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A5
Sm5r'
ffi
FTTT-N
r 3 4
D5/A
ffi
-Frrr]
l 3
Addicted to
Love
Words and
Music
by
Robert Palmer
G5
D5
miij ffisu
flTftl Tft.l
ffaTtl
t-r-Tf-TI
t 3 4
Ff5
ffi++i
f+++n
ffi
1 3 1
C5
|ffi
ffi
TL-Tf
1 3 4
F5
qTm
ffi
Tr-rrn
1 3 4
1 3 4
Intro
Moderately)
=
LtZ
(drums
& kybd.)
G5
Grr.
I
(dirr.)
*
Key signature enotes
Mixolydim.
D5
5
a ^r)
t .
t a
) < t
I
n l
t x
F5 G5
) l n \ \
G
X X
r
X r - X '
A5
t t )
) < X t
f
Verse
+
Gtr.
2
(dist.)
)
c
l.The ightsare
t a{Ytt'.|r}
Gtr.
I
on
slgns,
but
you're
not home.
but
you
can't
read.
Your
You're
run-nin'
ls not
your
a dif-f'rent
a ^
/r,a'r
o'
w/
bar
sintile on
repeals
t^ ^
AA'i
Copyright
1985Bungalow
usicN.V.
All Rights
dmiri i6te;ed
y
PolyGrafr
nternational
ublishing,
nc
lnternational
opyright
ecured
All Rights
eserved
*
Play
2nd
&
3rd imesonly
u,=e
P . M . _
_
_
:
TAAAAAI
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G5
l
X A
D5
I
t ^ A , t
L
t a
x t
a ^ a ^ , l
l )
x t
J
| | a ^ a
I
t n
x t
Your heart
Your heart
TAAA AAAA'
sweats,
beats
your
bod-y
shakes.
in
dou ble
time.
t / t ^ A ^ a
^ > < ,
I
,l
ff v".."
A5
\ \ 1
n 1 l I
g
I
x '
/
x
Gl
./
kiss
kiss
is what
it
takes.
and
you' l l
be mine.
2. You
can't
4.
A one
track
sleep,
mind;
5.
SeeAdditional
Lyrics
(Whoa.
_
)
you
can't
you
can't
be
F5
G5
\ \ l
n I t ) n I
'
X i - X '
i
X
c_5
X ^
Your throat
rs
If
there 's
t ^ ^ ^ ^ / t
\ le
q -:
t r l
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\
. t t t
t Y x
D:a
\
l r /
a X
you
can't breathe.
left for
-
you,
t ^ ^ ^ ^ a
A n - o t h - e r
you
don't
i'a,i'<l'i'.1'<l'|l&
kiss
mind
is all
you
if
you
-
Pre-Chorus
Gtr. 2: w/ Fil l l . 3rd im e
G5
Ffl5
-^J.
y o u - l i k e t o t h i n k t h a t y o u ' r e i m - m u n e - t o t h e s t u f f ' o h , y e a h . .
/ :
< 1
- t
p t {
w/
oal
-2
V2
-2
2
pitch:
{ D Ff
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Gtr.
2: w/ Fil l
2, 3rd ime
l r
i l c
A5
t t l
X X X
G5 A5
Y \ I
x l t
It 's
clos
-
er to the truth to
sav
ya
can't
get
e-nough. You know
you're
a
^ ^ ^alL'il
r|A/l'L,i,.l'||/.L
-*rili---
l l .
l12.
-J'-J-]^
pitch:
Ff
D5t
x -
i---*---^'.-
>:/u'-'tz
\./
l.\,/-J
( / / \ x , /
l
^.-
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N -
t t /
X '
t r l
- \
t l
X X
'l
as \\'ell
face it,
you're
ad
-
dict
-
ed to
love.
_
face
it ,
you're
ad
-
yeah.
-
)
C5
D5
r l r ) r I
A5
t \ l
q
t l I
/
' ^ l
C5 D5
. h l I
' l ' 2 1
dict
ed to love.
Might
-
as well
face i t ,you'read
-
dict-ed
to
love.
_ Might
- as
well
face it,
you'read
To
CodaS
A5
) )
A G
@ @
5fi
3t r
@
8t r
(cont. n notat ion)
dict
-
ed
Might
- as
well
face
it,
you're
ad
-
dict
-
ed
(cont.
n
slash)
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$
C,-,da
C h,rr
u
Begin
Fade
.i
-<
G5 A5
L J - T I
1 )
G5
\ l
Y i l |
' x x
'l
l ] v
x '
I
A5
\ l
I t t I
/
x ' ^ x
Fade
Out
c5
. /
l )
' x , 2
Gtr .2: w/ F i l l
3
c5 D5
\ r l
Y t l | |
'
x ' 2 x
x
c5 D5
) | | , \ \ - ,
r
x I
|
, ^ i ,
/
> {
Additional
Lyrics
5.
The ights
areon,but
you're
nothome
Your
wil l
is
not
your
own.
Your heart
weats,our
eeth
rind.
Another
iss
nd
ou' ll
bemine.
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Another One
Bites the
Dust
Wordsand
Music
byJohn
Eleacon
Em
Tig'u
Ff?t#
trT-Trtrl
3 4 2 1
Intro
ModerateRockJ
=
ff O
N.C.(Em)
Gtr. I
(clean)
RifTA
Am
ffisr,
fTtTl-]
trrfii
3 l l l
Gilm
ffifior'
TIT|I
rrrrn
3 l l t
(Am) (Em)
End
RiffA
(Am)
mf
ploy
2ru1 ime only
P . M . _ _ _ _ _ _ _ _ _ _ _
(Am)
Verse
Gtr. l:
w/ Riff A, 2 times
N.C.(Em)
Ooh,
(Am)
q n l
l e t ' s
ly down -
the street,
no soundbut he sound f
his feet.-
rim oulled
wav
down
low.
-
ma-chineguns
ead-y to
go.-
Are
you
(G5)
(G5)
Chorus
Gtr. I tacet
N.C.(Em)
Hey
-
Are
you
read-y or this? Are
you
hang-in'
on theedgeof
your
seat?
Out of the
door way thebul-lets
(A5)
(B5)
to the sound
of the beat,-
yeah.
(Am)
An
-
oth-er one bites the
dust. -
O
1 9 8 0
U E E N
U S I C T D ,
:
I
r ^ : sC o - i ' c
e C n d
A d m
s t e r e d; ' B E E C H W O O D
U S I C
O R P .
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And
an
-
oth,er
one
gone,
and
an-oth_er
one
gone.
An
-
oth-er
one
bites
the dust,_
ea h
(As)
Gtr. I tacet
(Ff5)
F#m7
C t r . : w / R i f f
A , 2 r i m e s
N.C.(Em)
I 'm gon-na
get
you
too.
oth
-
er one bites the dust. _
*
Gtr. 2
(disr.)
An
End Rif fB
e
P. \1
| 4
*
Tqo
Btr\.
f i . for one.
Gtr.2 acer
Verse
Grr. I w/ Riff
A, 2
t imes
Em
f : : ^ : , m f f i - 7 F r l
nf
2.How
do you
gon
na get
long
Am
Gfm Am
Em
Am c r ry t
Am
-
' -
- : : : : :
:
:
:
( 4 / / q / q x l / : / x l . / / x l . r x y . / / x l l r l , x / / / / 1 , ) q l , ) / : ) t
out
you
when
you're gone?
G t r s . l & 3 r a c e t
N.C.(Cs)
You took
me for
ev-'ry
-
thing_
that I
had
and kicked
me
out
on my
own. _
Are
you
)
hap-py?
Are you sat is fied? - How long can you stand the heat?
Chorus
N.C.(Em)
(Gs)
Out of the door - way the bul-lets rip _ ah,
Gtr. acer
(Gs)
(cs)
G5
the sound
of
the
An
-
oth-er
one
bites the
dust.
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An
.
olh.
er
one bnes lh€ dusl. And d oth er one
gone,
and e oth er one
gone.
N.C.(Fl5)
^l[n7
o1h-d onc biles
th. dust.
IngonM
ger you
too.
An otb er one bnes e dusl.
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orh er one biks the dusr. Het.
(Em)
En
- , f f i m f f i , m
r ) m , n m f f i m f f i { t F
You can bear rm,you cu cheaL im,you .tu Gat him bad and lnen
t - - F F n =
/ / / / x / 1 t / / = /
1
Yes, n
read.y for
you
I n sbnd n on ny own tso feer
G5 N,C,(En)
3. Tlrr ft
plen
ly ol
ways
rhatyoucshun
leave
him shenhe s
down,
ycan.-
N.C.(C5)
(c5)
(c5) (o5)
1 4
Olr of the door way rlE bul le|s
e
.
pear
ng ro rhesound f rhe bear, oh,
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olh-er one biles the dust.
oth er one bnes € dun.
An
-
oth-er nebiles hedust.
And an orherone
eone.
nd an orherone
Bone.
An
I m
8on
na
8er tor
bo. An oth er one biFs rhe dusr.
Em
* 'mffimmnn1,fi
E7
ff i f f i f f i , f f i
G6
r &rker
Gln Am N.c.(cs)
(c5) (45) (c5) (c5)
(A5) (85)
N.C.
G5)
t t - t t - t
/ / / x / 1 1 / / . : > /
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Words
and Uusic by Chrissie
Hynd€and JarEs Honeyman€coti
D,Cd
ih'
Modcrale
Rock./
=
98
*A dd9
Aadd9
*f
Brass
in Pocket
Bm,ff
i+Fi'
ffi
@1979EMIMUSICPUBLISHING
TO. Edingas CLIVEBANKS ONGS ndJAMESHONEYMAN,SCOTT
AllBightsforEMllllUSIC
PUBLISHINGTD.lGding s CLIVEBANKS
ONGSContrc'll€dndAdministeredy EMIAPBILMUSIC NC.
AllFlights eerued Int€rnational
opyright ecu.ed Usedby Permission
ichod
symboh
i{r ovcdll rdnaliry.
t6
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Cr .
r : * r
Rhy . is . I
2. Got no don.
3.1 gor
rhy-lhn,
rc{t.ained no rion.
I
can
miss
a bear
De t.on lco, in
,
A..l,l9 E
just
*ens e
pleas,in .
I
I n
w ink
n . r
you.
I
C on nd mxke
)ou .
h4 \e
)uJ .
rd l e
)ou
10
| , .
Con{a uq
m, ams.
P.M.
No red son,
Colsone di.gi
E6 E5
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E
ai
X
cho.us
A E
Con na u\c m,
nn
geA
'me
i na tion, oh.,
'Cause
A/E D/FI
n
A,rEBrt
D
A/E
A/E BntF{ d/E BntFl
q - l
I
rocoda 1t
D.S. al Coda
I
em or
your
Co. nauseny, ny. dy,
D/F{ NE D/F}
q - l
' /
/ I /
] n
D
gon
n. nate
you
see
A/E D/F{ A/E D/F{ A/E D/FS d/E D/FI
| E n
| n n
1 8
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Words
and Musicby AndrewFanissand
Michaet utchence
D,evil
nside
F5
m
MF
Em
C5 F5/C
'Efil
iffi fiT##
M MF ffiI
Mode.srcly
Fa$ J
=
r50
( d tu n s &d h b .v @. )
N.C.
c5
CopyighlO 19S7PolycramnlenalionalMusicPublishing.V.
AllFlighlsor
he United t ales ndCanada dministered
y
Polycram nlernationalPLrblishing,Inc,
ndSonqsOl PolyGramniernarlonal,Inc,
F c F x B t
ffi' m m* ffi
E
Uffi Eff Uffl
20
Internalional
opyrighl ecufed
All
RighlsRsssrved
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c5
\ha{.
cr
lhan knivc.
-
Bridgc
G
d u l / . - - n
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c
c5
Makes
ou
won
-
der
hos lhe
oLhar
half
li e,
Cho.us
c5
'--'--\
c5
cl ' rnr,r.arrr
=---3
Ev
'ry
sin
gle
ooeof s. llF
c5 F5/C
/ - / /- , ,
ev
ry
sin
gle
oneof us,- the de il
, " . ,o l l -
e il
2,
well.
heE cone $e
Fed o.
-
nolh-in',
-
F5/C
22
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Interlude
N.C.
c5
Fu lure un
(er
Ein,
bul .er uin ly slight.
c5
be lieve we need a
Choru
c5
ev
ry
sin
8l€
oneof us, the dev il
hell.
F5/C
c5
\
ev
ry
sin
gle
oneof us, the dev il
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@.>:-
1
F C F C F F x T n
\
\ ,
. t
1
/ ^ /
/ /
/ / /
c F Fxrr Br Fxnr
", olii"
*"i.r",*.,
"
| | h h ' | |
-
/ / / / ^ / / / / /
c F c
v f r f r r I
/ / ' / /
c
Guit . Solo
c
c " . t n - ,
c;'zt4l--azf
B, Fxnl
Bt
r h h r
. 1
/ ^ / / /
' , )
Em
r-/
24
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c
c5
4.well, here omes the
wom
an.
wnh
he ook ,n her ere.
.
She s raised on leatb er,
with nesh on her nind.
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ci
t -
shary er than knives.-
De il
Chorus
c5
c5
c
e\
' ry
\ ln
g le
oncof
u \ . rhe
ev
'ry
sin
8le
oneof us,-
eL r,
sin
gle
oneof us, Lhe
o$ er balf,
dic,
F5/C
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t ) -n )
c
) ) - ' - -
Outro
cr l: v Rhy. is. . irl ade
c F c B '
^D^)
F B I C
e
ry
s in
8 le
oneo l us , - rhe
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Tle dev il in
de.
* c
F
c
Plar 8 Tines Md Fade
B ' F B '
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o.E
@
-Dt
@-Br @
-Al
@-at @
-Et
F
ffi
Every BrcathYouTake
Writlen
and Compo6€d by
S-ting
Modenle Rdt
=
116
Ev
'ry
night,
tou
EY-
ry
bond
-
you
breat.
E
ry
Sane
you play.
ob,
@1983 M
SUMNER
Plbrshed
y
MAGNET PUeLTSH
GLTDandAdmn
stefed VEM BLACKWOODUS
C
NC n
theUSAa.d Canada
A F
ghls
Fese.?ed nlernalo.a
Copvrgrri
ecufed Used yPerm'ss n
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3i i
Bridg.
Ev-'ry vo$
you
- breal.
ro coda+
3. .4 Ev- ry move
)ou
-
Ev
'ry
snile
you
fake. E\
' r
. la im
Jou
nale .
^
) .
-
G
c
t-
I dream
ar n'ghr I can on ly
Snce
you'vegoie,
I ve been ost_ *nh out- . trace.
n
I feel e cold md I
I look a round. but n s
30
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Evrr' sr€p .yor ule. I ll be
Natch
n8
you.
1. ,5
Ev
ry
2. ,4. ,6. ,3.
Ev-
ry
:1. .7.
E - ' ry
Ev
ry
nove
you
nake
Ev-
ry
word,
you
say.
Ev- ry
ow-
you
breal
Ev
'ry
bond
to
break.
Ev
ry
game you play.
Ev-'ry
smile-
yon
fate.
t l l
Ev-
ry
Eu- 'ry
Ev
'ry
31
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3-
--+
t--
-
-
-
--
--
ww$**w**ww'.-r .rrrrrtrrrl rwnwNw*w*ww*t,,",,,,,.
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You ve
u len
lors
ofchahc.s
34
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Boros
you
eSon na fe
-
gieL
false
il
-
lu
-
sion be
-
hind.
Bn7
t t -
ing
G6
hedd the ac
-
cu sa tion be foE,
rind
an-orh o
fool like be forc,
ain t
gon
na kke an
y
nore.
aihlSon
na live m
y
mot
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tule.
ore or rhe ,'c,
ronl h.
l'.\ re
I
*h,le
all
of rhe signs m de ceiv .g
_
I can read-
your
mind,
ch
, r&4 : l rRhy
Frs i
1 . 4
&18 . s i m i l e
Dadd2 D Dadd2
36
I can cher r -
)ou
bl ind
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.. .... .^.
.. ..6||.
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Bm9
Br
1 2
38
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Dadd2 D Dadd2
I cm rcad
your
mind
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Gn6
cr 2&4 { iR i t rs
& Br ,2r ims
Bn9 Bm?
Bm9
40
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Bm9 Bm?
Bn9
ch read
_
your
nin.l,
Bn9 Bm7
Bn9
can Bad
your
mind.
cnaj9 l
Gadd9 Omajg{ I
Bm9
Bm9
-\
4i
cmaj9l I
41
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Modenrely
,
=
loE
N.C.(C5)
Eye
of the Tiger
Tlsne lrorn ROCKY n
Words
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45 B5/Fl
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by Carln
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ToCoda g
ro coda I
1 8
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rocoda
3g
t
T'r-r
rFr \
) l * 4 1 ) ) ' t h 4 l
quesron
our
will
ar all.'
eno
you
ve
gor
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a
lone
ly hean.
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5
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85
C5 D5
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OwD€r
of rhe one
ly
Bs
c5 D5
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tne on€ ly hea4.
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Coda3
crs 1& 1:
Rhy.Figs.2& 2A.4riDes
A C/A
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Should
I
Stay or Should
I
Go
Wordsand Musicby Jo€Strummer nd MickJon€6
D G D x v n C x F A T
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14
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fr
v -
c r r r Rh y F i l L .4 rh
i me
D
3..4. SeeAdditional rri.s
should
I
nat or should I
go?
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'm od my knes.
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ler
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Chorus
Double-Ttm€ eGl
D O
2- h's al vays 1e6e.
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h r-^ -]
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I
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h
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t t6
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End Double-Time
fel
D.S. al
Coda
fmf f in
I
Coda
D
D^ffiffi7n
mffiffiffiffiffimffi
should
I cool ,r or
thould I
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D
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sstl
me tce.lsi
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117
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Time After Time
Wods atd ftxtc by C),rdi Lalper
and
Aob HyrEn
Mod€mrely a1.l = 131
Copyrighl@
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F C
F/C C
ce- of ftn o nes,_
at
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We
Built
This
City
Words s|d Muric
by Bemb Taupln,
I\ibnin Paqe,Dennis
anbst sd PlEr
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(F)
(Br5)
B l s N c B b sN . c .
Bt5 N.C. Bt5 N.C. Bts N.C.
(F/A)
B b 5
B b 5
5
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c5 F/A Bts
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d n ; l i Y + ^ +
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day
ltim.
126
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B 5/F
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com ingtltrou8h
our
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128
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Bb5N,C, Bt5 N.C. Bt5 N.C.
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t
c/Bt oBt/Bb
Buill lhis cil
y.
we built lnh
cit
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c:.
ir
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We
Got the
Beat
Words and iifrslc by Ch€dorb Caffey
pl.-
walk in'
jusr
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ff
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rr
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got
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e b€ar, kids
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we
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tbe bear,
I
CopyrghtO
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by BMGSongs
rnc.
nternationa
opyrgrrlselred A FiqhlsFeeaed 131
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Yeah. th.y
gotrlE
b.ar.
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rn€ b.at.
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B
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132
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w. gor
lhe bear.
f
we
gor
rhe beal.
We
gor
rhe bear.
e
got
rhe bear.
'Round
aod tound and
We
gol
thc bear
c6. ra 2:w/ Rhy.Fie.2
&
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-
we
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I
l
.
I
we
we
gor
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fu.,
l
r3
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Chorus
cts. r & ?: Rhy. i3. A. ? rin.s. mire
E A
Kep on whis
per
in
Tell m all lhe lhings lhal I- van na
D/II
you
Fal Iy k.ow hoe to
you
keep me
wm
ar
D/FI
hes
-
canse hal s lrue,-
D/FI
D/FI
lhaasebat I lite a bont
whar I like. Thrfs
ft
verse
Gr6. & 2: /Rhy. FiB A,2 rimes,imile
D/FI
E
think a boul
know
you
hake tu feel al
np
-
rowh
junp
a-rouro,
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*an
na let
you
go.
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c
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cd. r & 2:*/Rhy.FiB A, t rimcs,imil.
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Keep on whis
per
in '
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thafs
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Tell ne all the things that I
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a bout
135
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Wods r|d r/llsrc
by To.nmy Rocco
gld
B€cky Fostor
Your
Love
cf5
rcund md
lalk i[ o
get
whal I
told
C.O-91e19€.r :9a5Pdrcamln ternato .a tP lb ishhq. t .c .andS. fe€ncemeEM
Mls ic .c
.:edahonar
CopynqhlSared A Frqhrs €rye
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I
Fst
wad na
ue
Your
I
--'--..----->i
139
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B.idgc
Rt;:.'*'
Try o slop my
hands from shal
but $ne ding in
-
ny
.
cr.
r:wiRhyFig.
, il h&, sinitr
r---_-=--'"""
I canl hide the say I'm feel
-
ing.
l's
beena
while
since
't
40
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B q d
6 : r
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F "
. r D . d
.<a--::=::
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142
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tl
,
I d o n t s e - n a
l o s
143
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Guitar Notation Legend
D A
GLirarMusccanbenoraredlhreedf lere. rways:onamusicalstaf r , in tablature,ard^tht thnslashes.
E C
.;
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144
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