down on
his back
- Julius II forced Michelangelo to paint
- Michelangelo wanted to work on sculptures in Julius II's tomb instead
Art History Vocabulary fresco, intonaco, grisaille
Influences on / by Artist - strong biblical influence Genesis is depicted in the narrative panels
- figures are painted like bodybuilders, regardless of age/sex a penchant
of Michelangelo
How fits (or not) with Times great example of High Renaissance Art
K ey Formal Characteristics - more than 300 biblical figures illustrating mankind's creation and
downfall
- took Michelangelo 4 years he did not paint every part, but he did paint
every face
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22-22 Tempietto, San Pietro
Name of work Figure # Student Tempietto, San Pietro
Harrison
Artist (Patron) Donato dAngelo Bramante
Culture, Century(Period/Movement) High Renaissance
Medium(Location if Architecture) Near the Vatican
Key Figures / Setting(Significance) Interesting play on light and shadow
Art History Vocabulary Colonnade, Tuscan style, stylobate
Influences on / by Artist Artist's intent was to coordinate the Tempietto and its surrounding portico
by aligning the columns of the two structures
How fits (or not)With Times Based on ancient Roman models, consistent with humanstic values of
renaissance
Key Formal Characteristics Conceived as a tall, domed cylinder
projecting from the lower, wider cylinder of its colonnade
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22-40
Venus
of
Urbino
Nameofwork Figure#
Student
VenusofUrbino
Harrison
Artist(Patron) Titian
Culture,
Century(Period/Movement)
Renaissance,1538
Medium(LocationifArchitecture) Oiloncanvas
KeyFigures/Setting(Significance) Elevatestoclassicalmythologyawomanonabed
ArtHistoryVocabulary Oiloncanvas,cassoni(woodenchests)
Influenceson/byArtist EmbodieswomanlybeautyandthequalitiesthatTitiansawinhisbride
Howfits
(or
not)
With
Times
Color
that
plays
prominent
role.
Many
subtleties
in
color
KeyFormalCharacteristics Color,composition,recliningfigure
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22-43 Madonna with the Long Neck
Name of work Figure # Student Madonna with the Long Neck (2243)
Harrison
Artist (Patron) Parmigianino
Culture, Century (Period/Movement) Mannerism
Medium (Location if Architecture) Oil on wood
Key Figures / Setting (Significance) Slender body of Madonna reflects courtly taste at time
Art History Vocabulary Oil on wood, mannerism, graceful style
Influences on / by Artist Mannerism movement that emphasized one particular style
How fits (or not) With Times Stylish, sophisticated beauty fit with mannerism
Key Formal Characteristics Long, slender neck, small head, swaying frame
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22-53 Interior courtyard of Palazzo del Te
Name of work Figure #
Student
Interior courtyard of Palazzo del Te (2253)
Harrison
Artist (Patron) Giulio Romano
Culture, Century (Period/Movement) Mannerism, 16th century
Medium (Location if Architecture) Mantua, Italy
Key Figures / Setting (Significance) Architectural inventiveness
Art History Vocabulary Mannerism, triglyphs, doric frieze, keystones
Influences on / by Artist Artist wanted to reveal the contrived nature of architectural design by being
experimental
How fits (or not) With Times Very experimental. Requires a sophisticated audience to appreciate.
Key Formal Characteristics Unconventional facaes. Keystones that are not settles, columns that carry
architraves.